FROM   THE  LIBRARY  OF 
REV.   LOUIS    FITZGERALD    BENSON.  D.  D. 

BEQUEATHED   BY   HIM  TO 

THE   LIBRARY  OF 

PRINCETON  THEOLOGICAL  SEMINARY 


Sect-  735  (^ 


THE  /  N'  ,  ^ 


DEC    7    1932 


Txmwt,  vmu®<&m  w&&m®'$F£k?- 


MUSICAL  MANUAL  FOR  SABBATH  SCHOOLS: 

CONTAINING 

OLD  AND  NEW   SACRED    TUNES    HARMONIZED 

IN  AN  EASY  STYLE,  IN  TWO  AND  THREE  PARTS ; 

AND  ADAPTED  ALSO 

FOR  THE  USE  OF  SMALL  CHOIRS  AND  CONFERENCE  MEETINGS. 


Arranged  and  Composed  by 

©ft:  Ztuntv, 

Organist  at  Park-street  Church,  and  to  the  Handel  and  Haydn  Society. 


BOSTON: 
PUBLISHED  BY  LINCOLN,  EDMANDS  AND  CO. 

Sold  by  Glazier  &  Co.  Hallowell-Colman,  Holden  &  Co.  Portland-Horatio  Hill  &  Co.  Concord— Ide  &  Goddard, 
Windsor — Dorr  &  Howland,  Worcester — A.  S.  Beckwith,  and  I.  Wilcox,  Providence — D.  F.  Robinson,  Hart- 
ford—Oliver Steele,  Albany— Bennett  &  Bright,  Utica— N.  &  J.  White,  and  John  P.  Haven,  N.  Y.  —French  & 
Perkins,  and  Ira  31.  Allen,  Phil. — Cushing  &  Sons,  and  Joseph  Jewett,Balt. — Hubbard  &  Edmands,  Cincinnati 

1833. 


AUTHOR'S  ADVERTISEMENT 


The  Author  of  this  collection  of  Sacred  Music  begs  leave  respectfully  to  present  "The 
New  Village  Harmony  "  to  the  public,  and  to  recommend  it  as  well  adapted  to  the  wants 
and  capacities  of  Sabbath  School  Pupils; — as  well  as  for  the  use  of  choirs,  which,  from 
a  deficiency  in  numbers,  find  it  inconvenient  to  perform  pieces  so  harmonized  as  to  re- 
quire a  greater  number  of  parts  to  be  sustained; — and  on  the  same  account,  for  use  in 
the  conference  room  and  family  circle. 

The  greater  number  of  the  tunes  are  original;  the  remainder  consists  of  tunes  select- 
ed from  his  other  publications,  viz.  the  American  Harp,  an  original  work,  and  the  An- 
cient Lyre,  a  compilation  and  new  arrangement  of  old  and  new  tunes; — the  whole  are 
harmonized  either  for  two  Trebles,  for  two  Trebles  and  Base,  or  for  three  Trebles. 

The  book,  besides  being  entirely  free  of  selections  from  Operas,  Songs,  Glees,  &c,  is 
in  the  true  style  of  Church  Music,  either  as  regards  the  expression  of  the  melodies,  the 
variety  of  metres,  or  sentiments  of  the  hymns;   and  will,  he  hopes,  prove  very  useful. 

An  Introduction  to  the  Art  of  Singing  is  introduced  into  the  work  in  a  plain  and  sim- 
ple style,  by  question,  answer  and  illustration;  and,  with  a  proper  degree  of  explanation 
on  the  part  of  the  teacher,  and  attention  on  the  part  of  the  pupil,  will  be  found  sufficient 
to  give  a  good  knowledge  of  the  rudiments  of  the  science. 

Entered,  according  to  act  of  Congress,  in  the  year  1833,  by 

LINCOLN,  EDMANDS  &  CO. 

in  the  Clerk's  Office  of  the  District   Court  of  Massachusetts 


PUBLISHERS'  PREFACE. 


Among  the  means  now  used  in  this  age  of  benevolent  effort  to  cultivate  the  mind  and  improve  the 
heart,  teaching  children  the  science  of  Music  holds  a  primary  rank.  Every  facility,  therefore,  which  is 
given  to  this  branch  of  study  is  welcome  to  the  community ;  hence  the  publication  of  this  Musical  Manual. 
In  presenting  this  work  to  the  patronage  of  those  who  aie  interested  in  the  intellectual  advance  of  the 
youth  of  our  country  in  the  important  service  of  Sacred  Song,  the  Publishers  feel  confident  that  in  its 
preparation  the  acknowledged  talents  of  the  Author  will  be  found  to  have  been  successfully  employed. 

The  establishment  of  Sabbath  Schools  has  had  a  direct  tendency  to  engage  the  young  in  the  delightful 
service  of  Sacred  Music,  the  influence  of  which  on  the  mind,  in  every  situation  of  life,  is  universally  ac- 
knowledged. The  young  convert  expresses  his  glow  of  gratitude  to  his  Redeemer  in  songs  of  praise ; 
and,  with  the  sweet  singer  of  Israel,  the  mature  Christian  swells  the  anthem  of  his  thanksgiving  for  pre- 
serving grace.  Indeed  the  improving  taste  of  the  age  in  this  science,  seems  to  be  establishing  the  truth 
of  the  sentiment  of  an  ancient  philosopher,  that  "  music  contains  the  seed  of  moral  life." 

It  may  indeed  be  said  that  music  enhances,  almost  to  perfection,  the  pleasures  of  social  intercourse. 
Its  exercise  not  only  invigorates  health,  but  brings  into  action  one  of  the  most  cheerful  faculties  of  the 
mind.     It  has  power  to  dispel  despondency,  and  to  brighten  hope. 

The  cultivation  of  the  voice  in  the  strains  of  melody,  and  of  the  ear  in  the  varied  notes  of  harmony, 
tends  to  quicken  our  sensibilities,  and  to  open  the  heart  to  the  moral  of  the  verse ;  hence  the  importance 
of  connecting  correct  and  salutary  hymns  with  the  tunes  to  be  learned  by  juvenile  performers.  First  im- 
pressions are  always  deep  ;  and,  as  the  words  which  accompany  pieces  of  music  are  so  thoroughly  com- 
mitted to  memoiy  as  never  to  be  forgotten,  their  wholesome  tone  is  of  the  first  importance  to  the  young. 
In  selecting  the  hymns,  therefore,  for  this  work,  great  care  has  been  taken  in  reference  to  the  sentiments 
which  they  inculcate. 

Bobtoh,  July,  1833. 

STEREOTYPED  BY  LYMAN   THURSTOS&  CO.   ■©•TOIT. 


Introduction  to  the  Art  or  Singing. 


TJESSOX  I. 

OF    THE    STAFF. 

1   What  is  a  STAFF,  or  what  does  a  Staff  contain? 
Five  Lines  and  four  Spaces. 

LINES.  SPACES. 


-Fifth  Line. 
-Fourth  Line. 
-Third  Line. 
-Second  Line. 
-First  Line. 


4  Fourth  Space. 

3  Third  Space. 

2 

1 


"Second  Space. 
First  Space. 


2   What  is  the  use  of  theseLines  and  Spaces? 

Musical  characters  are  written  upon  them.     The  notes 
determine  the  pitch  of  sounds. 


3  What  do  you  call  each  Line  and  Space? 
A  Degree. 

4  How  many  Degrees  does  the  Staff  contain? 
Nine. 

5  What  do  you  call  the  added  Degrees? 
Leger  Lines,  or  Added  Lines. 

6  What  the  Spaces? 

Spaces  above  or  below  the  Staff. 

Space  above added  line  above- 


Space  below 


-added  line  below. 


LESSON  II. 

OF    NOTES    AND    RESTS. 

1  How  many  kinds  of  NOTES  are  there?    Six. 


2  What  are  they  called? 

Semibreve,  Minim,    Crotchet,   Quaver,   Semiquaver, 
Demisemiquaver. 


Semibreve. 

Minim. 

Crotchet. 

Quaver. 

Semiquaver. 

Demisemiquaver. 

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3  How  many  Minims  is  a  Semibreve  equal  to? 
Two. 

4  How  many  Crotchets  is  a  Minim  equal  to? 
Two. 

5  How  many  Semiquavers  is  a  Crotchet  equal  to? 
Four- 


6  Can  you  tell  the  relative  proportion  of  the  Notes 
in  the  common  order? 

Yes.  One  Semibreve  is  equal  to  2  Minims,  or  4 
Crotchets,  or  8  Quavers,  or  16  Semiquavers,  or  32  De- 
misemiquavers. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


7  What  means  the  value  of  a  Note? 

The  length  of  time  the  sound  of  a  note  is  to  be  sustained. 

8  How  many,  and  what  are  the  names  of  the  primary 
Musical  Sounds? 

_    There  are  seven:  A,  B,  C,  D,  E,  F,  G.— Or, 


'S3 


C^-     D         E        F         G 

Semibreve  Rest.         Minim  Rest. 


ABC 

Crotchet  Rest.      Quaver  Rest 


9  How  do  you  know  the  length  of  a  Note? 
By  its  form. 

10  What  do  you  understand  by  RESTS? 
Rests  are  marks  of  silence. 

11  How  many  such  marks  are  there? 
Six. 

12  What  do  you  call  them? 

Semibreve  Rest,  Minim  Rest,  Crotchet  Rest,   Quaver 
Rest,  Semiquaver  Rest,  Demisemiquaver  Rest. 


Semiquaver  Rest.  Demisemiquaver  Rest. 


i 


m 


LESSON  III, 


ON  CLEFS. 


1  What  is  the  use  of  a  CLEF? 

The  Clef  fixes  the  place  of  the  notes  or  letters  upon  the 
Staff. 

2  How  many  Clefs  are  there? 
There  are.  three. 

3  What  are  they  called? 

The  Base,  or  F   Clef— the  Tenor,  or  C  Clef— and  the 
Treble,  or  G  Clef. 


BASE. 


TEXOR. 


"I 

"I 

F  C         or       C 

4  Which  Clefs  are  in  common  use? 
The  Base  and  Treble  Clefs. 

5  On  which  line  is  the  G  Clef  situated? 
On  the  second  line. 

6  On  which  line  is  the  Base  Clef? 
On  the  fouith  line. 

■n   -C-  |         i 


TREBLE 


Situation  of  the  letters  f& 

in  the  Base  Clef.        - 


„-D 


F-v 


-G-^ 


OR    F    ( 


n     A. 


■  *  •  fr 


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VI 


Situation  of  the  letters 
in  the  Treble  Clef. 


INTRODUCTION  TO  THE  ART  OP  SINGING 
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LESSON  IV. 

ON    THE     MARES     OF     TRANSPOSITION,    OR    THE 
SHARP,(^)    FLAT,(U)    AND    NATURAL. (fc|) 

FLATS.  NATURALS. 


1  What  do  you   call   the  FLATS  or   SHARPS, 
placed  at  the  beginning  of  a  piece  of  music? 
Essential,  or  Signatures. 

2  What  are  they  called  when  placed  before  single 
notes? 


Accidental. 

3  What  is  the  use  of  a  Sharp? 

A  Sharp  directs  that  the  note  is  to  be  sung  half  a  note 
higher  than  its  natural  tone. 

4  What  is  the  use  of  a  Flat? 

The  same  notes  are  to  be  sung  half  a  note  lower  than 
the  natural  tone. 

5  What  is  the  use  of  a  Natural? 

It  restores  a  note  made  flat  or  sharp,  to  its  natural  tone. 

6  What  is   the   effect   of  Flats   and  Sharps,  when 
placed  at  the  beginning  of  a  tune? 

They  last  throughout  the  piece. 

7  But  how  long  do  accidental  Flats  and  Sharps  last? 
Through  one  bar  only. 


LESSON  V. 

OF    MUSICAL    CHARACTERS. 
MEASURE.  BAR.     MEASURE.      BAR.     MEASURE.      BAR.     DOUBLE  BAR,      or         HOLDS   or    PAUSES. 


-o 


F 


^H 


3^r 


A  SLUR. 


A  TIE.        A  REPEAT.     SINGLE  REPEATS.  DOUBLE  REPEAT.  * 


BAR  LINE. 


■rzP-m- 


:^s~x 


i     r 


Si=i*^H 


INTRODUCTION  TO  THE  ART  OF  SINGING 


VU 


1  What  is  the  use  of  a  Bar  line? 
To  show  the  end  of  a  measure. 

2  What  is  the  use  of  a  Double  bar? 

To   show  the  end  of  a  strain   in  music,  or  a  Hue  of 
poetrv. 

3  What  is  the  meaning  of  a  Tie? 

That  the  notes  are  to  be  sung  in  a  smooth  and  connect- 
ed mauner,  and  to  one  syllable. 


4  Do  you  know  the  meaning  of  a  Slur? 

The  Slur  requires  that  the  sound  should  be  sustained. 

5  Can  you  tell  the  meaning  of  a  Repeat?  . 
It  shows  that  a  strain  or  whole  piece  should  be  sung 

twice. 

6  What  is  the  use  of  Pauses? 

Pauses  over  notes  or  rests  show  a  point  of  repose  to  tne 
performer. 


LESSOX  VI. 


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XX 


irrrnrrm 


A   Shake. 


Written. 


To  be  sung.  *  Crescendo.)    *(Decrescendo.)      *(Staccato.)  *(Legato.) 

increasing.  decreasing.      short,  marked.       connected. 

DOTTED  NOTES  AND  RESTS. 


W7\r^jmsm 


To  be  sung 

or 
performed. 


pE^Ki^B^Ji^Pii^ 


1  What  is  the  use  of  a  Dot? 

A  Dot  lengthens  the  value  of  a  note. 

2  What  is  the  general  rule  for  the  Dots? 

A  Dot,  placed  after  a  note  or  rest,  adds  one  half  to  its 
original  value. 


3  How  much  is  a  dotted  Minim? 
Three  Crotchets. 

4  How  much  a  dotted  Crotchet? 
Three  Quavers. 

5  How  much  a  dotted  Quaver? 
Three  Semiquavers, 


Vlll 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


LESSON   VII. 


1  Do   ycu  know   the  different   kinds  of  Time  in 
Music? 

Yes.     Two  kinds. 

2  What  do  you  call  them? 
Commo  1  and  Triple  Time. 

3  What  is  the  difference  between  them? 
CommoiTime  contains  an  even  number  of  equal  parts, 

two  or  finir  equal   notes;    but  in  Triple  Time  we  count 
three  or  sU  eqo  \1  notes  to  each  measure. 

4  What  kinds  of  time  belong  to  Common  Time? 
FourCrotchets,two  Crotchets,  two  Minims,  four  Quavers. 

5  Can  you  tell  some  kinds  of  Triple  Time? 

Three    Minims,  three  Crotchets,  three    Quavers,    six 
Quavers,  &c. 

6  How  can  you  know  in  what  kind  of  Time  apiece 
is  to  he  played? 

From  the  figures  placed  at  the  beginning. 

7  Wha\  does  the  top  figure  signify? 

The  number  of  parts  of  the  note,  contained  within  the 
measure. 


8  What  does  the  bottom  figure  signify? 
The  value  of  the  notes. 

9  Which  parts  of  the  bars  in  general  are  the  ac- 
cented parts? 

The  first  parts,  or  first  beats. 

10  How  are  the  beats  marked  or  distinguished? 
By  the  falling  and  rising  of  the  hand. 

11  How   do    you   beat   the   accented  parts   of  the 
bars? 

By  the  falling  of  the  hand. 

12  And  the  unaccented? 
By  the  rising  of  the  hand. 

13  What  is  the  sign  in  general  of  Common  Time? 
A  C,  or  four  beats  in  each  bar. 

14  What  means  a  -^p-  with  a  bar  drawn  across  it? 

It  means  two  beats  in  each  measure. 

15  What  is  Compound  Time? 

Compound  Time  is  either  a  multiplied  Common  or 
Triple  Time,  in  regard  to  the  top  figure. 


"*, 


LESSON  VIII. 

ON  THE  SCALE  OR  GAMUT,  AND  INTERVALS. 
JOR  SCALE.  MINOR  SCALE. 


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£  tone. 


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1  tone. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


NAMES    OF    THE    INTERVALS. 
Prima  or  Unison. 
Minor  Second. 
Major  Second. 
Minor  Third. 


Prima 


Minor  Second; 
one  semitone.  . 


Major  Second; 
one  tone. 


Major  Third. 
Perfect  Fourth. 
Sharp  Fourth. 
Flat  Fifth. 
Perfect  Fifth. 

EXAMPLE. 

CI     Flat  Fifth; 

'~ry~~r^ — §~        fec*  or  fo.lse 

of  two  tones  and  tv 


Minor  Sixth. 
Major  Sixth. 
Minor  Seventh. 
Major  Seventh. 
Octave. 


offe 


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consisting    of   n=^_ 


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Minor  Third;  consisting  of  one 
tone  and  one  semitone. 


Major  Third;  consisting  of  two 
tones.      ..... 


Perfect   Fourth;    consisting 
of  two  tones  and  one  semitone.  . 


Sharp  Fourth;  (called  also 
Tritonus ;)  consisting  of  three 
lone9.  .... 


;ICT; 


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(called  also  imper-    CQ q C 

fifth;)  consisting    V=?* I- 

and  two  semitones.     "         Q 


B 


Perfect  Fifth;    consisting  of 
three  tones  and  one  semitone. 


Minor  Sixth;  consisting  of  three 
tones  and  two  semitones.  . 


Major  Sixth  ;  consistingof  four 
tones  and  one  semitone.    . 


Minor  Seventh;  (flat  seventh) 
consisting  of  four  tones  and  two 
semitones.         .... 

Major  Seventh;  (sharp  sev- 
enth) consisting  ->f  five  tones  and 
one  seiniione.   .... 


Octave  :  consisting  of  five  tones 
and  two  semitones.    . 


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INTRODUCTION  TO  THE  ART  OF  SINGING. 


1  Where  do  you  find  the  two  Semitones  in  the  Ma- 
jor scale? 
Between  the  third  and  fourth,  and  seventh  and  eighth 

degrees. 

2  Where  is  the  place  of  the  two  Semitones  in  the  Mi- 
nor scale? 

Between  the  second  and  third,  and  fifth  and  sixth  de- 
grees. 

3  Upon  which  degree  is  the  leading  Interval? 
Upon  the  seventh  degree. 

4  What  is  understood  by  the  word  Interval? 
The   distance  between  two  notes,  counting  from  the 

lowest  note  upwards. 

5  How  many  whole  and  half  tones  do  you  find  in  the 
compass  of  a  Perfect  Fifth? 

DIFFERENT    1NTERVA 

Sing  A  (aw.) 


Three  whole  tones  and  two  half  tones. 

6  How  many  in  a  Major  Seventh! 
Five  whole  tones  and  one  half  tone. 

7  How  many  in  an  Octave? 

Five  whole  tones  and  two  half  tones. 

8  How  many  in  a  Perfect  Fourth? 
Two  whole  tones  and  one  half  tone. 

9  How  many  in  a  Major  Third? 
Two  whole  tones. 

10  How  many  in  a  Minor  Third? 
One  whole  tone  and  one  half  tone. 

11  How  many  in  a  Major  Seventh? 
Five  whole  tones  and  one  half  tone. 

12  How  many  in  a  Minor  Seventh? 
Four  whole  tones  and  two  half  tones. 

LS — FOR    FRACTICE. 


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L.ESSON  IX. 

OF    SOLMIZATION. 


1  What  is  Solmization?    . 

The  application  of  certain  syllables  to  the  notes. 

2  How  many  syllables  are  in  use? 
Seven. 

3  What  are  they? 

Do,  Re,  Mi,  Fa,  Sol,  La,  Si, — [pronounced  Doe,  Rae, 
Mee,  Faw,  Sole,  Law,  See.] 


4  What  is  the  name  of  the  leading  note? 
Si. 

5  How  can  we  know  the  place  of  the  syllable  Si? 
By  the  Signature. 

6  What  are  Signatures? 

Flats  or  Sharps  placed  at  the  beginning  of  a  piece  of 
music. 


INTRODUCTION  TO  THE  ART  OF  SINGING. 


II 


7  Which  letter  has  the  syllable  Si,  if  the  Signature 
be  Natural? 
The  letter  B. 

8  What  letter  if  the  Signature  is  one  Flat?  (BV) 
On  the  letter  E. 

9  Two  Flats?  (B  fy  EV)    ■ 
On  the  letter  A. 

10  Three  Flats?  (or  B,  E  fy  AV) 
On  the  letter  D. 

11  Four  Flats?  (B,  E,  A  fy  DV) 

N.  B. — The  teacher  may  explain  the  accidentals,  in  Solraization,  and  direct  such  changes  as  according  to  the 
nature  of  a  passage  may  be  required. 


On  the  letter  G. 

12  On  what  letter  is  the  syllable  Si,  if  the  Signa 
ture  be  one  Sharp?  (F&) 

On  F#. 

13  Two  Sharps?  (F  8f  C$) 
On  C#. 

14  Three  Sharps?  (F,  C  &  G%) 
OnGrf. 

15  Four  Sharps?  (F,  C,  G  &  Z>#) 
OnD#. 


LESSON"  X. 


1  Do  the  syllables  change  their  places  on  the  Staff? 
They  do. 

2  Do  the  letters  change  their  places? 
They  do  not. 

3  If  Fa,  Sol,  La  and  Mi,  should  represent  the  sev- 
en sounds,  which  syllables  do  you  repeat? 

Fa,  Sol  aud  La. 

4  Which  is  the  leading  note? 
Mi. 

5  How  is  the  place  of  the  leading  note  (the  syllable 
Mi),  known? 

By  the  Signature. 

6  What  do  you  call  Signatures? 

Flats  or  Sharps  placed  at  the  beginning  of  a  tune. 

7  If  the  Signature  is  Natural,  where  is  the  syllable 
Mi? 

On  die  letter  B. 

See  N.  B.   at  the  end  of  the  ninth  lesson,  regarding 
sometimes  bv  a  different  termination  of  the  syllables; 


8  If  the  Signature  is  one  Flat  (BO)  where  is  Mi? 
On  the  letter  E. 

9  If  it  is  two  Flats  (B  $•  EV)  where  is  Mi? 

On  the  letter  A. 

10  If  it  is  three  Flats  (B,  E  $■  AV)  where  is  Mi? 
On  the  letter  D. 

11  If  it  is  four  Flats  (B,  E,A$  DV)  where  is  Mil 
On  the  letter  G. 

12  On  what  letter  is  the  syllable  Mi  to  be  found  if 
the  Signature  be  one  Sharp?  (F#) 

On  the  ietter  F.^. 

13  Two  Sharps?  (F  %>  C#) 
OnC*. 

I    14   Three  Sharps?  (F,  C  fy  G*) 

On  G==. 
!    15  Four  Sharps?  (F,  C,  G  $  D») 
j        On  D*. 
the   accidentals   in  Solniization. — Such   changes  are  made 


Fe,  for  Fa — Se,  for  Sol,  &c. — An  easier  method,  however, 
may  be  adopted  (for  all  Farela,  Larefa  and  Doremi),  by  singing  always  the  sound  of  a  broad,  for  all  die  intervals, 
scales  and  lessons,  taking  care  to  be  familiar  with  die  names  of  the  notes,  C,  D,  E,  F,  he. 

The  words  may  be  used  in  singing,  only  when  the  learner  shall  have  attained  a  certain  degree  of  facility  in 
reading  music.  It  is  necessary  to  explain  the  situations  of  the  whole  and  half  tones  in  the  scales,  and  dieir  places 
in  die  major  and  minor  scales.  By  this  method  the  learner  will  have  infinitely  less  trouble  than  by  the  old  Do,  Re, 
Mi,  Fa.     His  voice  will  sooner  shew  the  effect  of  cultivation. 


Xll 


Practical  Lessons. 

DIATONIC    SCALES. 

Ascending  Scale,  Major.  Descending  Scale,  Major. 


^isr^iiggii^gggaipgga 


±n 


Do,  Re,         Mi,      Fa,        Sol,      La,  Si,     Do.        Do,     Si,         La,     Sol,        Fa,       Mi,        Re,.     Do. 

Descending  Scale,  Minor. 


Ascending  Scale,  Minor. 

a 


Mi,        Re,     Do,         Si,     La. 


SB 


E=E  EHEE* 


E 


Sol. 


La, 


^r 


Do. 


NO.  2. 


-i p       |   ■  -| 1  | 1- 


Do, 
NO.  3. 


¥ 


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Szzi=i=i 


La, 


Fa, 


w 


Do. 


pppi^iis 


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73T- 


^F 


ioz: 


Practical  Lessons.      Continued. 


xin 


NO   4. 


■M^ 


zzqrq: 


S 


1 1" 


LOHit 


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S 


XT 


I 


NO.  5. 


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— J— s- 


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1 


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q 


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XO.  T.     THE  CHORD. 


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io: 


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fel 


XO.  8- 


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B¥^— +H— 4 


4^ 


Do, 


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Fe, 


H 


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i         r 
'i — — r 


Fa. 


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XO.  9. 


XIV 


Terms  used  in  Sacred  Music. 


A  signifies  with,  for,  to,  &c. 

Accelerando,  constantly  accelerating  in  speed. 

Adagio,    slow. (ma,  but;    non,  not;    too  much; 

mo  I  to,  much  or  very. 

A  duo,  Duetto,  is  a  composition  in  two  parts,  or  for 
two  voices. 

A  Tre,  Terzetto,  or  Trio,  in  three  parts. 

A  Quartre  or  Quartetto,  in  four  parts. 

Ad  Lib.,  Ab  Libitum,  without  strict  observation  of 
time,  or  at  pleasure. 

Affettuoso,  affectionately. Con  Affetto,  with  af- 
fection, or  tender  expression. 

Alia  Breve,  or  Alia  Capella,  or  a  C  with  a  line 
drawn  through,  signifies  two  beats  in  a  bar,  and  is  to 
be  performed  quick. 

Allegrezza,  lively. 

Allegro,  (or  Alio,)  brisk,  quick. Allegro  assai, 

di  molto,  agitato,  vivace,  an  increased  quickness  of 
Allegro. 

Allegretto,  a  little  brisk. 

A/legrissimo,  as  quick  as  possible. 

Alto,  in  German,  Italian,  and  French  compositions, 
moans  always  the  Second  Treble,  to  be  sung  by  a  fe- 
male or  child's  voice;  but  in  English  compositions, 
it  signifies  often  a  high  Tenor  voice. 

Andante,  a  little  slow. 

Andantino,  a  little  faster  than  Andante. 

Amen,  yes  it  will  certainly  be  done,  or  be  it  so,  or  may 
it  be  so. 

Amabile,  amiable. 

Amoroso,  tenderly. 

Animoso,  animate. 

Anthem,  in  former  times  meant  a  portion  of  the  Scrip- 
tures, set  to  Music:  at  present,  however,  it  means  not 
only  that,  but  also  sacred  words  put  to  Music,  for  1, 
2,  3,  or  4  voices  or  parts,  or  a  select  piece. 

Assai,  generally  used  with  some  other  word  to  denote 
an  increase  or  diminution  of  the  time  of  the  movement: 
as  Adagio  Assai,  more  slow;  Allegro  Assai,  more 
quick. 

A-tempo,  in  time:  iwed  where  the  singer  is  at  liberty 


to  retard,  or  quicken  the  time;  and  means  that  strict 

time  must  again  be  resumed. 
Aria,  an  air — song. — Arietta,  a  small  air — song. 
Arioso  or  Cantabile,  a  melodious  air. 
Bass,  the  Bass  part,  and  the  lowest  part  in  harmony. 
Bis,  twice,  or  repeat. 

Brio,  Brioso,  Con  Brio,  fiery,  or  with  great  animation. 
Brilliante,  a  brilliant  style,  or  manner  of  execution. 
Cadenza,  a  close;  or  a  preparation  to  close,  whole  or 

half. 
Canon,  a  scientific   composition.     Explanation   would 

be  entirely  useless  without  knowing  contra-point  and 

fugue. 
Cantabile,  singing  in  a  pleasing  style. 
Calando,  (or  Calo,)  a  diminution  of  time  and  sound, 

in  general. 
Canto,  Cantus,  the  Air,  the  voice  part  or  the  melody. 
Concertante,  is  added  to  a  piece  where  the  parts  have 

the  melody  alternately. 
Chorus,  a  composition  for  not  less  than  4  parts,  often  to 

5,6,  7,  or  8  parts,  sometimes  signifies  Chorus,  Tutti; 

for  all  the  voices. 
Coda,  the  close  of  a  composition,  or  an   additional 

close. 
Confuoco,  wild,  with  fire. 
Con,  with. 

Con  anima,  with  soul — expression. 
Comodo,  like  Allegretto,  commodious. 
Con  moto,  fast. 
Choral,  is  a  peculiar  composition  of  old  Church  style, 

slow  movement,  written  in  equal  rithm,  (time.) 
Crescendo  or  Cresc,  to  swell  the  sound — Decrescen- 

do,  or  Decresc,  to  diminish  the  sound. 
Chromatic,  a  term  given  to  a  succession  of  semitones, 

in  relation  to  melody  or  harmony. 
Da  Capo,  (D.  C.  or  D  Cp.)  to  repeat  certain  strains, 

or  from  the  beginning,  unto  the  Fine  (End.) 
Dal  Segno,    D.  Sg.    from  the  sign. 
Diminuendo,    Dim.,    gradually  slower,  diminishing. 
Divoto,  solemn  or  devout. 
Dirge,  a  piece  composed  for  funeral  occasions. 


Terms  used  in  Sacred  Jlusic.    Continued. 


XV 


Dolce,  sweetly  or  soft. 

Doloroso,  con  dolce,  melancholy  or  dolorous. 

Duo,  Duetto,  for  two  parts,  with  or  without  accompa- 
niments of  an  orchestra. 

Duolo,  con  duolo,  with  pain,  sorrow. 

E,  and  as,  moderato  e  flebile,  moderate  &  complaining. 

Expressivo,  expression,  expres  ive. 

Fagotto,  Bassoon — also  a  stop  on  the  Organ. 

Falsetto,  or  voce  di  testa,  Head  voice  produces  the 
higher  tones ;  is  of  a  more  delicate,  and  soft  sound, 
artificial,  and  seems  to  originate  from  the  throat. 

Fastoso,  sublime. 

Finale,  the  last  part. 

Fine,  the  end. 

Forte  or  F,  loud. 

Fortissimo,  or  FF,  very  loud. 

Forzando,  or  Fz.,  ><  with  force,  emphasis. 

Fuga,  or  Fugue,  a  scientific  composition  where  the 
parts  constantly  imitate  and  according  to  certain 
Rules. 

Grave,  very  slow  and  serious. 

Grazioso,  graceful. 

Gustoso,  or  con  gusto,  with  taste. 

Hallelujah,  Hebr.  lang.  signifies  praise  the  Lord. 

Harmony ,  an  agreeable  combination  of  musical  sounds, 
or  different  melodies,  performed  at  the  same  time. 

Jnnocentamente,  innocent. 

Interval,  the  distance  between  any  two  notes. 

Interlude,  an  instrumental  passage  introduced  between. 

Largo,  slow — slower  than  Adagio. 

Ear  ghetto,  pretty  slow. 

Lagrimoso,  Eamentabile,  Lamentoso,  lamenting. 

Legato,  slurring  the  notes  together. 

Lento,  slow,  like  Adagio. 

Lentando,  rallentando,  ritardando,  gradually  retard- 
ing. 

Listeso  tempo,  in  the  same  lime. 

Ma,  but. 

Major,  the  correspondent  major  key,  or  major  in  gene- 
ral. 

Marato,  diminishing. 


Marcato,  well  marked,  or  accented. 

Majestoso,  majestic. 

Melody,  tlie  highest  part,  principal  part,  air. 

Mesto,  mourning. 

Men,  less — men  forte,  less  strong. 

Men  vivo,  with  less  spirit. 

Messa  di  voce,  swelling  and  diminishing  the  strains  or 
sounds. 

Mezzo,  half,  mezzo  forte,  (MF.)  half  loud  (MP.) 
half  soft. 

Minore,  the  correspondent  minor  key,  or  minor  in  gen- 
eral. 

Moderato,  moderately. 

Molto,  much. 

Morendo,  dying  away. 

Motetto,  a  vocal  composition,  in  general  fugueing  rtyle, 
the  words  taken  from  the  sacred  scriptures,  and  never 
less  than  4  parts,  often  for  5,  6,  7,  or  8  parts. 

Non,  not. 

Nola  Sostenuta,  passing  quickly  from  piano  to  forte, 
and  from,  forte  to  piano. 

Oratorio,  a  species  of  Musical  Drama,  consisting  of 
airs,  recitatives,  duets,  trios,  chorusses,  &c. 

Overture,  in  dramatic  music  is  an  instrumental  compo- 
sition, which  serves  as  an  introduction. 

Orchestra,  the  place  or  band  of  musical  performances. 

Organo,  organ. 

Pastorale,  in  a  natural,    pastoral    style. 

Patetico,  pathelical,  grand,  passion,  effect. 

Parlanto,  more  speaking  than  singing. 

Piano,  (P.,)  soft,  {MP.,)  half  soft. 

Pedal,  that  part  of  the  organ,  played  with  the  feet. 

Perdendo  Perdendosi,  losing  itself. 

Piacere,  a  piacere,  at  pleasure. 

Pianissimo,    PP.,    very  soft. 

Pietoso,  soft,  hasty. 

Piu  mosso,  quicker — piu  presto  stretto,  the  same 

Piu,  more — piu  Allegro,  more  lively — piufortr,  loud- 
er.    Piu  tosto  Andante,  rather  a  little  slower. 

Poco,  poco  a  poco,  by  degrees,  poco  a  poco  crescen- 
do,  to  swell  the  sound  by  degrees. 


XVI 


Terms  used  in  Sacred  music.    Continued. 


Pomposo,  grand,  pompous. 

Portamento  di  voce,  is  the  art  of  sustaining  or  carry- 
ing the  voice,  (or  sound,  blending  the  notes  together; 

contrary  to  portamento  is  the  staccato. 
Presto,  quick. — Prestissimo,  very  quick. 
Primo,  the  first  part. 
Quartetto,  a  composition  consisting  of  four  parts,  each 

of  which  occasionally  takes  the  melody. 
Quintetto,  music  composed  in  five  parts,  each  of  which 

occasionally  takes  the  leading  melody. 
Quasi,  nearly  as. 
Rallentando,  Ritartando,  to  diminish  the   time  and 

sound  gradually. 
Recitativo,  a  sort  of  musical  declamation,  having  to 

each  syllable,  a  musical  sound. 
Risoluto,  resolute,  resolved,  decided. 
Ritornello,    repeating    certain   phrases,  the  expression 

taken   from  a   sort  of  ancient  poetry:  Rondeau   cest 

ma  ritournelle  continuelle. 
Sccondo,  the  second  part. 
Semi  Chorus,  half  the  choir  or  voices. 
Segue,  or  (Seg.,)  go  on  to  the  following. 
Sempre,  or  Semp.,  always,  throughout  the  piece. 
Senza,  without — Senza  replica,  without  repetition. 
Serioso,  serious. 
Siciliano,  a  more  slow  movement,  in  general  written  in 

6-4,  or  6-8  time;   like  pastorale. 
Smorzando,  becoming  extinct. 
Soave,  sweet. 
Solo,  for  a  single  voice    part.      Soli,  for  single  voices 

in  more  parts. 
Sopra,  above — come  sopra,  as  above. 
Soprano,  for  a  high   Treble  voice,  signifies    Treble 

voices  in  general. 
Sostenuto  or  Sost.,  dwelling  upon  notes  in  giving  them 

a  peculiar  expression. 
Sotto  voce,  middling  strength  of  sound. 
Spiccato,  distinct. 

Spirituoso,  or  con  spirito,  with  spirit. 
Staccato,  or  Stoccato,  {Stacc.,)  short  and  distinct. 


Stretto  and  Stringendo,  pressing  the  time  faster. 

Stnngendo,  pressing,  hurrying  on. 

Symphony,  a  passage  to  be  executed  by  instruments, 

while  the  vocal  performers  are  silent. 
Syncopatio,  is  a  slurring  of  the  notes  contrary  to  the 

natural  accent. 
Tasto  Solo,     T.  S.    signifies  in  unison  all  unisono; 

in  compositions  for  the  Organ,  signifies  it  without  the 

Pedal  Base. 
Tacit,  be  silent. 
Tar  do,  slowly. 
Tan  to,  very. 
Tempo,  time — A  tempo,  in  lime — Tempo  primo,  the 

time   of  the  first  movement — Tempo  Secondo,   the 

time  of  the  second  movement. 
Tando,  slow. 

Tempo  gusto,  like  moderato,  but  not  so  serious. 
Tenore,  con  tenerezza,  tenderly,  with  tenderness. 
Tenuto,  like    Sostenuto,     Ten.,  sustain  the  tone  with 

equal  strength. 
Ignore,  Tenor,  a  high  male  voice,  the  third  part  in 

compositions  for  four  parts. 
Timoroso,  alarmed,  timorous. 
Trio,  a  composition  for  three  parts. 
Trillo,  Shake,  moving  two  successive  tones  constantly, 

and  quickly  after. 
Tutti,  I  T.)  or  Tutt.  all  together. 
Un  puco,  a  little. 

Unisono,  Unison,  alike  sounds,  in  one  or  more  octaves. 
Veloce,  quick. 
Vesse,  one  voice  to  a  part. 
Vivace,  or  vivo,  a  quick  movement. 
Vivacissimo,  very  quick. 
Volta  prima,  the  first  lime. 

V.  S.  Volti  Subito,  si  volti,  Verte,  turn,  turn  quickly. 
Vigoroso,  strong,  vigorous. 
Voce,  the  voice. 
Voce  di  petto,  chest  voice. 
Voce  di  testa,  head  voice. 
Zelo,  ardent,  zealous. 


THE 


NEW  VILLAGE  HARMONY. 


Charleston,     L*.  M. 


MODERATO. 


o 


nzm: 


3=3= 


From  the  Ancient  Lvre. 


For  two  Parts. 


P  w 


^m 


-] — rrrr-]  -zrizn 


i  i  m  ii 

How  pleasing     is  the  scene,  how  sweet, Where  christian  souls     in   friendship  join, 


-Qf— 


"_: 


-?5 — r 


o- 


Whose  cares  and  joys,     u  -  -  nited. 


i      r        i    i     r  ^  •      ^r 


meet    In   bonds    of    char-  i  —  ty     di  -  vine! 


-U~t 


2  Less  fragrant  was  the  ointment  pour'd 
On  Aaron's  consecrated  head, 
When  balmy  odors  richly  show'rd 
All  o'er  his  sacred  vesture  spread. 


3  Not  flow'ry  Hermon  e'er  display'd, 
Impeal'd  with  dew,  a  fairer  sight; 
Nor  Sion's  beauteous  hills  array'd 
In  golden  beams  of  morning  light, 


MODERATO. 


morning  Mercies.    L.  M. 

(Islington.)     From  the  Ancient  Lyre. 

-4   ' 


For  two  Parts/ 


I       P  I     i       I     I     i       i    ,o        II  I  I     I      1°" 


Now      I       a  -   wake   to 


p~      i    i  i       i      t    i    r    13- 

see   the  light!     God  hath  preserved  me  thro'  the  night: 

"i 

E 


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He  gives  me    life,    and  health,  and  joy,  His  praise  shall  all  my  powers  employ. 


HE 
Eld 


3  Behold!  the  sun  in  splendor  bright, 
Dispels  the  darkness  of  the  night; 
So  let  the  light  of  truth  divine, 
Upon  our  souls  with  power  shine, 


gjpjgpESjgi 


3  The  glorious  sun  that  makes  the  day, 
And  heav'n  and  earth  shall  pass  away  J 
But  every  word  of  God  is  sure, 
And  shall  forever  firm  endure. 


VH  POCO  ALLEGRO. 


Morning    L,.  31. 

(Rockingham.)    From  the  Ancient  Lyre. 


For  two  Parts. 


b£ix±3z~riH      rid— ie- 


i  j i  r.  i 


} 


-f 


My    God,  how  end  -  less      is      thy    love!  Thy  gifts  are     eve-ry    evening  new: 


» 


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And   morn-ing   mer-cies  from    a  -  bove,  Do    gen-  tly 


PPpB 

I       I  I       i  I 

fall,  like   ear-ly     dew. 


2  Thou  spread'st  the  curtains  of  the  night,  3  My  heart  should  yield  to  thy  command; 
Great  Guardian  of  my  sleeping  hours;  To  thee  would  I  devote  my  days; 

Thy  sovereign  word  restores  the  light,  Perpetual  blessings  from  thy  hand, 

And  quickens  all  my  drowsy  powers.  Demand  perpetual  songs  of  praise, 


8 


Water  Street.    Ii.  M, 


MODERATO. 


^UfUM 


t©— •  -rr-»-  §    * 


E5EF2 


For  two  or  three  Parts. 

I 


© 
1^ 


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Our    Fa-ther,  here     a  -  gain  we  raise,  To  thee  our  morning  hymn  of  praise; 


J*ffl 


o—  » 


s=a?^ 


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fe?H  jrtC  r^l 


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Foi 


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all  -  the 


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joys 


b 


I  I         I 

thy  smiles  af  -  ford,  This  sa  -cred  day,  thy  ho  -  ly   word. 

J e'- 


>«  p*  !•" 


qs 


isilfeail 


2  We  thank  thee,  Father,  that  to  thee 
Again  we  bend  the  lowly  knee: 
That  here  in  peace  and  prayer  we  stand, 
Upheld  by  an  Almighty  hand. 


3  Whate'er  we  do,  where'er  we  be, 
Keep  us  from  sin  and  £rror  free; 
Thy  sabbaths  may  we  so  improve 
At  last  to  win  our  Father's  love 


4  So  shall  we  then,  when  life  shall  end, 
A  nobler,  holier  sabbath  spend; 
When  thy  good  children  all  shall  be, 
Join'd  in  one  family  with  thee. 


Universal  Reign  of  Jesus.    I*.  31, 


9 


ALLEGRO. 


^£» 


(Leeds.)    From  the  Ancient  Lyre 


For  two  or  three  Parts. 
Dr.    Madan. 


~p_i — i 1       r     i    i    r~     i       i      i 

Jesus  shall  reign  where'er   the    sun   Does  his    sue  -  ces-  sive  journies    run: 


m-&-t,-p-p: 


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— 


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g^^a 


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sUs 


KEfc 


i     i    ^     r 


i  I      .N       J.-i    J        r  I     II.  ill 

His  Kingdom  stretch  from  shore  to  shore,  Till   moon  shall  wax  and  wane  no  more. 


£>ZJ£ 


J3^r 


o-* 


o 


2    For  him  shall  endless  praise  be  made, 
And  angels  throng  to  crown  his  head: 
His  name  like  sweet  perfume  shall  rise, 
With  every  morning  sacrifice. 


3  People  and  realms  of  every  tongue 
Dwell  on  his  love  with  sweetest  song 
And  infant  voices  shall  proclaim 
Their  early  blessings  on  his  name. 


10 


The  Power  of  God.    Ii.  M. 


ALLEGRO  ASSAI. 


For  two  or  three  Parts. 


I  i  iCT 


Who  gave  the   sun  his  noon-tide  light?  Who  taught  the  moon  to  shine  by  night? 


\T\~m' 

NFE 


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2 


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=- 


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i  i        i  v ;\  I  i  i  i  1  i 


I.     I      I.     '      I.    I       I        I 

Whose  hand  the  arch     of  -  heav'n  un-rolPd,  Thick  set  with  stars  like  drops  of  gold. 


SI 


-P  pTT^TT, 


EEEES 


I 


2  Who  gave  the  winds  their  course  to  know?  3  'Twas  God  who  gave  creation  birth, 

The  ocean's  tides  to  ebb  and  flow?  Who  formed  this  wond'rous  globe  of  earth, 

And  day  and  night  to  keep  their  bounds  And  breathed  throughout  this  mighty  whole 

And  changing  seasons  know  their  rounds?  The  likeness  of  a  living  soul. 

4  Bow  then  to  God— O  all  that  live! 
To  God  eternal  praises  give! 
Who  fashioned  by  his  mighty  hand, 
Sun,  moon,  and  stars j  the  sea  and  land. 


ALLEGRO. 


The  good  Resolution.     1*.  M, 

(Portugal.)    From  the  Ancient  Lyre. 


o — p- — r^r 

— o— — ~i — 


11 


For  two  or  three  Parts. 


Great   God,  to      thee       my  voice  I      raise,  To   thee  my  youngest  hours  belong; 


e-- 


-e — e^ 


=t 


I L 


T~r  TV 


I     would    be-  gin    my      life  with  praise  Till  growing  years  im  -  prove  the  song 


~: 


P± 


I 


2  How  do  I  pity  those  that  dwell 

Where  ignorance  and  darkness  reign  ; 
Who  know  no  heaven,  who  fear  no  hell, 
Of  endless  joy,  or  endless  pain. 


3  Thy  praise  shall  still  employ  my  breath, 

Since  thou  hast  marked  my  way  to  heaven  ; 
Nor  will  1  run  the  road  to  death 
And  waste  the  blessing  thou  hast  given. 


12 


MODERATO. 


Morning:  Song.    L.  ML 

(Morning  Hymn.)    From  the  Ancient  Lyre.,- 


For  two  or  three  Parts. 

,  ■>,  CoSTELLOT?. 


1—11  I 

Be -hold  the   sun  a-dorns  the  sky,  And  darts  his   cheer-ing   rays    on     high; 

r 

•    i  •  <• 


Ctpui^.tmg^^^ 


fznzq. 


s 


sset 

— r^ 1 ^f— 


TT — 
S1 


^W  ^ 


From    east      to      west     in 


HHh- n.,     ,,   r    ,,  -j- 

glori-ous  march,  He  gilds  the  wide  expanded   arch. 


n    r    ri    !•    n    r-  n    * 


^ 


iiH^ps 


When  I  begin  my  morning  song 
Let  thankfulness  inspire  my  tongue  '. 
The  kindness  of  my  God  proclaim, 
And  tell  the  wonders  of  his  name. 


3  Yes,  O  my  God  !  thy  glorious  name, 
My  soul  shall  through  the  day  proclaim 
I'll  bear  thy  kindness  on  my  heart, 
While  every  power  performs  its  part. 


ALLEGRO. 


Roth  well.     L.   11, 

From  the  Ancient  Lyre. 


13 


For  two  or  three  Tarts. 
I  I  I 


1  P    «'  lOf'fl*^^ 


I 

Now   to   the     Lord   a      no-  blesong!  A  -  wake  my   soul — a-  wake  my    tongue; 


— g^-i — c — Rj — FF^ 


^ 


ZX 


imzzs: 


^ 


Uni?on, 


U^ 


Ho  -  san-na      to  th'  e  -  ter-nal  name,  And  all  -  his    boundless    love  proclaim. 


**_H 1 1 1 1 — 


=qR= 


2  See  where  it  shines  in  Jesus'  face, 
The  brightest  image  of  his  grace, 
God,  in  the  person  of  his  Son, 
Has  all  his  mightiest  works  outdone. 


3  Grace!— 'tis  a  sweet  and  charming  theme, 
My  thoughts  rejoice  at  Jesus'  name! 
Ye  angels,  dwell  upon  the  sound; 
Ye  heavens,  reflect  it  to  the  ground! 


4  Oh!  may  I  reach  that  happy  place 
Where  he  unveils  his  lovely  face! 
Where  all  his  beauties  you  behold, 
rind  sing  his  name  to  harps  of  gold! 


14 


The  Bible.     L.  ML 


MODERATO. 


For  one  or  two  Parts. 


This  is 


tn — ®- 


:i| 


J  .11  ^°" 

a     pre-cious  book  in -deed!  -  Happy  the  child  that  loves  to     read! 


3-r 


$4 


--Ee; 


3=35 


! — | — •  -_■  --*. 


:± 


"OT 


:nT 


.1111         I      T^"    I       I.        I        I     I     I  I 

'Tis  God's  own  word,  which  he  has  giv'n,  To  shew  our  souls  the   way 


heav'n!! 


It  tells  us  how  the  world  was  made; 

And  how  good  men  the  Lord  obey'd: 
Here  his  commands  are  written  too, 

To  teach  us  what  we  ought  to  do. 


3  But,  what  is  more  than  all  beside, 
The  'Bible  tells  us,  Jesus  died!' 
This  is  its  best,  its  chief  intent, 
To  lead  poor  sinners  to  repent. 


4  Be  thankful,  children,  that  you  may 
Read  this  good  Bible  every  day ; 
'Tis  God's  own  word,  which  he  has  giv'n 
To  shew  your  souls  'the  way  to  heav'n.' 


ALLEGRO  ASSAL 
j.     DUETTO. 
■#— 1 1  -  J 


^=0=^ 


A  Song  of  Praise.    L.  Iff. 

(Paris.)     From  the  Ancient  Lyre. 


15 


For  two  or  three  Parts. 

^     ,         -W.  Billings. 


o 


"•"1 


-• 

zpj 


T 


r-  -1 —  — -r-,  | 

I  T75      I 


III  k     I 

Praise  ye   the  Lord,  'tis  good  to  -  raise,  Our  hearts  and  voi-ces     in  -  his  -  praise; 


m 


I — i — 1 

ture  and   his  works  in  -  vite,  To  make  this 


•^ 


H 


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^ 


du-ty 


TT 
I  I 
our  de  -  light. 


1 


qj^fgpJEgjpEpgEg 


2  He  makes  the  grass  the  hills  adorn,  3  His  saints  are  lovely  in  his  sight, 
And  clothes  the  smiling  fields  with  corn;        He  views  his  children  with  delight; 
The  beasts  with  food  his  hands  supply,  He  sees  their  hope,  he  knows  their  fear, 

He  feeds  the  ravens  when  they  cry.  And  finds  and  loves  his  image  there. 


16 


Prayer.    I*.  M. 


UN  POCO  ALLEGRETTO. 


For  one  or  two  Parts, 


n~  i      i    i     i 


errrT 


As  -  sembled     in  -  our  school  once  more,  O  Lord,  thy       blessing   we  implore; 


l^r^ 


We     meet     to  read,  and  sing,  and  pray,    Be    with  us  then  through  this  thy   day. 


g 


|  .■■J. 


'or 


T" 


HB 


2  Our  fervent  prayer  to  thee  ascends  3  When  we  on  earth  shall  meet  no  more. 
For  parents,  teachers,  foes,  and  friends;       May  we  above  to  glory  soar; 
And  when  we  in  thy  house  appear  And  praise  thee  in  more  lofty  strains, 

Help  us  to  worship  in  thy  fear.  Where  one  eternal  Sabbath  reigns. 


Praise  from  Earth  to  Heaven. 


ALLEGRO. 


-3r± 


3— •" 


■FH 


-rt 


lii=i 


jq^t: 


t 


* — U rr: 


Ii.  M.  IT 

For  one  or  two  parts. 

"to 


m 


Up    to    the    heavens,  blue  -  and  high,  Where  an-gel's  sing  to  harps  -  of  gold, 


^* 


-4 


P« 


o» 


S_L 


o 


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Ii2= 


aJ^jjLt   H   FfaHfW 


— -      II         II         II  * — '    .  ill 

Our     hum- ble  prai-ses  Lord  would  fly,  For  mer  -  cies  giv'n    a     thousand  fold. 


a=r 


I 


-75- 


=H- 


-*=>- 


o 


2    From  every  field  beneath  the  sun, 

May  thus  thy  glorious  name  be  spread; 
As  long  as  months  and  days  shall  run, 
Or  living  men  thy  earth  shall  tread. 


18 


Sun  Set.  I*.  M, 


ALLEGRETTO 


For  one  or  two  Parts. 


r 

Thy  works  proclaim  thy   glo 


ry  Lord,  The  blooming  flower,  the  singing  bird; 


©^ — ^^ rer- ,. — ©r — 

rhrrl.r  q^^fHF^ 


sfc 


ir^ii^^Pii 


hour,  Show  forth  thy  goodness  and  thy  power. 


jzzi: 


igpfi 


2  And  when  the  setting  sun  declines, 
I  view  Thee  in  its  brilliant  lines; 
Those  tints  so  beautiful  and  bright, 
Teach  me  the  ^author  of  all  light. 


Great  God!  how  should  our  anthems  rise 
To  thee,  who  form'd  the  earth  and  skies; 
The  things  that  creep,  and  things  that  fly, 
Are  viewed  by  thine  omniscient  eye. 


4  Then  I  will  still  adore  thy  name, 
Thou,  who  for  ever  art  the  same; 
Thy  goodness,  and  thy  mercy,  Lord, 
Shine  brightest  in  thy  holy  word. 


ALLEGRO. 


Fervency  of*  Devotion.    L.  M. 

(Winchelsea.)     From  the  Ancient  Lyre. 


19 


-*y — ri — r 

li     i 


rrrt  rrr  r/11^ 


© 


-o--h 


For  one  or  two  Parts. 

I  ! 


I      "O 


iil 


o 


Come,  Gracious  Spir-  it,  Heavenly  Dove,  With  light  and  comfort  from  a  -  bove; 


m 


S1 


cT 


?s 


L~io — — I — |— n — o~ri 


Be     thou  our  Guardian,  thou  our  Guide,  O'er  eve  -  ry  thought  and  step  preside. 


W^ 


*-ff-F- 


r~ 


tTT^ 


2  The  light  of  truth  to  us  display, 

And  make  us  know  and  choose  thy  way; 
Plant  holy  fear  in  every  heart, 
That  we  from  God  may  ne'er  depart. 


3  Lead  us  to  God,  our  final  rest, 
In  his  enjoyment  to  be  blessed; 
Lead  us  to  heaven,  the  seat  of  bliss, 
Where  pleasure  in  perfection  is. 


20 


The  Crood  Shepherd.    L..  M. 


MODERATO. 


For  one  or  two  Parts. 


O  Lord  our  Shepherd,  deign  to    keep,  Thy  lit  -  tie  lambs,  thy  feeble  sheep; 


rpz 


£ 


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a 


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3 


I l 


And  when  our  feet  would  go  a  -  stray,  Uphold  and  guide  us     in         thy      way. 

hoi— *. 


^^^m^&^^=&i 


2  When  faint  and  trembling  with  alarms, 
O  gather  us  within  thine  arms; 
Kind  shepherd,  on  thy  gracious  breast, 
The  weakest  lamb  may  safelv  rest. 


MODERATO. 

f-±-?-pp-H-p4 


!- 


"T 


Luton.     JL.  HI. 

From  the  Ancient  Lyre. 


31 


For  two  or  three  Parts. 

I 


Great  God,  behold  be- fore  thy  throne,  A  band  of 

-el — 


II  I  I       V— 1  I 


I 

chil-dren 


I  v— 1        II 
low  -  \y  bend; 


fcl  U-l U I 


Thy  face  we  seek,  thy  name  we   own,  And  pray  that  -  thou  -  wilt      be    our  friend. 

4 


¥ 


-•-•—!•- 


— Md 


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r 

lat  -  i 


=F 


a 


^ 


2  Thy  Holy  Spirit's  aid  impart, 

That  he  may  teach  us  how  to  pray; 
Make  us  sincere,  and  let  each  heart 
Delight  to  tread  in  wisdom's  way. 

E 


3  O  let  thy  grace  our  souls  renew, 

And  seal  a  sense  of  pardon  there; 
Teach  us  thy  will  to  know  and  do, 
And  let  us  all  thy  image  bear. 


22 


The  Greatness  of  God.    L.   iff. 


ALLEGRO  MODERATO. 

=553 


(Stonefield.;    From  the  Ancient  Lyre. 


For  one  or  two  Parts. 


— i — r~ — — o^-i — c — i — — — tT — I — ' — ! 1 — ' — pprhF  -r^--*-* 


He      is     more  glorious,  good,  and  wise,  Than  a  -  ny  child  can  un  -  derstand. 


¥ 


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t: 


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r- 


m 


mm 


2  Bright  angels  bow  before  his  face, 

And  saints  stand  waiting  round  his  throne 
And  in  that  holy,  happy  place, 
No  sinful  thoughts  or  words  are  known. 


3  We  ought  to  speak  with  humble  fear, 
Whenever  we  kneel  down  to  pray; 
His  holy  word  with  reverence  hear, 
And  never  break  the  Sabbath  day. 


4  But  as  there  will  be  much  amiss, 

Whatever  care  and  pains  we  take, 
We'll  beg  the  Lord  to  pardon  this, 
And  hear  our  prayers,  for  Zion's  sake- 


Denton.    L.  ill. 


93 


ALLEGRETTO. 


IK-3-: 


:ft 


Al-mighty      Ru  -  ler 


From  the  Ancient  Lyre. 

#'«J    r« — r 

JgV'l'ff 


For  two  or  three  Parts. 


of  the  skies,    Thro'  the  wide  earth  thy  name  is  spread; 


*?T 


And    thine   e  -  -  ter  -  nal  glories  shine,  O'er  all  the  heav'ns  thy  hands  have  made 

J    l;l    III 


m- 

"  I    i" 

i 

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i 

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mm 


1  To  Thee  the  voices  of  the  young 
A  monument  of  honor  raise; 
And  babes  with  uninstructed  tongue, 
Declare  the  wonders  of  thy  praise. 


3  Children  amid  thy  temple  throng 
To  see  their  great  Redeemer's  face; 
The  Son  of  David  is  their  song, 
And  young  hosannas  fill  the  place. 


£4 


ALLEGRETTO. 


The  New  Year.    JL.  HI 


For  two  or  three  Parts. 


qiE 


Great  God,  we  sing  that   mighty   hand,  By  which  supported      still    we     stand; 


.-, 


P^ggS^^pgg|^g^EgSE| 


Lqfzt 


T5' 


:?3i 


33T 


* 


r 


1 


ai 


t^fti 


The  op'ning   year    thy     mercy  shows,  Let    mercy   crown  it      till  -  it     close. 

Or 


m 


fzE^ 


or 


f- 


nna 


P 


2  By  day,  by  night,  at  home,  abroad, 
Still  we  are  guarded  by  our  God; 
By  his  incessant  bounty  fed, 
By  his  unerring  counsel  led. 


3  In  scenes  exalted  or  depress'd, 
Be  thou  our  joy,  and  thou  our  rest; 
Thy  goodness  all  our  hopes  shall  raise, 
Ador'd  through  all  our  changing  days. 


The  Sternal  Sabbath.    JL.  tt. 


as 


ALLEGRETTO  MODERATO. 


(Park  Street  Church,  From  the  Ancient  Lyre.) 


For  one  or  two  Parts. 


PFl-^ 


^F^ 


-©r-f- 


3   a  : 


Thine    earthly  Sabbaths,  Lord,  we  love,  But  there's    a   nobler     rest     a-  bove 


mmi 


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1^"l        I  i*  I 

Thy   servants      to  that  rest  -     aspire,  With  ardent      hope  and    strong   de  -  sire 

'    — §r 


SE 


J— 


1 


2  No  more  fatigue,  no  more  distress,  3  No  rude  alarm  of  angry  foes, 

Nor  sin,  nor  death,  shall  reach  the  place;       No  cares  to  break  the  long  repose; 
No  groans  shall  mingle  with  the  songs,  No  midnight  shade,  no  clouded  sun, 

That  warble  on  immortal  tongues.  But  sacred,  high,  eternal  noon. 


26 


Worship.     Ii.  ML 


MODERATO. 


)-4- 


?PPPPPf1 


I I 


For  two  or  three  Parts. 


How  sweet  to  leave  the  world  awhile,  And  seek  the  presence   of  our     Lord! 


>*r3-^: 


S 


I 


^ 


£H 


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Dear  Saviour,    on  thy   children  smile,  And  come  according   to  -   thy  word. 


Sf 


HI 


tt— K- 


-=» 


HI 


** 


r. 


2  From  busy  scenes  we  now  retreat,  3  Oh  let  thy  glory  now  appear, 

That  we  may  here  converse  with  thee;  That  we  by  faith  may  see  thy  face; 

Oh !  Lord,  behold  us  at  thy  feet,  And  speak,  that  we  thy  voice  may  hear, 

Let  this  the  gate  of  heaven  be.  And  let  thy  presence  fill  this  place. 


Convert.    L.  II.    (Medway) 


27 


MODERATO. 

fczc 


For  one  or  two  Parts. 


#~r~~n~~  i    1 1  ~~r~^^rr>1    h    i    .  ri    i  t 


a: 


B=* 


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8^§: 


P 


iss 


-p-  i  i     * — '  i       :        i       i 

May    I      resolve  with    -    all  my  heart,  With   all  my  powers  to  serve   the  Lord; 


■&- 


^        ro       • 


rs 


i: 


"o^     gj~'i"~r 


a 


X>- 


o- 


^ 


ne-e^ 


H 


~y~oi — p"r— # 

^T    I  I       * '  I  I 

Not  from  his   pre-cepts  -  e'erde  -  part,  Whose  service      is      a      rich  re  -  ward. 


m 


m 


o 


¥=¥- 


-e — o- 


TT 


2  Oh,  be  his  service  all  my  joy, 
Around  let  my  example  shine; 
Till  others  love  the  blest  employ, 
And  join  in  labors  so  divine. 


3  Oh,  may  I  never  faint  nor  tire; 

Nor  wand'ring  leave  his  sacred  ways; 
Great  God,  accept  rny  soul's  desire, 
And  give  me  strength  to  live  thy  praise. 


98 


ALLEGRETTO. 

I 


Faith.    Ii.  1?I. 

(Blendon.)     From  the  Ancient  Lyre. 


F ,« 1 — a'Fo    w  r&i® 


ro — jp-f 


i^1? 


For  two  or  three  Parts?. 


HisMI 


i  i      i    I*    i      ^r 

'Tis    by   the      faith      of     joys     to   come,   We  walk  through   deserts      dark     as      night 


i*--8-=; 


'-*4p.l~F 


ZL 


m 


3Z 


15 


3 


._L. 


F 


P 


li^l 


lozifc Erzszn 


-p-  -o--®- 


n_r_L.tqi„LD_rip„r«J:,_».jrtr^JI 


Till       we   ar  -  -  rive     at    heaven  our    home,  Faith    is  our    guide,  and    faith    our     light. 


2  The  want  of  sight  it  well  supplies; 
Faith  makes  the  pearly  gates  appear; 
Far  into  distant  worlds  it  pries, 
And  brings  eternal  glories  near. 

3  Cheerful  we  tread  the  desert  through, 
While  faith  inspires  a  heavenly  ray, 
Though  lions  roar,  and  tempests  blow, 
And  rocks  and  dangers  fill  the  way. 


ALLEGRO. 


Bedford  Street.    L.  Jl. 

From  the  Ancient  Lyre. 


39 


For  two  Part*. 


9—BZJZ. 


mmm^m 


a     r 


W&^ 


I    love    to  have  the    sab-bath    come,  For  then   I    rise  and    quit  my  -  home; 


m 


FT 


, — *-9 


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3 


And   haste  to  school  with  cheerful  air,  To   meet    my 


dear-  est     teachers  there. 


1 


§#~~ 


o» 


£ 


£ 


2  From  all  the  lessons  I  obtain, 

May  I  a  store  of  knowledge  gain; 

And  early  seek  my  Saviour's  face; 

And  gain  from  him  supplies  of  grace. 
F 


3  And,  then,  through  life's  remaining  days, 
I'll  love  to  sing  my  Saviour's  praise; 
And  bless  the  kindness  and  the  grace, 
That  brought  me  to  this  sacred  place. 


3a  The  Fulness  and  the  Grace  of"  Christ.    €.  Iff. 

MODERATO.  For  one  or  two  Parts. 


:zSrte~z;±oEz^f:^:j 
-PL- 1 — p-L-o, — p--rarJ 


to    few,  Thy  boun  -  ty 

^zrI\—~:::i-i 


the    same, 


] 


3B=Bg 


Thou  kind  -  ly  bless-est  one    or    two,  As-sem-bled      in  -  thy  name. 


^^=&=— = 


-^-< 


Sir 


2  Here  then,  a  thousand  lips  would  pray,        3  We  thank  thee  for  the  pitying  eye 
A  thousand  voices  praise,  That  saw  our  low  estate, 

Great  Saviour,  bless  this  happy  day,  And  kindly  sent,  and  brought  us  nigh, 

And  hear  the  songs  we  raise.  To  seek  thy  temple  gate. 

4  For  every  kind  forgiving  word 
That  in  thy  gospel  shines, 
And  more  than  all,  that  we  have  heard 
Arid  learn  those  heavenly  lines. 


Hallelujah.    C.  HI, 


31 


ALLEGRETTO 

1             I             1           \ 

For  one  or  two  Tarts. 
Ill            h                             '          ^> 

T     i        F    Li 

1111 

-• — • — | r-*- 

1    i 

#d 

When  i 

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When     ev'  -  ry  voice  shall  rise  and  say,     The  Lord    is    God     a  -  lone. 


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2  When  shall  the  young  of  every  land 
The  Hallelujah  sing, 
And  far  on  every  foreign  strand, 
Confess  Him  as  their  King ; 


3  Let  us  begin  the  noble  tune 
On  freedom's  happy  ground, 
And  distant  nations  join  it  soon, 
In  one  eternal  sound. 


32 


A  Child's  Prayer.    C.  M. 


MODERATO. 


I        i  i 


For  one  or  two  Part*. 


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Our    Saviour,    now    in  heav'n   a-bove,  But  once    a    childlike   me 


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Look  down  up  -  on     me      in  thy  love,  And  make  me  like    to     thee. 


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2  O  make  me  holy  as  thou  wert, 
When  thou  on  earth  didst  live; 
Oh  take  away  my  wicked  heart, 
A  better  nature  give. 


3  I  would  be  like  thee  if  I  could, 
But  thou  must  teach  me  how; 
Oh  blessed  Saviour  make  me  good* 
In  mercy  hear  me  now. 


Prayer.    C.  M. 


33 


ALLEGRO  MODERATO. 


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For  one  or  two  voices. 

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In     hum-ble     ac-cents,  Lord,  we     sing,  And  wor-ship    near    thy    throne; 


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Thou    art      our       Saviour,  thou    our  -  King,  O   send   thy  bless-ings    down. 


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2  Hast  thou  not  said,  let  children  come!  3  To  thee  we  give  this  sacred  hour, 

'Tis  here  thy  people  meet;  In  thee  our  souls  confide; 

And  we  have  learnt  there  still  is  room,  Beneath  the  shadow  of  thy  power, 

We  bow  beneath  thy  feet.  Our  feet  shall  never  slide. 


Praise  to  God.    C.  M. 


For  one  or  two  Parts. 


ignjgs^i^^jpgi 


O    Lord  our    God,   how     wond'rous  great,       Is-   thine  ex  -  alted  name! 

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The    glories       of     thine  heav'nly  state,    Let  man  and  babes  proclaim. 


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2  When  I  behold  thy  works  on  high, 
The  moon  that  rules  the  night, 
And  stars  that  well  adorn  the  sky, 
Those  moving  worlds  of  light, 


3  Lord  what  is  man  or  all  his  race, 
That  dwells  so  far  below; 
That  thou  should 'st  visit  him  with  grace, 
And  love  his  nature  so. 


4  Jesus,  our  Lord,  how  wond'rous  great 
Is  thine  exalted  name! 
The  glories  of  thy  heav'nly  state 
Let  the  whole  earth  proclaim. 


Praise  to  Ood.    1 .   tl. 


35 


ALLEGRO  VIVO. 


For  one  or  two  Parts. 


t-:3Sri 


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—\ — £ 


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T2U. 


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Oh!      all    ye       nations    praise  the  Lord,  Each  with  a    difF 'rent  tongue;  -    - 


5z^f: 


O,    •    I 


o 


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In  -     ev'  -  ry     language  learn      his  word,  And    let    his    name  be    sung. 


l±r 


^PHi 


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SI 


2  His  mercy  reigns  through  every  land: 
Proclaim  his  grace  abroad; 
Forever  firm  his  truth  shall  stand, 
Praise  ye  the  faithful  God. 


36 


ALLEGRO  VIVACE. 


jHercy  Everlasting.    C.  HI. 


Itr rr-i E 

fffi^_^Z 

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— Eh-^-S^s-  -3-3— " 


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Words  bt  J.  P.  Bartrum. 

— s        For  one  or  two  Parts. 


I'll  sing    thy  mercies,     O     my  God!         Nor  cease-  to  -  pour    the    -    lay; 


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Thy  •  faith-ful-ness    shall  -  be      my  theme,  While  a 

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ges  -  -  roll  -  a  -  way. 


P¥pifl 


2  For  ever!  O  transporting  thought! 
For  ever  mercy  reigns! 
Inviolate  thy  promise,  Lord! 
Not  heav'n  more  sure  remains! 


3  Fulfill'd,  celestial  armies  sing, 
The  wonders  of  thy  love! 
Fulfill'd  on  earth,  the  church,  redeem'd 
From  sin  and  death   shall  prove. 


4  What  power  beyond  this  earthly  orb 
With  Godhead  may  compare? 
Nor  saint  in  light,  nor  seraph  bright, 
The  name  divine  shall  bear. 


Thanks  for  many  Mercies.    €.  ML. 


37 


ALLEGRO  ASSAI. 


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& 


u: 


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e, 


1 M 


r? — r     « 


"i — r 


For  one  or  two  Parts. 


Thanks  to  the     grace  -  that  brings  us  here,    While  thousands  go      a  -  stray; 


<®r 


c  i  r  - 


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n     r 


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Or 


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That  spares   us   yet      an    oth  -  er   year, 


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To    this     ex  -  -  pect  -  ed   day. 

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2  Thanks  that  we  know  the  joyful  sound  3  But  poor  and  mean  our  thanks  must  be, 

Oflife,  through  Jesus'  name;  For  favours  so  divine! 

And  were  not  born  on  heathen  ground,  Great  God,  we  owe  ourselves  to  Thee, 

To  which  it  never  came,  Make  us  entirely  thine. 

G 


38 


God's  Omnipotence.    C.  M. 


MODERATO. 


For  one  or  two  Parts. 


"•iii        i     ;  ,  j     i0^ 

Let  child-ren  who     are     taught  -  thy  word,  Their  lost  con  -  di  — tion   see; 


^8- 


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H 


3= 


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I  ^ 

By     sav  -  ing   faith,  -  O     may  they  Lord,  To  Christ  for  par  -  don  flee 


:fc=^ 


IT" 


P 


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"i — r 


-~o 


pyjg 


2  More  of  thy  grace  may  teachers  know,  3  May  children  and  their  teacher's  rise 
Thy  spirits  aid  impart;  In  heaven's  triumphant  throng; 

Much  patience,  love,  and  zeal  bestow,         And  join  to  sing  their  Saviour's  praise, 
To  stimulate  each  heart.  In  one  eternal  song. 


The  Scriptures.    €.  Ill, 


MOD ERATO 


For  on«  or  two  Parts. 


W r  '     T     *     '  ,-r-+-Lor-»— r-^ 


How  pre  -  cious  is       the  book    di  -  vine,  By     in  -  spi  -  ra  -  tion  giv'n! 


4-L 


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Pi    i      i      i    r 
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Bright  as      a    lamp    its     doctrines  shine,  To  guide -our   souls  -  to  heav'n. 


W^ 


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E!E 


3 


:=F=3& 


o,  • 

m 


2  It  sweetly  cheers  our  drooping  hearts,  3  This  lamp,  through  all  the  tedious  night 
In  this  dark  vale  of  tears;  Of  life,  shall  guide  our  way; 

Life.,  light,  and  joy,  it  still  imparts,  Till  we  behold  the  clearer  light 

And  quells  our  rising  fears.  Of  an  eternal  day. 


40 


Christ  the  Saviour.    €.  M. 


ALLEGRO  ASSAI. 


#^fefflf=R^ 


i — m~irm 
5EE±E 
I     i    p     i         i.J       .1       I     i  I 

Joy  to  the  world,  the    Lord   is      come,    Let   earth   receive      her 


SQBB 


For  two  or  three  Parts. 

I       I 


mm 


King; 


i-e 


zcEszb;  rxscizmz  ::rF~—  rzfiiorxzcr  py  iprj::gpz:grr — — zz| 


Let     ev'  -  ry   heart  pre 


pare  him  -  room,  And  heav'n  and   na  -  ture 

33 


smg. 


If 


zcc~ 


5EEEE. 


I 


2  Joy  to  the  earth,  the  Saviour  reigns,  3  He  rules  the  world  with  truth  and  grace, 

Let  children  songs  employ !  And  makes  the  nations  prove 

While  fields  and  floods,  rocks,hills  &  plains,    The  glories  of  his  righteousness, 
Repeat  the  sounding  joy.  And  wonders  of  his  love. 


The  Incarnation.    C.  II. 


41 


MODERATO. 


^mil 


(Bbat.)     From  the  Ancient  Lvre. 


For  two  or  three  Parts. 


h~ i — i      l 

A-  wake,  a-wake      the 


iti 


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5H 


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qpcqa 


3 


sa    -  cred    song,  To  our    in-  car  -  nate    Lord; 


TTTTTfI 


rife 


i    i    i    i    vj    «N    "nth    i       sr 

Let    ev'  -  ry   heart  and       ev'  -    ry  tongue  A-dore   th'  e  -  ter  -  nal  Word. 

— r— ,-rn ^    +'t  d 


ggg^ffEE^ 


=  e 


P~  -P- 


2  When  Jesus  left  his  throne  above 
To  dwell  with  sinful  worms. 
Then  shone  almighty  power  and  love; 
In  all  their  glorious  forms. 


3  Adoring  Angels  tun'd  their  songs 
To  hail  the  joyful  day; 
With  rapture  then  let  mortal  tongues 
Their  grateful  worship  pay. 


42 


ALLEGRETTO. 


Remember  thy  Creator,  &c.    €•  M. 

For  two  or  three  Parts. 


^jTl Hi r  i°  i    i    f  ^~~ ^ — h*1   i   j»-i-p-M 


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the  soft     season        of    thy  youth.  In     nature's     smil  -  ing    bloom; 


SJ3; 


-•—  • 


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5=r 


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O, 


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Ere  age   ar  -  rive   and     trembling  wait,  Its   summons     to  -  -     the     tomb. 


dLEER 


Or-P- 


2  Remember  thy  Creator  God, 
For  him  thy  hours  employ; 
Make  him  thy  fear,  thy  love,  thy  hope, 
Thy  confidence,  thy  joy. 


1 


CT~ 


-©l-NT 


i 


3  He  shall  defend  and  guide  thy  course 
Thro'  life's  uncertain  sea; 
Till  thou  art  landed  on  the  shore 
Of  bless 'd  eternity. 


Protection.    €.  .U« 


Ui 


ALLEGRETTO  MODERATO. 


For  two  or  three  Parts. 


O   thou,  the  guard  of       infant  days,    The  guide  of  - 


err  *  ing  youth; 


-s-i»- 


BE 


Direct     our  minds    to      understand,    Thy    sac  -  red     word  of  -      truth! 


*°  Kl      ll   • 


-l 


^-r-'-T 


q* 


§ 


■*— 


"i r~ 


-J 


2  In  early  life  to  us,  O  Lord, 
Thy  pard'ning  mercy  show; 
And  while  our  minds  are  early  taught, 
May  we  in  knowledge  grow. 


3  Should  we  to  riper  years  attain, 
O!  be  thou  still  our  friend; 
To  guide  us  in  the  heavenly  road, 
Till  life  with  us  shall  end. 


44 


MODERATO. 


t-JSt^ 


ProYidence.     C.  M. 

(Archdale,    From  the  Ancient  Lyre.) 


For  two  or  three  Porta. 


ffl^^^ 


H 


Sr-qn 


|i^^il=pei 


Al-migh  -  ty     God,  while  earth  andheav'n  Thy  pow'r  and    skill  -  pro  -  claim; 


^^m^^tepp 


!    i»-   f      '       ' 

Wilt  thou  per-mit      a    child     to    sing,  The  hon   -  or 


:{p= 


of  -  -  thy     name  ? 


crdJJf  IJJ-rJ^I 


2  The  early  dawn  of  op'ning  life  S  Now  may  I  give  myself  to  thee, 
Has  prov'd  thy  guardian  care;  And  in  thy  name  confide; 

And  may  I  through  my  future  years,         Most  gracious  God,  O  deign  to  be 
Thy  grace  and  goodness  share  My  Father,  Friend,  and  Guide 


The  IiOrd's  Day.    C.  HI.    (Clarendon.)  45 

ALLEGRO-  ^— > s      For  one  or  two  Parts. 


SSig 


i  i  r 

Once   more  we     keep   the-   sa  -  cred  day,  That  saw   the      Saviour     rise; 


m 


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Once  more   we     tune  our     in  -  fant  song,  To    him   that  -  rules  the    skies. 


m 


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2  O  may  God,  who  gave  our  lives, 
And  thus  far  led  us  on; 
Be  pleas'd  to  train  our  infant  minds 
To  know  and  love  his  Son. 

H 


3  Teach  us  thy  way  while  here  we  learn 
To  read  thy  heav'nly  word; 
Bless  all  the  kind  instructions  giv'n, 
And  make  us  thine,  O  Lord. 


46 


MODERATO. 


Missionary  Prayer.    C.  M. 


For  two  or  three  Parts. 


r~rr 


And 


^-rT>": 


thy  works,  by 
• 


§psip£ 


rr.-,..,r. 

Thy  ra  -  diant  glo  -  ries     shine. 


t* 


-i  i    p. 


~T 


1 


2  But,  Lord,  thy  greater  love  has  sent  3  Lord,  when  shall  the  glad  tidings  spread 
Thy  gospel  to  mankind,  The  spacious  earth  around, 

Unveiling  what  rich  stores  of  grace  Till  every  tribe  and  every  soul 

Are  treasured  in  thy  mind.  Shall  hear  the  joyful  sound? 

4  Smile,  Lord,  on  each  divine  attempt 
To  spread  the  gospel  rays ; 
And  build  on  sin's  demolish 'd  throne 
The  temples  of  thy  praise. 


r    I    i    r    _  n  !      _. 


Newton.    C.  HE. 


From  the  Ancient  Lyre. 


47 


For  two  Parts. 


3=* 


is 


i     r         i  :  I 

Al  -  migh-ty   God!  while  earth  and  heav'n  Thy  pow'r  and  skill  pro-claim; 

feeE 


ga^a 


e •- 


-e- 


II 


■- 


Wilt   thou  per  -  mit    a     child   to      sing    The     hon  -  or      of  -  -   thy   name. 


«2^P 


2  The  early  dawn  of  opening  life 
Has  proved  thy  guardian  care; 
And  may  I,  through  all  future  years, 
Thy  grace  and  goodness  share. 


H 


jggg^ri 


3  Now  may  I  give  myself  to  thee, 
And  in  thy  name  confide ; 
Most  gracious  God!  O  deign  to  be 
My  Father,  Friend,  and  Guide 


Imitation.        C.  HI, 


For  two  or  three  Parts. 


Come,  children, 


s 


&££E£pt 


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learn  to      fear    the  Lord,  And   that  your  days  be   long; 


zzr*~r~izzzizl  w\      zm±zz 1 ~T~raz±| 


ful   word   Be  found  up  -  on  your  tongue. 


2  Depart  from  mischief,  practise  love, 
Pursue  the  works  of  peace; 
So  shall  the  Lord  your  ways  approve, 
And  set  your  souls  at  ease! 


3  His  eyes  awake  to  guard  the  just, 
His  ears  attend  their  cry; 
When  broken  spirits  dwell  in  dust,. 
The  God  of  grace  is  nigh. 


4  When  desolation  like  a  flood 
O'er  the  proud  sinner  roils, 
Saints  And  a  refuge  in  their  God, 
For  he  redeems  their  souls, 


Sun  Rise.     €•  HI. 

4- 


49 

For  two  or  three  Parts. 


-o1-- 
o— 


1 

Now    condescend     Al  -  migh  -  ty  King,  To  bless  this  happy  throng;     -    - 


i? 


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And    kindly     list 
(g~XXS=K 


Tr- 


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r 


s 


ftp 


r 


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en,  while  we  sing,  Our  grateful   morning   song. 


r 


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££ 


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We  come  to  own  the  pow'r  divine, 
That  watches  o'er  our  days, 

For  this  our  cheerful  voices  join, 
In  hymns  of  grateful  praise. 


3  May  we  in  safety  pass  this  day, 
From  sin  and  danger  free; 
And  ever  walk  in  that  sure  way, 
Which  leads  to  heaven  and  thee! 


4  Where'er  the  rising  sun  displays, 
His  cheerful  beams  abroad; 
Then  shall  our  morning  hymns  of  praise, 
Declare  thy  goodness,  Lord 


so 


The  Holy  Scripture  our  Guide.    C.  UT 


ALLEGRO  AS3AI. 

:§~czz:rznzznzqL"Jz:rz 
pip   pi;  "J  W\  &  i 


Htms  Chant.     (Rochester.)     From  the  Ancient  Lvre. 


:#: 


j: 


r  •  r 


For  one  or  two  Parts 

I  | 

32 


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XT   -■-    f~  ^         O-     #     P.  -p" 

III  I  I  I.  I 

How  shall  the     young    secure  their  hearts,  And  guard  their  lives  from    sin? 


-:* 


^H     i     p 


o 


n 


o 


•^ 


1 


ff— ©— j-^— h-H-^Ti — : 


Thy  word  the     chois  -  est  rules  imparts, 

SHE 


~* — i — r 

i 

To  keep  the 


conscience  clean. 


r~ 


:~ 


fi 


2  When  once  it  enters  to  the  mind, 
It  spreads  such  light  abroad, 
The  meanest  souls  instruction  find, 
And  raise  their  thoughts  to  God. 


3  'Tis  like  the  sun  a  heav'nly  light, 
That  guides  us  all  the  day; 
And,  through  the  dangers  of  the  night 
A  lamp  to  lead  our  way. 


4  Thy  word  is  everlasting  truth, 
How  pure  is  ev'ry  page! 
That  holy  book  shall  guide  our  youth, 
And  well  support  our  age. 


The  Scripture  our  Light.    C.  JH, 

ALLEGRO.  (Kendall.)     From  the  Ancient  Lyre. 


51 


>J»  fciJ!  Htj 


For  two  or  three  Parts. 


':■• 


X3: 


How  precious       is     the    book     di  -  -  vine,     By        in  -  spi  -  ra-tion  given! 

a     •  — 


^=F 


— 


i 


Bright  as  -  a      lamp    its    doc  -  trines  shine,  To    guide  our     souls  -  to  heav'n. 


i-Nir-fl^ffFB 


2  It  sweetly  cheers  our  drooping  hearts,  3  This  lamp  through  all  the  tedious  night 
In  this  dark  vale  of  tears;  Oflife,  shall  guide  our  way, 

Life,  light,  and  joy.  it  still  imparts.  Till  we  behold  the  clearer  light 

And  quells  our  rising  fears.  Of  an  eternal  day. 


33 


Death.    €.  HE. 


ANDANTINO. 


For  two  or  three  Parts. 

I 


JL    -    P    i        c     V     ^i — i — i — L      I — S3 — i — 


The  grass  and  flowers  which  clothe  the  field,     And   look  so  -  green  and  gay; 


W^WMi 


Touch 'd  by 

=:I=FF= 


*     -P- 
I 
the  scythe,  defenceless,    yield,   And   fall 


and   fade    a 


1^- 

I 
way. 


:pzzz.: 


:F 


2  Fit  emblem  of  our  mortal  state. 


s 


T" 

::e: 


sssl 


3  Ah!  trust  not  to  your  fleeting  breath, 
That  in  the  scripture  glass;  Nor  call  your  time  your  own; 

The  young,  the  strong,  the  wise,  the  great,     Around  you  see!  the  scythe  of  death 
May  see  themselves  but  grass.  Is  mowing  thousands  down. 


MODERATO. 


The  little  Pilgrim.    €.  ML 


53 


(Liverpool.)     From  the  Ancient  Lyre. 


For  one  or  two  Parts. 


2  How  shall  a  christian  pilgrim  dare 
This  dangerous  path  to  tread? 
For  on  the  way  is  many  a  snare 
For  youthful  travelers  spread. 


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3  But  lest  my  feeble  steps  should  slide, 
Or  wander  from  thy  way, 
Lord,  condescend  to  be  my  guide, 
And  I  shall  never  stray. 


4  Thus  I  may  safely  venture  through, 
Beneath  my  Shepherd's  care; 
And  keep  the  gate  of  heav'n  in  view 
Till  I  shall  enter  there. 


54 


CHORAL. 


Life's  Journey.    €.  HI. 

(Canterbury.)    From  the  Ancient  Lyre. 


For  one  or  two  Parts. 


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2  What  sorrows  may  my  steps  attend, 
I  never  can  foretell; 
But  if  the  Lord  will  be  my  friend, 
I  know  that  all  is  well. 


3  If  all  my  earthly  friends  should  die, 
And  leave  me  mourning  here; 
Since  God  can  hear  the  orphan's  cry, 
O  what  have  I  to  fear  ? 


4  But,  Lord,  whatever  grief  or  ill 
For  me  may  be  in  store ; 
Make  me  submissive  to  thy  will, 
And  I  would  ask  no  more 


Names  of  Christ.    C.  WL 


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2  His  name  shall  be  the  Prince  of  Peace,  3  His  power,  increasing  still  shall  spread; 

Forevermore  adored,  His  reign  no  end  shall  know; 

The  Wonderful,  the  Counsellor,  Justice  shall  guard  his  throne  above, 

the  great  and  mighty  Lord.  And  peace  abound  below. 

4  To  us  a  Child  of  hope  is  born, 
To  us  a  Son  is  given: 
The  Wonderful,  the  Counsellor, 
Tlie  mighty  Lord  of  heaveiL 


56 


St.  Anne's.    €.  ML 


For  two  Part9. 


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Thy     mercies     fill     the     earth,  O    Lord;  How    good    thy   works  ap  -  pear ! 


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2  Since  I'm  a  stranger  here  below,  3  When  I  confess'd  my  wandering  ways, 
Let  not  thy  path  be  hid;  Thou  heard'st  my  soul  complain; 

But  mark  the  road  my  feet  should  go,  Grant  me  the  teachings  of  thy  grace, 

And  be  my  constant  guide.  Or  I  shall  stray  again. 

4  If  God  to  me  his  statutes  show, 
And  heavenly  truth  impart, 
His  work  forever  I'll  pursue, 
His  law  shall  rule  my  heart. 


Thou  God  seest  me,    €.  M. 


57 


ALLEGRO. 


For  one  or  two  Parts. 


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2  O  wondrous  knowledge,  deep  and  high! 
Where  can  a  creature  hide? 
Within  thy  circling  arms  I  lie, 
Beset  on  every  side. 


3  So  let  thy  grace  surround  me  still, 
And  like  a  bulwark  prove, 
To  guard  my  soul  from  every  ill, 
Secured  by  sovereign  love. 


#8  A  Hymn  of  Praise.    C.  M. 

ALLEGRO  MODERATO.  (St.  John's.)    From  the  Ancient  Lyre. 


For  one  or  two  Parts. 


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This     is     the     day  the  Lord  hath   made,  He       calls  the     hours  his   own; 


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Let  heaven  re  -  joice,     let      earth    be    glad,     And  praise  surround  the  throne. 

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2  To-day  he  rose  and  left  the  dead,  3  Hosanna  to  th'  anointed  King, 

And  Satan's  empire  fell;  To  David's  holy  son; 

To-day  the  saints  his  triumphs  spread,  Help  us,  O  Lord,  descend  and  bring 

And  all  his  wonders  tell.  Salvation  from  thy  throne. 


ALLEGRO. 


Redeeming  Love.    €.  M. 

(Lawesboro'.)    From  the  Ancient  Lyre. 


50 


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For  one  or  two  Parts. 


il        I         I 


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And  make  us  pure  within; 
Still  manifest  thy  mighty  power, 
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3  Then  will  we  make  redeeming  love, 
Our  daily,  nightly  song; 
And  joy,  like  theirs  who  sing  above, 
Shall  tune  our  thankful  tongue. 


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2  The  sun  with  golden  beams, 
And  moon  with  paler  rays; 
Ye  starry  lights,  ye  twinkling  flames, 
Shine  to  your  Maker's  praise. 


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3  He  built  those  worlds  above, 
And  fix'd  their  wond'rous  frame; 
By  his  command  they  stand  or  move, 
And  ever  speak  his  name. 


The  Fading  Iiily.    S.  HE. 


61 


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The      li  -  lies    of  -    the   field, 


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2  Then  let  us  think  on  death, 
Though  we  are  young  and  gay; 
For  God,  who  gave  us  life  and  breath, 
Can  take  them  both  away. 


69  Teacher's  Meeting,    S.  M 

ALLEGRO  MODERATO. 


For  one  or  two  Parts. 


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De  -  scend,   0     God      of    love 


And    bless     our     kind      de  -  sign; 


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2  Oh  what  a  vast  delight, 
Their  happiness  to  see! 
Our  warmest  wishes  all  unite 
To  lead  their  souls  to  thee 


Thanks  for  Instruction.    S.  III. 


63 


ALLEGRO  VIVACE. 


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HvMN  Chant.     (Claftox.)    From  the  Ancient  Lyre.  For  one  or  two  Parts 


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The  prais  -es    of        my  tongue,     I of    -  -  fer  -  -  to       the  Lord, 


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2  O  let  thy  word  of  grace 

My  warmest  thoughts  employ; 
Be  this,  through  all  my  future  days, 
My  treasure  and  my  joy. 


3  Then  shall  I  praise  the  Lord 
In  a  more  cheerful  strain; 
That  I  was  taught  to  read  his  word, 
And  have  not  learn'd  in  vain. 


64 


ALLEGRO  MODERATO. 


2 


The  Sabbath  School.    S.  Iff. 

(Sutton.)    From  the  Ancient  Lyre. 


For  one  or  two  Parts. 


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This      day     with    songs  we    bless, — It      hath     the     light     of    seven; 


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Right  -  eousness,  Shines   on     our  path  to  heaven 


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2  Ours  is  the  Sunday  school, 
Its  lessons  may  we  prize; 
And  grow  by  every  gospel  rule 
Unto  salvation  wise. 


3  So  all  our  lives  below 

In  wisdom's  pleasant  ways, 
The  fruits  of  Sunday  schools  shall  show 
The  bliss  of  Sabbath-days. 


4  Then  heaven  itself  shall  be 
Our  Sunday  school  above, 
And  undisturbed  eternity 
One  Sabbath-day  of  love. 


MODERATO. 


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Sabbath  Hymn.    S.  71. 


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2  Let  me  remember  well 

That  God  is  present  here; 
And  let  my  heart  be  all  engag'd 
When  I  draw  near  in  pray'r. 


3  And  when  my  praises  shall 
My  tuneful  lips  employ, 
Give  me  to  taste  that  sweet  delight 
Which  saints  in  heav'n  enjoy. 


66 


FestiTal  Hymn.    S.  M. 


ALLEGRO. 


For  two  or  three  Parts. 


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2  How  straight  the  path  appears 
How  open  and  how  fair! 
No  lurking  gins  t'  entrap  our  feet, 
No  fierce  destroyer  there. 


But  flowers  of  Paradise 
In  rich  profusion  spring; 

The  sun  of  glory  gilds  the  path, 
And  dear  companions  sing. 


4  All  honor  to  his  name, 

Who  marks  the  shining  way 
To  him  who  leads  the  wand'rers  on, 
To  realms  of  endless  day. 


Universal  Praise.    $.  III. 


67 


ALLEGRO  ASSAI. 


For  two  or  three  Parts. 

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Thy  name,    Al-migh-ty     Lord,   Shall  sound  through  -  dis  -    tant  lands; 


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Great  is     thy  grace  and  sure     thy  word; 


Thy  truth  for  -  ev  -  er     stands. 


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2  Far  be  thine  honor  spread, 

And  long  thy  praise  endure, 
Till  morning  light,  and  evening  shade 
Shall  be  exchanged  no  more. 


68 


Christian  Love.    S.  ML 


ALLEGRO. 


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2  Before  our  Father's  throne  3  From  sorrow,  toil,  and  pain, 
We  pour  our  ardent  prayers;  And  sin,  we  shall  be  free; 

Our  fears,  our  hopes,  our  aims  are  one,         And  perfect  love  and  friendship  reign, 
Our  comforts  and  our  cares.  Through  all  eternity. 


The  Sariour  our  King.    S.  HI. 


69 


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2  Strike  through  thy  stubborn  foes, 
Or  melt  their  hearts  t'  obey; 
While  justice,  meekness,  grace  and  truth, 
Attend  thy  glorious  way. 


3  Thy  laws,  O  God!  are  right; 
Thy  throne  shall  ever  stand; 
And  thy  victorious  gospel  prove 
A  sceptre  in  thy  hand. 


70 


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2  I  may,  for  aught  I  know, 

This  hour  the  summons  hear, 
That  calls  me  where  the  wicked  go. 
Or  where  the  saints  appear. 


3  Teach  me,  with  all  my  heart, 
Thy  mercy  to  embrace, 
And  now  from  ev'ry  sin  depart, 
To  seize  the  time  of  grace. 


4  My  soul  from  ruin  save, 

And  cleanse  my  ev'ry  stain; 
Then  shall  I  triumph  o'er  the  grave, 
And  paradise  regain. 


MODERATO 


The  glory  of  the  Lord.    S.  M. 

(Shirlawd,)    From  the  Ancient  Lyre. 


71 


For  one  or  two  Porta. 


Thy  glo  -    ries  -  howdif-  fus'd  a   -  broad,    -  Thro'  -the  ere  -  a  -  tion's  frame. 


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2  Nature  in  every  dress 

Her  humble  homage  pays; 
And  finds  a  thousand  ways  t'  express 
Thine  undissembled  praise. 


3  My  soul  would  rise  and  sing 
To  her  Creator  too; 
Fain  would  my  tongue  adore  my  King, 
And  pay  the  worship  due. 


4  Let  joy  and  worship  spend 
The  remnant  of  my  days; 
And  to  my  God,  my  soul  ascend 
In  sweet  perfumes  of  praise, 


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ALLEGRO  ASSAI. 

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Doxology.    S.  ML. 

(St.  Thomas.)    From  the  Ancient  Lyre. 


For  one  or  two  Parts. 
|        Handel. 


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gels  round    the  -  throne, 


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And  -  saints     that  -  dwell    be  -  low, 

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Wor-ship    the    Fa  -  ther,  Praise  the  -  Son,  And  bless     the  -  Spir  -  it       too. 


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Praise  to  Jesus.    S.  ML 


For  two  or  three  Parts. 


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Praise  to  JeSUS.     Continued. 


73 


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2  Sing  on  your  heavenly  way, 
Ye  ransom'd  sinners,  sing; 
Sing  on,  rejoicing  every  day, 
In  Christ  th'  eternal  King. 


74 


Sabbath  Day.    S.  HI. 


ALLEGRETTO  MODERATO. 


For  two  or  three  Parts. 


ZJS. 


ii  ii 

This      is       the      Sab  -  bath  day,     I'm      in 


the     field       a  —  lone 


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died 


a 


way. 


& 


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F 


:or 


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^ 


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£ 


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"i — r 


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2  Kneeling  I  worship  Thee,  3  All    round  and  far  away 

Dread  o'er  my  spirit  steals  Clear  is  the  solemn  sky, 

From  whispering  sounds  of  those  who  kneel,  It  seems  all  opening  to  my  eye; 

Unseen,  to  pray  with  me  This  is  the  Sabbath  day. 


Thatcher.    S.  HI. 


75 


ALLEGRO 


From  the  Ancient  Lyre. 

I 


For  two  or  three  Parts 


sa^ggppgpii 


>*-% 


With    hum  ■ 


■p- 


^-^ 


X5: 


r^czoi 


^^ 


i     i 


fells 


:«--g- 


ZTZ^-Q1" 


-  ble     heart  -  and  tongue,  My    God,  -    to 


thee     I 


-O- 

pray; 


r 


TZ 


:o: 


X5I 


o 


=( 


£Z 


o: 


-o- 


ft 


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©- 


O      make  -  me    learn,  -while  I 


a^fHgfM^ 


am  young,  How  I  -  -  may  cleanse  my  way. 

o> 


— 0. 


IQ^O 


1^- 


^- 


eSfJe 


2  Make  me,  a  helpless  youth, 
The  object  of  thy  care; 
Help  me  to  choose  the  way  of  truth, 
And  flee  from  every  snare. 


3  O  let  thy  word  of  grace, 

My  warmest  thoughts  employ; 
Be  this  through  all  my  following 
My  treasure  and  my  joy. 


TiS 


5^: 


Sabbath  Morning:.    S.  M. 

(Lisbon.)     From  the  Ancient  Lyre. 


h 


-©'— F- 


3=ra 


To  God 


-p-0— , -]- 

l     l 
the  -  on  -  ly    wise, 


For  two  or  three  Parts. 
D.  Read.  With  Alterations 

(y~ 


7 


Our    Sa  -  viour  -  and     our  King, 


_z r_P„ 


-I© 


=P 


£ 


O 


_o_ 


i      ! 

Let    all 


F 


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-TT^Sf 


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III         I 


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j 

on 


ifeV 


©- 


IT-' 


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g^B 


iii     i 

the  -  saints    be  -  low  -  the  -  skies  Their  humble  prai  -  ses   bring. 


l^MSl=J 


"~T 


m 


2  'Tis  his  Almighty  love, 

His  counsel  and  his  care, 
Preserves  us  safe  from  sin  and  death, 
And  every  hurtful  snare. 


3  To  our  Redeemer  God, 

Wisdom  and  power  belong, 
Immortal  crowns  of  majesty, 
Of  praise,  and  endless  song. 


MODERATO. 

I 


Early  Death.    7>s. 

i 


77 

For  two  or  three  Parts. 


XX 


^ 


See   the  love-ly  blooming  flower, 


:oj 


§§P 


i    i    i®- 

Fade  and  with  -  er       in     an  hour; 


So  our    transient    com-forts     fly,-  -  Pleas  -  ure     on 


f3 


^^a 


r 


ly     blooms  to        die. 


| — o~~g~i — rz 

rn       i  r s 

SeEEeEEHEEE 


^ 


p 


PEE 


i 


2  See  the  leaves  are  falling  fast, 
Scattered  by  the  wintry  blast; 
So  our  youthful  pleasures  fade, 
Cares  will  soon  our  breasts  invade. 


M 


3  Time  is  passing  swift  away; 
Earthly  joys  will  soon  decay; 
May  we  have,  prepared  on  high, 
Pleasures  that  will  never  die. 


78 


Mozart's  Hymn.    7's. 


ALLEGRO  VIVO. 


For  two  or  three  Parts. 


rzzzr 


I     o       . 


WP 


iicl 


r~~ r 


3=8EEIFiT 


©v-|» 


B=£: 


Praise — oh  praise    the  name     di  -  vine,  Praise  him    at     the      hallow'd  shrine; 


* 


I®" 


ffife* 


^Ol 


P-i5: 


EEE^ 


q^Lzpzr 


UNISON. 


-^-P 


- — i — rr  ~i — 


^ 


qac 


:F? 


5— lO- 


ss 


10 


BFJ 


Let     the       fir  -  ma-ment     on  high,         To     its       Ma  -  ker's  praise  re  -  ply. 


:gzo; 


TT 


H 


OZ1C 


^ 


i©- 


1©- 


±ri— 


I 


tO 


NzrH 


17~1" 


jpf 


&£ 


© 


I 


UNISON. 


2  All  who  vital  breath  enjoy, 

In  his  praise  that  breath  employ; 
Heaven  and  earth  the  chorus  join; 
Praise — oh  praise  the  name  divine. 


Lecture  Hymn.    7's, 


79 


ANDAXTE. 


For  two  or  three  Parts. 


I I  I  V 

~i — rrZd '    ' 


Children    of  the    heavenly 


IT 


King,    As   we    journey,  sweet  -  ly       sing; 


■p—p- 


E53 


1       ~? 

Sing  our     Saviour's  wor- thy     praise 


Glo  -  rious    in  his  works  and  ways! 


B 


6=* 


1®- 


mm 


2  Fear  not,  children,  joyful  stand, 
On  the  borders  of  our  land; 
Jesus  Christ,  our  Father's  son, 
Bids  us  undismay'd  go  on! 


3  Lord!  obedient  we  will  go, 
Gladly  leaving  all  below: 
Only  thou  our  leader  be, 
And  we  still  will  follow  thee! 


80  Pilton,    7>s 

ALLEGRETTO.  From  the  Ancient  Lyre. 


For  one  or  two  Parts. 

Weldon. 


¥¥ 


^=£ 


izzm: 


v 


p 


pa. 


«■ 


i  i 


Thou  who  once    did      con  -de  -  scend     Lit  -  tie  child-ren     to 


re  -  ceive 


*» 


Is — 


V 


P 


i~t 


i 


^fer^EES^ 


i    r 
To    thy    care,  Al  -  migh  -  ty     friend, 


PT 


We  this  youth-ful    flock  would  leave. 

£-r  g)  /?sr 


S 


f 


rzr 


-j- 


._r_r_. 


Dangers  thick  beset  them  round 
Where  for  succor  shall  they  flee  ? 

May  their  help  be  ever  found, 
Blessed  Saviour,  all  in  thee! 


Pleyel's  Hymn     7's. 


81 


ALLEGRO  MODERATO 


From  the  Ancient  Lyre. 


Oh  that  men  their  songs  would  raise 


For  two  or  three  Parts. 
J LN 


izrh     j I  r±i:r~n~~-Z^Qi±~zl 


All     his    good-ness    to 


1  O" 

de  -  clare ! 


m 


o_ 


s 


o 


J 


All     Je  -   ho  -  vah's  won  -ders  praise,   Won  -ders  which  their  children  share! 


75T 


m 


L 


2  Where  his  holy  altars  rise, 

Let  his  saints  adore  his  name; 
There  present  their  sacrifice, 

There  with  joy  his  works  proclaim. 


82 


Sicilian  Hymn.    8'.  &  7's< 


ALLEGRETTO  MODERATO. 


From  the  Ancient  Lyre. 
I 

r 


5 


Doxologt. 
For  two  or  three  Parts. 
|  |  Mozart. 


=p3 


i       r       \     W 
May   the  grace        of  Christ  our   Sa-viour,  And  the  Fath-er's  bound-less   love 


i 


l  , 


5£ 


T~ 


o: 


b 


y — gdcy — ^±pcz^rjqg2rlJ 


a  -bove! 

J 


i      r 
i r 

The  second  strain  may  be  repeated. 


2  Thus  may  we  abide  in  union, 
With  each  other  in  the  Lord; 
And  possess  in  sweet  communion, 
Joys  which  earth  cannot  afford. 


MODERATO. 


Naples  or  Hamburg.    ?'s. 


S3 


For  two  Parts 


m^M^m 


=f 


wise;    Stay  not 


for  the  - 


morrow's  sun: 


F 


gHf-8 


.._). 


-^r 


-et 


s^feHbS 


2  Haste — and  mercy  now  implore; 
Stay  not  for  the  morrow's  sun; 
Lest  thy  season  should  be  o'er, 
Ere  this  evening's  stage  be  run. 


3  Haste — O  sinner-— now  return; 
Stay  not  for  the  morrow's  sun; 
Lest  thy  lamp  should  cease  to  burn, 
Ere  salvation's  work  is  done. 


4  Haste,  O  sinner — now  be  blest; 
Stay  not  for  the  morrow's  sun; 
Lest  perdition  thee  arrest, 
Ere  the  morrow  is  begun 


84 


Innocence.    7>s. 


IMODERATO. 


For  one  two  or  three  Parts. 


Je  -  sus,    see     a 


lit  -  tie    child,      Hum-bly     at      thy    foot -stool  stay : 


]BJBgEE 


-e 


Q 


S 


o  L 


"T~i 1 — rr — i — rr~  i — r 

(•    "  ..of — » — P~i       i       r 


-+-s 

BEPJ 


— O' 


,    I    I    1° --r-rl    I    I    I    I    1    r  1 

Thou  who     art      so  meek  and    mild,       Stoop  and   teach  me    what  to     say. 


m 


WF3 


I 


~o~r 


-±Er< 


J <=>LA 


2  Though  thou  art  so  great  and  high, 
Thou  dost  view  with  smiling  face, 
Little  children  when  they  cry, 

Saviour,  guide  us  by  thy  grace.' 


F 


3  Show  me  what  I  ought  to  be, 
Make  me  every  evil  shun; 
Thee,  in  all  things  may  I  see 
In  thy  holy  footsteps  run. 


Love  of  God.     7's.     Five  Lines. 


83 


UN  POCO  ALLEGRETTO. 

rrrl-J * 


For  two  or  tbree  Parts. 


Sing,  my    soul,  his  wond-rous  love,  -  Who,  from  yon  bright  world  a  -  bove,  -  Ev  -  er     watch-ful 


@*& 


^^^l^fr^ 


PFR^ 


-p-§fFFi- 


-r^- 
** 


M 


i    i  m 

race,  -  Still  to 


man    ex  -  tends  his   grace:  Sing,  my  soul,     his 


~T 


T~" 


wond-rous    love. 

-J-     J 


— I— i— he- 


^Pf%#ti 


2  Heaven  and  earth  by  him  were  made, 
All  is  by  his  sceptre  sway'd; 
What  are  we,  that  he  should  show 
So  much  love  to  us  below! 
Sing,  my  soul,  his  wondrous  love. 

N 


Sing  my  soul,  adore  his  name, 
Let  his  glory  be  thy  theme; 
Praise  him  till  he  calls  thee  home, 
Trust  his  love  for  all  to  come, 
Praise,  O  praise  the  God  of  love. 


86 


Greenville.    8>s.  &  7>s.  or  8,  7,  Sc  4. 


ALLEGRETTO. 
Tenor. 


For  three  Parts. 

Rousseau. 


a^^^^E^fjggpa 


8'  7'  &l4  Gently,  Lord,  O  gent-ly   lead 
'Oh   refresh  us,  O      re  -  fres! 


us,  Thro' this  lowly     vale  -  -  of  -  -   tears, 
fresh    us,  Oh     refresh  us      with  -   thy   -  grace. 


agEfegEg^gEJgEg 


es; 


Z&XL 


i 


Organ.     I  ^ 

"*■■  -    -J — i- 


r  r 


L=j 


I 


_J_     _£     -J-     --- 


:^~  i* 


a_i3 


Fine. 


F1 


HB 


.  ! . j f 

ft,  o  7,    May  the  grace  of  Christ  our  Saviour,  And  the  Fath-er's     bound-less       love 
s  With  the  holy  &c. 


¥ 


m 


And,   O  Lord      in  mer  -  -  cy    give       us,  Thy     rich  grace  in    all      our      fears, 

I 1^. 


s 


1CT 


-H-d 


i- 


—  % 


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3 


HC3 


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^mm 


Duetto. 


m 


St 


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n 


s 


With  the  ho  -  -  ly   Spir  -  it's     fa vor,  Rest  up  -on       us  from      a  -  -  -  bove! 


CHORAL. 


The  Sabbath  Day.    7>s, 


For  two  or  three  Parts. 


87 


m 


Maker 


xxio: 


of  the     Sabbath    Day,    Teach  us 

^=7 


how  to     praise  and  pray 


r 


i& 


xz 


Z3I 


o 


XX 


I0- 


xx: 


a 


Thou  this  bless  -  ed 


W^-- 


e 


§f 


day    hast  given, 
1^"  ^ 


To 


r^HJ 


2  Giver  of  eternal  rest, 

Be  thy  glorious  Gospel  blest; 
Thou  alone  canst  change  the  heart, 
Thou  alone  canst  peace  impart. 


pre 
XT 


I         I       i         I 
pare  our  souls  for  heaven. 


^ 


■{&■ 


mm 


3  Friend  of  children,  hear  our  prayer, 
Let  no  trifling  feelings  dare 
Steal  the  precious  hours  away, 
Of  this  sacred  Sabbath-Day, 


88 


MODERATO 


The  Righteous  Dead.    8?s.  &  7'*, 

(Temple  Place.)     From  the  Ancient  Lyre. 

!*_J 1_,-4 


For  two  or  three  Part9. 


Think,  O 


ye  who  fond  -ly  languish,  O'er  the  grave  of 


© 

those 


you 


love 


p— p— p p p p 


T~ 


P 


While  your 


bosoms  throb  with  anguish,  They    are     warb-ling  hymns 


bove. 


2  While  your  silent  steps  are  straying  3  Cease,  then,  mourner,  cease  to  languish, 

Lonely  through  night's  deepning  shade,        O'er  the  grave  of  those  you  love: 
Glory's  brightest  beams  are  playing  Pain  and  death  and  night  and  anguish 

Round  the  happy  christian's  head.  Enter  not  the  world  above. 


Blessings  of*  Instruction.    8>s.  &  7%, 


89 


ANDANTE 


pgjs 


For  two  or  three  Parts. 

* I 


Je-sus,   Lord     of    life     and     glo  -  ry,  Friend  of  chil  -  dren,  hear  our  lays; 


4  '     ■ 


rtreioia 


2  We  are  debtors  to  thy  kindness, 

God  of  grace,  and  boundless  love; 
Thousands  wander  on  in  blindness, 
Strangers  to  the  light  above. 


3  Jesus,  on  thine  arm  relying, 

We  would  tread  this  earthly  vale; 
Be  our  life,  when  we  are  dying, 

Be  our  strength,  when  strength  shall  fail. 


00 


Praise.     8's.  7>s.  &  4. 


ANDANTINO. 


For  two  or  three  Parts. 


God     our      Fa-  ther,  great     Cre  -  a  -tor,  At  thy  feet    we     hum-bly     bow; 


Gra  -  ti  -  tude      for  boundless     fa  -  -  vor,    Should  in  praise  for  -  ev   -  er  flow; 

o' 


ks z»~zz    r* — »t* 


=3C 


I^H 


^^ 


Ti 


^ 


-•- 


Great 


r 

Je  -  ho  -  -  -  vah!  Praise     to        thee       is         ev    -   er 


i 


3 


1 P 


due. 


5 


SB 


jm 


i 


Praise.    Continued, 


91 


2  Gracious  Jesus,  mighty  Saviour! 
Hear  our  lispings  to  thy  praise; 
Thou  didst  bless  such  little  children, 
And  invite  them  near  thy  face: 

Son  of  David, 
Loud  hosannahs  to  thy  name. 


CHORAL. 


Doxology.    li.  M. 

(Green's  Hundredth.) 


For  two  or  three  Parts, 


_       i  I  I  1  I  I      ^  I  *~*1  i  I         Dr.  Green. 

^ p—p 1 P '~ p~p-T°— ^ 


H 


To  God  the     Fa  -  ther,  God  the  Son,  And  God  the  Spir  -  it     three    in     One, 


tk 


?-£e- 


g.-O^O. 


_o. 


;o 


i°- 


Si? 


Pr 


o 


R: 


g 


:o: 


^=fc#q 


71TF3 


t-o-^ 


^f 


tG~  o 


r 


w& 


Be       honor,  praise,  and  glo-ry    giv'n,  By     all    on     earth,  and      all     in    heav'n. 
-0__jC> ^^_0_ 


mmmmm 


p 


p 


^iii 


92 


Prayer.    8>s.  7>s.  &  4. 


MODERATO. 
~3 


I 


-W — ai^^^~ 


For  two  or  three  Parts. 


fcf-f 


55~ 


Ho  -  ly        Father!  let  thy  blessing,  Peace,  and  corn  -fort,  from  a  —  bove, 


©"Si*— P~ 


-P--P--  -p—p— p--p- 


P£¥ 


zn 


n: 


^sr — cz~s — n~  t"' — n — 2 — •  « 
— ©— I — ^-k- 


? 


! — L| — ! — 


Rest  up  -  on       us     here  con -fess  -  ing,  All  our    sins     a  -  gainst  thy     love; 

•_Zr*I 

-j P A O ft •-( — ©  - 


«S 


t 


f=s3 


o 


fc=p==p- 


=5=F=E= 


for  -  -  -  give 

9L 


for 


us;   Par  -  don      us 

"33EE 


I 

Je 


I 
sus3 

4 


i 


sake. 

-d— 


Prayer.     Continued. 


93 


For  our  sin  and  guilt  lamenting, 
Let  us  bow  before  thy  face: 

O!  behold  the  souls  repenting, 
Look,  and  give  thy  saving  grace: 

O  receive  us, 

Freely,  for  the  Saviour's  sake. 


3  Then  with  joyful  adoration, 

We  will  lift  our  heart  and  voice; 

While  beholding  thy  salvation, 
Saints  and  angels  will  rejoice; 

Hear  us,  Father, 

In  the  great  Redeemer's  name. 


Doxology.    S.  UI. 


ALLEGRETTO 


For  two  or  three  Parts. 
-^_N        |_T.  Williams. 


imm 


Worship  the     Fa-ther,     Love  -  the 


>      '        '     '        I 
Son,  -  And  bless  -  the    Spir  -  -  it    too. 


PE 


m?    P 


o 


SI 


94 


Our  God.     8's. 


MODERATO. 


For  two  or  three  Parts). 


• — ml 


r 


i *-—  Ghr- 


i      r    i      r 

This  God    is  the  God  we     a  -  dore. 


IZO.1 


i,  j      i      i      i       i       i 

Our     faith-ful     unchangea-ble  friend: 


-a-  =t 


rfc 


1»— p— p- 


r^4=aEpi»=z^|:FE^EE  ^Ej 


i   _^| r 


"I 1 


• ! F 


f3: 
f-p- 


PP 


Whose  love  is  as  great  as  his    pow'r,  And 


I       I        I        I        I- 
neither  knows  measure  or  end. 


2  'Tis  Jesus  the  first  and  the  last, 

Whose  spirit  shall  guide  us  safe  home; 
We'll  praise  him  for  all  that  is  past, 
And  trust  him  for  all  that's  to  come. 


MODERATO. 

it 


^y& 


s: 


"Ol" 


o 


Rocklield.      10's     (Six  Lines.; 

n — li    11 


95 


For  two  or  three  Parts. 


33 


f  f  S» 


«I« 


o- 


oz 


o 


ffil 


■pr  ii  iii  i  i     i     i        i 

Not      to      our    names,  Thou  only  just  and   true,        Not       to  our  worthless  names  is     glo  -  ry         due 


~r~ — i jcvpf — — 


IptIct 


-*rr« 


-41 © 


i 


i      i 


i-^m- 


i,  J,  I 


P71^ 


© 


Thypow'r  and        grace,  -  Thy  truth  and  justice  claim,  -    Im  -  mor  -  tal        honour  to  thy    sov  -  reign       name. 


mm*mm 


LJLi i i 


-_. 


,•-•- 


^^ 


««■  I      111" 


©:© 


®* 


O     Q 


S 


ft_j— :r~Ti     ! — rr 1 — i — nrs — Tin — i — ~ 

I        |      ©-*-§-©-; — i 1 — i _ — i — 


J_  I 


•zn 


— o~ 


I  o~ 

Shine  thro'  the    earth,  from  heav:n  thy  blest  a  -  bode,  -  Nor     let     the    heath-en  say,  '  Where  is  your      God.' 


is 


rr 


m^^^^^mm 


96 


Lambeth.     Eights. 


ANDANTINO. 


For  two  or  three  Part?. 


St;*-1^ 


4- 


^ 


=5 


i  i       K     r  i        ii       b*  #^- 

En-compass'd  with  clouds  of  dis  -  tress,  Just  rea  -  dy     all   hope    to     re-sign, 


s-3- 

W 


rrsr-p — -f 

h — * r 


f — r 


r 


i 


^E§£i 


-r-n^ 


i      r 


pzn 


-*«- 


I        IS 


8= 


1 


I    pant    for    the    light  of   thy  face,  And  fear   it    will     nev  -  -  er      be  mine. 


Lambeth. 


=3 


Continued. 

4 4 


97 


**t 


All  plaintive       I  pour   out       my  song,  And  stretch  forth  my  hands  unto    God. 

p 


r 


1 — T 


f — r 


r 


3 — zr~~r 


np- 


s 


ALLEGRO  ASSA1. 


* 


B 


Advent. 

■Pi 


C.  ME. 


^ 


For  three  Trebles. 
I    For  Practice... — s 


SEg 


3 


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W=P~- 


o1 


F 


W 


F 


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Let     Zi  -  on     and     her  -  sons     re  -  joice,  Be-hold  the  prom-is'd     hour 


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:oc 


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iEr^»±P=ff«tef=ftpP=t=F 

Her  God   hath  -  heard   her   mourning,    And  -  will     ex   -  -  alt      his  pow'r. 


S 


*=; 


iHH 


cy~   cj~  " 


4 


m 


IS 


98 


Hingham.     8's  &  4's. 


MODERATO. 


1 


:i; 


'i — r 


©' 


I 


For  two  or  three  Parts. 


PjSg^|^^ 


-      ,        ,        ,  07~      I         V 

r  l  i 

Cre  -  -  ate,  O   God,  my   powers    a  -  -  new,     Make   my  -  whole    heart   sin- 


m^ 


:o: 


3ES 


zizo: 


mmm 


FFF^F 


__OL 


<e 


F 


thy   soul    en  -  liv  - 
-©, 


ning      ray,  - 


i       I      r 
Still     cease   to     shine. 


ZX 


— r 
— r 
1QI 


Or 


mm 


II  ill  Sham.     Continued. 


99 


2  Restore  thy  favor  bliss  divine! 


3  Then  will  I  teach  thy  sacred  ways; 


Those  heavenly  joys  that  once  were  mine ; 
Let  thy  good  Spirit,  kind  and  free, 
Uphold  and  guide  my  steps  to  Thee, 
Thou  God  of  love. 

4  Oh  cleanse  my  guilt 


With  holy  zeal  proclaim  thy  praise; 
Till  sinners  leave  the  dang'rous  road, 
Forsake  their  sins,  and  turn  to  God 
With  hearts  sincere, 
and  heal  my  pain; 
Remove  the  blood-polluted  stain; 
Then  shall  my  heart  adoring  trace, 
My  Saviour  God,  the  boundless  grace, 
That  flows  from  Thee, 


Wevmouth.    C.  i?I, 


MODERATO. 


1  ™  y  p  m  ™ 


For  two  or  three  Parts. 


^  '         XT  '  — 

In- dul- gent       Fa- ther,    how    di  -  vine,  How     bright    thy     glo  -  ries    are! 


EiSS 


p  ^ 


m 


© 


X3I 


-  clare. 


Through  na-ture's    am-  pie    round  they  shine,  Thy    goodness      to  -  de  -  clare. 


-~r 


100  Birth  of*  Christ.     8's.  &  7*S.     Eight  Lines. 

MODERATO.  For  three  Trebles. 


^SEg^i 


Wf 


WF 


Hark!  what  mean  those  holy   voices, 


Sweetly  sound-ing  through  the  skies 


I         U — v  ^  I  J        F"l      I  I 


Lo!  th'    angel -ic      host  re  -  joices 


H- 


1 1 — T 

Heavenly    hal  -  le  -  lu  -  jahs 


rise. 


Hear!  O     hear  the     wondrous     sto  -  ry    Which  they  chant  in  songs  of  joy; 


ilpiiipig^^ii^fpg 


Birth  of  Christ.      Continued. 


lOl 


I        !  I  I  I        I  I         I  I 

Glo-ry      in    the    highest,     glo-ry!       Glo  -  ry 


to      God    on      high 


2  Peace  on  earth,  good  will  from  heaven, 

Reaching  far  as  man  is  found; 
Souls  redeem'd,  and  sins  forgiven, 

Loud  our  golden  harps  shall  sound. 
Christ  is  born,  God's  own  anointed, 

Heaven  and  earth  his  praises  sing; 
O,  receive  whom  God  appointed 

For  your  Prophet,  Priest,  and  King 


3  Hasten  mortals  to  adore  him; 

Learn  his  name,  and  taste  his  joy; 
Till  in  heaven,  ye  sing  before  him, 

Glory  be  to  God  on  high! 
Let  us  learn  the  wondrous  story 

Of  our  great  Redeemer's  birth; 
Spread  the  brightness  of  his  glory 

Till  it  cover  all  the  earth. 


102 


Luther,    6's.  &  4's. 


ALLEGRO. 


nrr 


A~r 


For  two  or  three  Parts, 
I       I I  I 


?« 


al^l 


Praise  ye     Je-ho-  vah's      name,     Praise  through  his  courts  pro  -  claim,      Rise   -   -   and     a-   -   dore: 

a: 


Hfc 


n 


s~*j 


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r~gr 


9-9 — m~ 

"R 


iEE 


J  J.  ■  JJ -j 

-|»-|»  :--:!•  ^-eH 


FF=^Ftf*^^^f 


ir-rzr~?ri«ziT?z-r 


High  o'er  the  heavens  a  -  bove 


Sound    his  great   acts  of      love, 


While  his  rich   grace   we  prove. 


gg 


3 — r 


-o 


-r~i — 1 — r~ 
1 — ^~^" 


u: 


Fff=F 


-,0 


:_j: 


1 — r 


:EF 


=d^d 


1 


2  Now  let  the  trumpet  raise 
Sounds  of  triumphant  praise, 

Wide  as  his  fame ; 
There  let  the  harps  be  found ; 
Organs  with  solemn  sound, 
Roll  your  deep  notes  around, 

Filled  with  his  name. 


rr 


3  While  his  high  praise  ye  sing, 
Shake  every  sounding  string 

Sweet  the  accord! 
He  vital  breath  bestows ; 
Let  every  breath  that  flows 
His  noblest  fame  disclose — ■ 
Praise  ye  the  Lord. 


Concord.    10's. 


ALEGRO. 


r    I  I 


o: 


-J — £v 

-ft — •-*!- 
ft — ft   I 


I  I 

Hail,  hap-py      day!  - 


rei; 


^ 


103 

For  two  or  three  Parts. 


^ 


SHip 


thou     day  of     ho  -  ly       rest,  -  What    heav-enly 


fee? 


o 


ES 


"I — Zf 


S 


FF 


xx 


§ 


S 


=s 


§ 


peace  and  trans-port  fill 


i     i     i i 

vf  r  "J 

i     i     i 


our  - 


a: 


:@ — w 


breast!  When  Christ,  the  God  of  grace,  in  love 


de- 


-P 


* 


3 


X5ZDZ 


O" 


ft      ft" 


— I© ft"11-*-11 


_Z fZZZO[ 


-o1 

I  !  I 

scends,     And    kind 


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i 


4 


h 


— i p — »" 

holds     com  -  mu  -  nion  with     his  friends. 


@e 


~u 


1yl~pz 


+ 


mpiH 


104 


Doxology.    6.  &  4. 


ALLO  MODERATO. 


Words  by  J.  P.  Bartrum. 
For  one  or  two  Parts. 


zffigEg 


of  light     and  love, 


Min  -  is  -  t'ring  hosts 


bove, 


* 


OZ 


fc^ 


^2l 


Bless 


ye    the  Lord! 


i       i       i     -•  -®r 

An  -  gel's  your  horn  -  age  pay! 


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Tune    the     Im- 


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-DT-j— p- 


mor 


tal    lay!      Pow'rs    of      e  -  ter 


day,  Praise  ye      the    Lord! 


^— :°r 


!*ES 


? 


-leT-r 


"<y 


T~ 


%: 


I 


The  second  part  may  be  repeated. 


MODERATO 


^      A\ 


-41- 


m^wwrwim 


JZZ^Zr 


Frankford.     V2>s.  105 

^S  For  two  or  three  Parts. 
1                                         By  J.  Haydn.— With  Alterations.  /*^\ 

I  I     *    I      I     I  tfP"  i     p  l 

race  cries,  Escape  to  the  mountain,  For    Adam's    lost  race,  Christ  hath  opened  a  fountain  ; 


"I — P~T 


~i — p~r~T 


f — {• — i — rr 

V  I     T     i    1 


i  #!•-  ii       iii         iii*    m^-^_  i  -*- 


v  \  *  i       i     *  r       i 

For   sin  and  uncleanness,  and       ev  -  ery  transgression,        His  blood  flows  so      free-ly     in  streams  of  sal  -  vation 


m 


- 


■•-•- 


*   I  **    !•" 

sgression,        His  blood  flows  so      free-ly     in  streams  of  sal  -  val 


-•-•- 


a 


-Ff 


uu 

),  Who  h£ 


Hal  -  le  -  lujah    to   the    Lamb 

j£0 


hath  bought  us  a  pardon,  We'll  praise  him  again,  When  we  pass  over  Jordan. 


106 


Anniversary  Hymn.    7's  &  6's. 


MODERATO 


For  two  or  three  Parts. 


Lord,    let      thy   grace,  de  -  scend-ing     Not    on     our   hearts    in      vain, 


IO" 


^ 


1 


~i — h        j    • — r — ^~rfr  ~« — m — p-rm i g — !~r^ — rl 


m-- 


I 1 p , -r-       r p 

But,    with    each     pur-pose     blend  -  -  ing,    As-  cend     in      love     a  -  -  gain.  - 

rr? — r* 


I 


P 


To  Thee,  whose  breath,  as     show-  ers      Of  spring,    re  -  new   the      earth. 


^^ 


IX 


1       r 


1 r 


^^ 


HI 


Anniversary  Hymn.    Continued. 


107 


A  -  wakes   to      glo  -  rious     flow  -  -  ers     The  seed    of 


T5T 

heavenly     birth. 


m- 


H: 


.a wz 

— ©( © — )•- 


F 


E^F 


II 


2  The  fulness  of  thy  favor 

Pour  down  on  them  we  pray, 
Who,  to  thy  fold,  O  Saviour, 

Restore  us  when  we  prayt 
Their  works  rewarded  double, 

O  let  them  prove  thy  love; 
Their  sun  and  shield  in  trouble, 

Their  crown  of  life  above. 


3  Still  be  thy  gospel  spreading 

Abroad  its  glorious  light, 
Wherever  man  is  treading 

The  paths  of  death  and  night- 
From  nation  on  to  nation, 

Extend  its  righteous  sway, 
Until  the  desolation 

Of  sin  be  swept  away, 


108  Hope  of  Heaven.    7's  &  6'«. 

ALLEGRO  MODERATO.  (Amsterdam.)     From  the  Ancient  Lyre. 


-4r-i- 


p: 
■r  1® 


For  two  or  three  Parts 


T~ 


*#&.. 


— -4-, 


Rise,  my   soul,    and   stretch  thy  wings,  Thy 

~F 


bet  -  ter      por  -  tion   trace; 


S 


F 


Or 


I 


:Mzze===] 


Rise   from    tran  -  si  -  -  to 


t$vtnt, 


m^i^u.m^R 


ry  things, Towards  heav'n,  thy  native     place: 


^  I  I  nasal  I  l_i        fv    |  I 


_rzzz[ 

Sun,     and  moon,  and  stars   de  -  -  cay,  Time  shall   soon   this   earth     re  -  -  move; 


>*— 


^E^^=^j=====|=^^==sE=|^ 


Hope  Of  Heaven.     Continued 


109 


g^S 


Rise,  my      soul    and   haste 


I      -op 

way   To     seats    pre  -  par'd    a  -  bove. 


2  Rivers  to  the  ocean  run, 

Nor  stay  in  all  their  course; 
Fire,  ascending,  seeks  the  sun, 

Both  speed  them  to  their  source: 
So  the  soul  that's  born  of  God, 

Pants  to  view  his  glorious  face: 
Upward  tends  to  his  abode 

To  rest  in  his  embrace. 


3  Cease,  ye  pilgrims,  cease  to  mourn; 

Press  onward  to  the  prize; 
Soon  our  Saviour  will  return, 

Triumphant  to  the  skies. 
Yet  a  season,  and,  you  know, 

Happy  entrance  will  be  given: 
All  our  sorrows  left  below, 

And  earth  exchang'd  for  heaven. 


Q 


110 


Time, 


MODERATO. 
1st  &  2d  Treble. 


S~az— i 


gM^gp 


ra 


m 


ft^For  three  Female  Parts. 


Qf  rV   ^r 
Time    is      wing  -  ing      us      a  -  -  way 

3d  Treble. 


:xF. 


wmm 


o     our     e 


1         I 


&SJ 


ter  -  nal     home; 


tznz: 


t 


m 


OR 


^ 


Si 


i     i 


*P — g= 


9 


n 


i 

pzzz 


1 


Life      is      but 


T~ 


O 


:ii_- 


win-ter's.  day —   A      jour  -  ney     to        the    tomb: 


* 


^  * 


C — X! — rl — i — 5~ i 1 — r~Tl — CS r— xl — raxl:     i 

i    *     -©r  i»-     r  uj*     -«r      -Qr  i»-     -<*-  -Qr 


Iffl 


Youth  and   vig--or  soon  will        flee,       Blooming    beau  -  ty      lose   its  charms; 


m 


TS- 


-&■ 


*S.« 


F 


bo 


3W  ^ 


<L=± 


Time.      Continued. 


111 


?mmm 


- sc 


i 


:F=^ 


XX 


-i — r"     ,~m  ~~  1     '  '=1      '       I      r — * — «=T- 

All   that's   mor  -  tal    soon  shall   be   En  -  clos'd      in   death's   cold     arms. 


il 


ty 


pill 


s: 


5  ^ 


2  Time  is  winging  us  away, 

To  our  eternal  home; 
Life  is  but  a  winter's  day — 

A  journey  to  the  tomb : 
But  the  christian  shall  enjoy 

Health  and  beauty,  soon  above, 
Far  beyond  the  world's  alloy, 

Secure  in  Jesus'  love. 


^  -«* 


m 


11* 

MODERATO. 


Sabbath  FiVeillll^.     6?s.     Six  Lines. 


s 


— p-A 


•-I— i-s — ar-  -» — • 


lOZIl 


:»zz?: 


r     r 


For  two  or  three  Parts, 

I 
—        _! 


_0L 


i — r      1       i      r^  i      r 

1  The      light  -  of      Sab-bath  eve,  Is        fad  -    ing     fast 


'■T 


M 


way; 


m 


i 


^iiiiyii^ii^ 


2  To      waste  these    Sab-bath  hours,  Oh,    may      we     nev 


er 


dare: 


n 1—  n 1 — r  — i 1 l-,ph — — i 


1   What  rec-  ord  will      it  leave,  To     crown  -  the       clos  —  ing         day? 


>> — i — hi    — r~ 
i — i 1 — h 


OZZfL 


-F 


X5ZZ 


l^T 


::x> 


i 


2    Or  taint  with  thoughts  of  prayer:  These  sa  -  cred    days  of        pray'r: 


:q: 


1  Is 


II        I       I 

it      a         Sabbath 


:i 


E~t 


-i-EFF 


-O 


1 


I  i 

Sabbath     spent, 


I     I 


Of    fruit -less    time  des  -troy'd? 


h*   m_ 


O 


a 


IX 


o 


iO 


EEEF 


rz 


S 


2  But     may    our     Sabbaths  here. 


In  -  spire  our   hearts  with  love  j 


Sabbath    Eveilillff.     Continued. 


113 


1   Or     have  these    moments    lent,  Been    sa  -  cred 


j_n 


^= 


t: 


i©- 


r: 


i 

em 


-    ploy'd? 


CHORAL. 


2  And  prove    a      fore  -  taste  clear,  Of    that     sweet   rest 
The  narrow  way.    CM. 


a     -     bove. 


A  Choral  for  three  Treble  Parts. 
I  I  For  practice. 


o 


For  pr 


m 


o — or 

i        i     ~i 

There      is       a        path  that    leads     to      God,    All     oth  -  ers      go      as  -tray: 


^ 


O- 


a 


-^F°^ 


I 


Li  ^ — "Tf 1 — ~j~r~~o — ohr^7"f| 


'Tis      nar  -  row,     yet      a         pleas-ant    road,  And     christians   love     the     way. 


^ 


1 


«-»    -«L     ^ 


o    o 


5F 


im 


114         Anniversary  of  Independence.    7's.  S's.  &  «**. 

ALLEGRETTO.  two  or  three  Parts 


i=^jbJispsbq=-g 


^e 


:«_« 


pi? 

— © — l 


\s  ,11 

We        come  with  joy  and  glad  -ness,  To  breathe  our  songs  of  praise, 


! 


^ 


.__* 


rzzc 


tr 


:JEEEFFF£ 


ilU 


#■ 


§ 


:J=J=i=Fzi=j: 


ii 


^ 


3 


FTTT^f 


^o= 


T" 


:#i 


Nor     let    one  note   of       sad  -ness  Be 


ming-led     in      our      lays; 


#■ 


t- 


EE 


E 


g§ 


tO 


For    't  is      a   hal-lowed       sto 


ry,  This  theme  of  free-dom's      birth; 


£ 


f 


r— r 


HH 


Anniversary  of  Independence.    Continued. 


115 


Our      father's  deeds  of         glo  -  ry    Are     echoed  round  the         earth. 


^"#- 


"i — r 


3 


The  sound  is  waxing  stronger, 

And  thrones  and  nations  hear — 
Proud  man  shall  rule  no  longer, 

For  God  the  Lord  is  near. 
And  he  will  crush  oppression 

And  raise  the  humble  mind, 
And  give  the  earth's  possession 

Among  the  good  and  kind. 


And  then  shall  sink  the  mountains, 

Where  pride  and  power  are  crowned, 
And  peace  like  gentle  fountains, 

Shall  shed  its  pureness  round. 
O  God  we  would  adore  thee, 

And  in  thy  shadow  rest; 
Our  fathers  bowed  before  thee, 

And  trusted,  and  were  blest. 


116 


Winter.    P.M.     8>s&ll'g. 


UN  POCO  ALLEGRETTO 

* 


•i_ 


For  two  or  three  Parts. 

•     r ~r     m— 

p     p     i — 


ppl 


:-6-r- 


=F 


:=T--5 


When  flowers  in    summer    ap-pear,    We   wish  that   they    al-ways  would  last; 


? 


i 


5"  l- — !•  ~~*~i^r — * — !• — »^ — *~  !•    p — p — Li — a — !•— 


iizszrzrz 


p       ,   #P 

But  win-  ter   must   shortly 


be     here     To  sweep  them  away   with  the  blast. 

1— -r 


Spring,  summer,  and  autumn      will 


P 
hasten 


away ;     The 


P~  _ 
P    P    P    »" 
roses  must  fade,  and  the    blossoms  decay. 


=r-|rj:^r:rr;  szzfz  =£j£==j 


£&:EESEEE 


=£^ 


BHE= 


i 


Wittier.     Continued. 

2  In  heaven,  no  winter  they  know, 
To  wither  the  pleasures  away; 
The  plants  that  so  sweetly  do  grow, 
Shall  blossom  and  never  decay. 
For  earth's  fading  charms  then  no  longer  we'll  care. 
But  hope  we  may  spend  an  eternity  there. 


117 


MODERATO. 


^— 


Liverpool.    C.  HI. 

From  the  Ancient  Lyre. 


For  three  treble  Parts. 

|  for  practice. 


When    I    with    pleasing    won-der   stand,  And      all     my     frame     sur  -  vey, 


— •     0  ~zr~ 


•-• 


-© 


§fgp§ 


'3 


mmmm 


1 P~ 


eg] 


ffl 


*mm 


Lord,  'tis  -  thy   work,    I      own  -  thy       hand    That  fram'd   my   hum  -  ble    clay. 


i — :  1 1    I 


H 


118 


UN  POCO  ALLEGRO. 


Shaftslmry.     H.  Iff. 

From  the  Ancient  Lyre. 


DO  ALLEGRO.  From  the  Ancient  Lyre.  W.  Burnet. 

\.  -  wake     our   drowsy         souls,      And  burst  the  sloth-  ful  band : 


m 


i 


e 


i 


:i 


£^4 


^  I  II 

The      won  -  ders   of  this     day,  Our   no-blest 


p 


O 


E 


sif3=E 


songs 


de  -   -  -  mand. 


P§ 


-©— 


i" 


i 


-et-:z: 


&1I 


jf    . 

N  .  .    I  P    . 

Auspicious     morn,  Thy  blissful  rays,  Bright  seraphs  hail,  In  songs  of  praise. 


3-sr-f 
3=±± 


m 


B 


H 


ALLEGRO. 


ffiffi 


33 


Triumph.    H.  Jl 

■^From  the  Ancient  Lyre. 


119 

For  two  or  three  Parts. 


# i 


Re  -joice!    the  Lord 


ii       )  1  ~|    I         r — r — I 


:&z4r 


cr 


*       | 
is   King !  Your  God  -  and    King  -  -  a  -  dore ! 

-d- 
1^-1 


I 


E 


E3 


5     r     i       i  ■.   ~r!      i_3 


&£££■??=£ 


Mortals  give  thanks  -  and     sing,  -  And   tri 


gggj 


-  umph  ev  —   -  -  er  -  -  more! 


Q 


£ 


f^ 


~o~ 


P± 


i^E 


3* 


1 
Lift    up  your  hearts,  Lift  up  your  voice,  Rejoice! 

Unison.      ~f^~  ~f~ 


$=? 


S^fci 


a     gain,  - 


£=f 


i    ! 

I    say  re-joice! 


120 


Bunker  Hill.    4's.  6'§.  &  8'§. 


UN  POCO  ALLEGRETTO. 


For  two  or  three  Parts. 


Oh   how  fleet  -  ing,  how    de-ceiv-   ing,     Is    our    earth-ly      be  -  ing! 


i-er 


EEEE 


fe^i?=^ 


f 


'T  is   a   mist    in   win  -  try    weath  -  er,  Gathered    in    an     hour     to  -  geth  -  er, 


m 


S? 


:F=?=P 


'$=< 


W=Z=X~HJ 


i 


|  |W        I  II  Decresced  :/^\  /^ 


r_r_1=rT_|_rT_T  0_T 

And    as  soon  dis-  persed  forever,    And    as    soon  dis-  pers-ed   for    -   ev   -  er. 


t=£^TWT 


E3 


tmmm 


ii 


Bunker  Hill.     Continued. 


121 


2  Oh  how  fleeting,  how  deceiving, 
Are  our  days  departing! 
Like  a  deep  and  headlong  river, 
Flowing  onward,  flowing  ever! 
Tarrying  not,  and  stopping  never. 


4  Oh  how  fleeting,  how  deceiving, 
Is  all  earthly  beauty! 
Like  a  summer  flow 'ret  flowing, 
Scattered  by  the  breezes,  blowing 
O'er  the  bed  on  which  t'was  growing. 


3  Oh  how  fleeting,  how  deceiving, 
Are  the  world's  enjoyments! 
All  the  hues  of  change  they  borrow, 
Bright  to  day  and  dark  tomorrow, 
Mingled  lot  of  joy  and  sorrow. 


5  Oh  how  fleeting,  how  deceiving, 
All — yes!  all  that's  earthly! 
Every  thing  is  fading — flying — 
Man  is  mortal — earth  is  dying — 
Christian!  live,  on  heaven  relying. 


122 


Hebron.      1 0 >s  Sc  1 1  >§, 


MODERATO. 


For  two  or  three  Parta. 


--#- 


^E^^g^^ 


Bright  -  est    and       best 


-p-  p r 

the    sons      of     the 


morning, 


&3 


4 


Pi 


-jGL 


i        r 


] 


Dawn     on      our     dark  -  ness    and      lend 


&dt 


us      thine 

■m r- 


aid,  - 


I 


* 


s 


*^      * *— E? F— ^F-JTJ       £ ! 


"i 1 — -sr~^2 


Star 

of 

the 

east, 

the 

ho- 

-  ri  -  -  zon   a 

dorn  -  ing, 

(&•   ±t 

1 

Vu-  ff 

1 

■ 

■ 

'       "              Bi  '     ' 

1 

— .. . 

1 

Hebron.     Continued. 


193 


■0-* — 1 — J— 

-■h- 

pj     J_uq 

I          1 

i 

I 

/       J      s 

• 

s  •  #     J 

•        J 

i             i** 

fi 

ff)        I        '         ' 

1     •  •      I 

m 

-  -     <->'             '     ' 

1 

Vky          "          i            i 

1        Irf     -" 

Guide  where 

our 

*      i          r      • 

_         i        i 

in  -  fant      Re  -  deem  -  er 

is 

"or 

laid. 

(?)'  it      •           • 

• 

•    • 

ira 

\L-  ff     '             ' 

I 

m       • 

a 

^ 

I              r~ 

1 

~           i             i             I 

i          r        i 

•      F      r 

1              1 

2 

i        i 
1        i 

©^            —J 

" 

2  Cold  on  his  cradle  the  dew-drops  are  shining, 

Low  lies  his  head  with  the  beasts  of  the  stall, 
Angels  adore  him  in  slumber  reclining, 
Maker,  and  Monarch,  and  Saviour  of  all. 

3  Say,  shall  we  yield  him,  in  costly  devotion, 

Odors  of  Edom,  and  off'rings  divine? 
Gems  of  the  mountain,  and  pearls  of  the  ocean, 
Myrrh  from  the  forest,  or  gold  from  the  mine? 

4  Vainly  we  offer  each  ample  oblation; 

Vainly  with  gifts  would  his  favors  secure! 
Richer  by  far  is  the  heart's  adoration; 

Dearer  to  God  are  the  prayers  of  the  poor  — bishop  heber 


The  Garden  of  Kedron.    ll*s. 

For  two  or  three  Parts. 


"I    ^ — -[-I 


V 


-EEEEfc 


F 


Thou  sweet  gliding   Ke-  dron,  by      thy    silver     stream,  Our     Sa  -  viour  would 


»     p     p 
;F=F=F-r.-r 


P 


F 


T" 


t 


lin-ger   in    moonlight's    soft     beam;    And     by      thy  bright  wa -- ters   till 


Is^lw: ~ m p~  c_P~ i*" r_ 


r; 


3z: 


r* 


i 


■#zg:— ii=»- 


<? 


~-QrT:*#=z-5==Fite*=*--S-p--Fh-- I— f 


uj      r     uir 


mid-night  would  stay,  And      lose      in      the    mur  -  murs  the      toils     of       the 


^i— r~nr 


I 


i r 


"I         r 


The  Garden  of  Kedron.     Continued. 


193 


^£1 


thy       mur  -  murs   the    toils 


the 

-J- 


•# F" 


EP^= 


p_- 


day. 
d 


m 


2  O  Garden  of  Olive,  thou  dear  honor'd  spot, 
The  fame  of  thy  wonders  shall  ne'er  be  forgot; 
The  theme  most  transporting  to  seraphs  above, 
The  triumph  of  sorrow,  the  triumph  of  love. 

3  Come,  saints  and  adore  him,  come  bow  at  his  feet; 
O  give  him  the  glory,  the  praise  that  is  meet; 

Let  joyful  hosannas  unceasing  arise, 

And  join  the  full  chorus  that  gladdens  the  skies. 


126 

MODERATO. 


Sabbath  Tunes,    ll's.  &  l£'s. 


MODERATO.  IW                  For  two  or  three  Parts, 

~L» — m    PI — r^ — i — i — i  r-1-3^ — — ^— Li — i — r 

ird,  let   our  song 

*IZF=FE= 

E=EEEEf 


*3-£ 


O  Lord,  let   our  songs  find     ac  -ceptance  be  -  fore    thee,  And  pierce  thro'  the 


1 — f-o — 3 

p — PI 1 ,• 


f=a==F 


r 


< 


I  I  I  P^  I 

skies     -     to  thine  up   -  per  -  most  throne;  For  thou  stoop'st  to  lis  -  -  ten  when 


F=^F=FS3=3=:F| 


<:# 


- — i© 


1 


fO 


^ 


1 — s5i — i 


** 


mortals     a  -  dore  thee,  Andsendest  thy     bless-ings  like  mes  -  sen- gers  down 


=? 


©a 


1 


Sabbath  Tune.     Continued. 


127 


2  Our  Father,  our  Father,  we  ask  thee  to  guide  us,      3  Then,  then  will  we  sing  the  sweet  song  of  the  blessed, 

And  keep  us  from  sin  till  life's  journey  be  o'er ;  And  mingle  our  strains  with  the  myriads  above ; 

Then  the  last  sigh  of  nature,  whate'er  else  betide  us,  Far  surpassing  all  strains  that  our  tongues  e'er  expressed, 

Shall  waft  us  to  glory,  when  time  is  no  more.  And  Jesus,  the  chorus,  and  Infinite  Love. 

Heaven.      8.  JI. 


CHORAL. 


t¥ 


m 


+-#, 


q=zf 


M3 
fe 


^ 


JT±. 


Choral  for  three  Treble  Parts. 
For  Practice,     /^s 


-P- 


Z<Q[^ 


© 


yli^i 


Thei 


rp 


i©- 


be  -  yond    the    sky,    A     heav'n  of      joy     and       love; 


:rfc= 


£X 


c^ 


Ty 


:? 


^r-or 


^ 


Or 


tt- 


And     all  God's  child-ren,  when  they  die,     Go     to     that  world     a  -  bove. 


=£xz 


i 


— r- 


i 


-F 


128 

MGDERATO. 


Doxology.    67s* 


For  two  or  three  Parts. 


-8- 

Mir11 


Once  more     be  -  fore     we     part 


Bless   the      Re  -  deem-er's     name 

-J- 


¥^ 


-m—  (ft 1 L-0( 1 1 ■ — i — F-* — ©, L— ■- 


Let        eve ry  tongue  and  heart, 


Praise  and      a 


dore   the     same. 


3  Now,  Lord  before  we  part, 
Help  us  to  bless  thy  name: 
Let  every  tongue  and  heart, 
Praise  and  adore  the  same. 


2  Lord,  in  thy  grace  we  came, 
That  blessing  still  impart; 
We  meet  in  Jesus'  name, 
In  Jesus'  name  we  part 


Waterfield.    7's  &  5s. 


ALLEGRO. 


129 

For  two  or  three  Parts. 


g^T  P   Eta 


T" 


^r: 


-e, 


Mark   the 


i 1 — r-^r 

vir-tuous   man  and    see 


PPPPi* 


Peace  and    joy     his   steps  at -tend: 


W- 


"o^cy 


m 


Fi=^S 


P 


=C3=F 

:£zr_Li z. 


All      his     path    is         pu  -  -  ri  -  -  ty, 


*-L-r» — •— zt 


Hap  -  py      is       his        end. 


g 


2  Come  and  see  his  dying  bed: 
Calm  his  latest  moments  roll: 
Angels  hover  round  his  head: 
Heaven  receives  his  soul. 


130 

MODERATO. 


morning  Hymn.    8's.  &  1 1  's. 


^ 


i 


±e 


My    Fa 


:z3=3=s:=33: 


^^£* 


For  two  Parts. 


~i 1 — r 

ther,  I  thank  thee  for    sleep,  For  qui 


m 


F 


w 


et    and  peacea  -  ble     sleep, 


M 


=Rf 


■£ 


£ 


"iy 


H 


a- 


I    thank  -  thee    for  stoop  -  ing     to  keep,  An   in  -  fant  frombe-ing     dis-trest; 


E-P 


f 


~3~ 


m 


5© 


tp 


i — i — t 


L*  * 

i    i    i 


tSl»zftJ^p±przr±za==cznil-p^=*z*JptH 


O  how  can  a  poor  lit-tle  creature  re  -  pay,  Thy   fath-er  -ly 


&P 


rr-r  p-T 
I     i 

kind-ness  by     night  and  by  day. 
'     eL 


^m 


Horning  Hymn. 


131 


My  voice  would  be  lisping  thy  praise, 
My  heart  would  repay  thee  with  love; 

O!  teach  me  to  walk  in  thy  ways, 
And  fit  me  to  see  thee  above  : — 

For  Jesus  has  bid  little  children  come  nigh, 
He  will  not  despise  such  an  infant  as  I. 


3  As  long  as  thou  deemest  it  right, 

That  here  on  this  earth  I  should  stay, 

I  pray  thee  to  guard  me  by  night, 
And  help  me  to  serve  thee  by  day ; 

And  when  all  the  days  of  my  life  shall  have  past, 
Receive  me  in  heaven  to  praise  thee  at  last. 


Christian  Friendship.    L<.  11, 


CHORAL. 


1         1" 


Ea-_aEE2^IEF 


A  Choral  for  three  Treble  Parta. 

For  practise;    1  I      ,^>, 

J  ail  foe 


~~>    o~~P 


-i© 


H^ 


?__25 


1 


How  pleasing     is  the  scene,  how  sweet,  Where  Christian  souls  in  friendship  join, 

m 


-o-©-      ^-^-    d^ 


I  I     I    * .    1  I     i  i 

Whose  cares  and   joys,    u    -  ni  -  ted,  meet,  In  bonds  of  char  -  i  -  ty     di  -  vine! 


m 


-dr-or^r 


i__r_T 
zxxrd: 


i — r 

r 


Q~C£ 


-~r 


i — r 


EEElEdEH 


>i/  "O^ 


xy^p-^sr  - 


133 

MODERATO. 


p-   1* 


Weep  not  for  me.    8?s  &  4's. 

For  three  Treble  Parts,  or  for  two  Trebles  and  Alto. 


ni_j*  _ji=r*z 


-£=*-= 


^usupp 


When   the  spark    of 


life 


is      wan ing, 


Weep     not     for        me. 


© 


r 


J 


O- 


When   the      Ian  -  guid      eye      is     stream  -  ing, 


Weep    not      for 


me. 


tit 

When  the      fee  -  ble    pulse     is    ceas  -  ing,    Start   not     at     its  swift  de  -  creasing, 


— s> —  — ^S> — 


-©I-       HP- 


-3EE3E3-- 


i^cnzzi 


J£ 


BSm^| 


Weep  not  for  me.     Continued. 


133 


2  When  the  pangs  of  death  assail  me, 
Weep  not  for  me. 
Chri^  is  mine— he  cannot  fail  me, 
Weep  not  for  me. 


Yes,  though  sin  and  doubt  endeavor, 
From  his  love  my  soul  to  sever, 
Jesus  is  my  strength  forever  ! 
Weep  not  for  me. 


Doxologv.    C.  M. 


For  one  or  two  Parts. 


Fath-er,    and    the     Son,  And     Spir  -  it     be 


or 

a  -  dor'd. 


Where   there  are  works  to    make    him  known,  Or    saints   to        love     the    Lord. 


m 


i 

F 


-r>- 


-e- 


-r 


r 


o 


Onslow.    5's  &  8%. 

From  the  American  Harp. 


For  two  or  three  farts, 


Behold  how  the  Lord  Has  girt  on  his  sword, From  conquest  to  conquest  proceeds; 


4? 


J_ 


_L 


=E=^liii 


s^E^mm 


Subr^ferf 


— ^-i , m — O — m ~r^i *- 


How  happy   are 


i  i     m "r~m~^:  or 

i  i  i      i     ,      r       t 

they  Who  live  in  this  day,  And  witness  his  wonderful  deeds. 


^E^^^^g^^^^^Ef^g 


2  His  word  he  sends  forth, 

From  south  to  the  north: 
From  east  and  from  west  it  is  heard: 

The  rebel  is  charmed: 

The  foe  is  disarmed: 
No  day  like  this  day  has  appeared. 


3  To  Jesus  alone, 

Who  sits  on  the  throne, 
Salvation  and  glory  belong: 

All  hail  the  blessed  name, 

Forever  the  same, 
Our  joy,  and  the  theme  of  our  song. 


Dirge.     lO's, 


135 


AXDANTINO. 


For  two  or  three  Parts. 


ivrff 1 — i      n      i        i    r  n      i        it    "  ~  ~r — i — a — k~i 


m  '  m 

i    i      ^ 

Few    are  our   days,  those      few     we     dream    a  -  way 


Su 


re    is     our 


&fi-ie-_-rz:zp 


~o~ 


p 


iPI 


g?=^g&^ 


fate,      to    moul-der      in      the 


clay. 


Rise, 


fc 


o"-' 


r  i  ~r^~~r 


im  -  mor  -  tal     soul,    A  -  - 

EE 


m 


CJ^L-'t?" 


*  "l*~l*"     I 


bove    thine  earth  -  ly        fate,     Time  yet     is   thine,    but    soon  it    is  too    lite. 


»: 


tr 


I 


rzar 


1-4 


136 


Providence.     8>s.  &  4's. 


UN  POCO  ALLEGRO 


For  two  or  three  Parts. 


— i — i — zsc~r-5iz;"~i — ri — i rrn 


-J— # 


^ 


^P 


*  "^     r      i       i 

Hark,  how  the  gos-pel  trumpet  sounds,  Through  all  the  world  the  ec  -  ho  bounds! 


lEspzp=^i=p=Ep 


¥Enq 


'mm 


to-~- 


s^ 


fl-d-^ 


— , — I-?  TTxa — — r — k~ 

i — i — i — w p — I n — 

iii  m 


® — ® 

-m — » 


w 


s^ 


And  Jesus,    by  re-deem- ing  blood,  Is     bringing  sin  -  ners  back     to  God,  And 


^ p — p — p — P-M — 3 — i 1 [ 


a 


HIS 


pip         __Lp__^J_p= 


I        !         J""  !        !      .  I     W         II         I          I 
guides  them  safe- ly    by    his  word,  To  end-less     day,  -  -  To  end -less    day. 
_.0 •  ,1°"    a qL> 


Si 


-r 


^HH 


Providence.     Continued. 


137 


Fight  on,  ye  conquering  souls,  fight  on, 
And  when  the  conquest  you  have  won, 
Then  psalms  of  victory  you  shall  bear, 
And  in  his  kingdom  have  a  share, 
And  crowns  of  glory  ever  wear, 
In  endless  day. 


There  we  shall  in  full  chorus  join, 
With  saints  and  angels  all  combine, 
To  sing  of  his  redeeming  love, 
When  rolling  years  shall  cease  to  move. 
And  this  shall  be  our  theme  above, 
In  endless  day. 


Prayer.    C.  H. 


MODERATO. 


%-&& 


-p— 


For  three  Treble  Parts. 
J I        _    I  For  Practice 

© — •-  -o 


r 

'I.  II 

Come,   and    with  hum- ble  souls,     a  -  dore;  Come,  kneel  be-fore       his 


face: 


tfO^tf* 


TJ 


tF 


"cr 


^ 


m 


^gfi 


© 


TT 


'T~%&    r 

Oh    may    the    crea-tures   of      his  power,  Be      child  -  ren 


I  I        I 

of         his  grace. 


T* 


^    * 


Z3J      l 1 

■J-  d  i 


138 

A 


Oswego.    8'js.  3's.  &  6>s, 


ALLEGRETTO  MODERATO 


For  two  or  three  Parts. 


I  I I  I  I  J  I j 

«-| 1  | — *pj ^| — S 1 — 


Ere    I  sleep,  from  ev  -  ery 


fa-  vor,  This  day  show'd,  -  By        my       God  -  - 


#H» 


^jr-Yifir  fpi 


2  Leave  me  not,  but  ever  love  me; 
Let  thy  peace 
Be  my  bliss, 
Till  thou  hence  remove  me. 


3  Thou,  my  rock,  my  guard,  my  tower, 
Safely  keep, 
While  I  sleep, 
Me,  with  all  thy  power. 


4  And,  whene'er  in  death  I  slumber, 
Let  me  rise 
With  the  wise, 
Counted  in  their  number. 


aiuUtiRATO. 


Burlington.     8>s.  8>s.  6's, 


V-^-f 


*=?ep 


j 


"T 


139 

For  two  or  three  Tarts. 
I  I 


I j j 


1   Our  Father,  whose  e  -  ter  -  nal  sway  The  bright  an  -  gelic     hosts  o  -  bey 


^-K--e 


^E^EEPEEiEEEEEfEEEt 


2  Thine   is  the  power;  to   thee  belongs    The   constant   tribute     of  our  songs; 

! ! ^± .fei 


3  O  lend    a     pity-  inj 


I     "'  '    |  . '    I ' 

ear!        When      on     thy     awful    name  we  call, 


~o 


| 1 1    — 

2  All      glo-ry       to      thy      name! 


m 


-fi—p—p- 


TZ 


n  .  i    } 


Let 

I 


~¥ 


§ 


?=~JE-: 


r 


t 


-_. 


every  creature  join  our  lays, 

+-    ■  ■ 


^ — rr-g-| — i ^ — i rr — i r§ 


"I 1 — r   "i — i 1     r~ 

1   And     at      thy  feet      sub —  missive    fall,     O    con-  descend     to 


hear! 


<e>:    _J 


EE*EEt^Ei!E^!EBEEEtl 


2  In    one      re-  sounding     act      of  praise,  Thy    wonders    to   pro  -  claim! 


140 


Eaton*    Ii.  Ill,  Six  lanes,  or  I*.  P.  WL. 


UN  POCO  ALLEGRO. 


From  the  Ancient  Lyre. 


For  two  or  three  Parts. 


SILT 

».c  >  k  LL 

i ® — r@" 


^  J  fef  i      i    ~w  i 

A -rise!    a -- rise,  with  joy    survey      The  glory      of    the    lat  -  ter    day 


tZIZZZZK 


-.^=r-  :r--»:=c:==Jr 


3zd: 


f 


'M'^IWZ 


PUN 


¥^r 


Al- ready      is-  -  the  dawn  begun, Which  marks  at  hand  a      ris-ing    sun!     Al- 

r~h — i — »Zi  — r_ 
b±rzir~J i_bl 


© 

1 — 


3 


~3~r: 


:r 


-m — © 

i — t: 


i 


^^EmmEmms 


,^.r: 


--   rea~dy     is    the  dawn  begun,  Which  marks    at     hand       a 


J   .j_^_ 


jEaton.     Continued. 


141 


2  Behold  the  way!  ye  heralds,  cry: 
Spare  not — but  lift  your  voices  high: 
Convey  the  sound  from  pole  to  pole, 
Glad  tidings  to  the  captive  soul. 


3  Auspicious  dawn! — thy  rising  ray, 
With  joy  we  view,  and  hail  the  day: 
Great  Sun  of  Righteousness,  arise, 
And  fill  the  world  with  glad  surprise. 


ALLEGRO. 


Wells.    I,.  WL. 

From  the  Ancient  Lyre. 


For  three  Trebles, 
for  practice,  /^s 


^-J  -ml  -T^  for  Poetic 

a^jrFreg=afccffijB5E^^ 


Life    is    the   time   to   serve    the  Lord 
E 


o 


The  time  t'in-sure  the  great  reward; 

"T 


;?>=r~ 


T~ 


3 


~2  - 


&, — ©, 


H— H  'i  \r  i  ^n  1   II  ."-1 


And  while  the    lamp  holds  out    to  burn, 


1 — T" 
The  vil-  est 


sin  -  ner   may  return. 


m 


3=F 


'MZ'sm: 


"-H-_-i-  H 


1 42  J\f  e  wcou  r  t . 

UN  POCO  ALLEGRO. 


Ii.  M.  Six  Lines,  or  L.  P.  M. 

From  the  Ancient  Lyre.  For  two  or  three  Parts. 

4 


^»rp 


Sing  to    the  Lord  a   new  made  song,  Let  earth  in  one  assembled  throng    Her 


H* 


^C-r— *-—  ^    1 |  »-j —  \      j      \ — fj— f— - j— i — f-jl — \—f  .1   J 


&    —    -    i  ^ 

common  patron's  praise  resound;  Sing  to     the  Lord,  and    bless    his  name,  From 


i±=! 


gp^PP 


3fej 

-i»-L 


Fh*»S 


-*-,— 


i      .    K   ^ 

day    to   day    his  praise  pro  ■-  claim,    Who     us   has  with    sal  - 


ggEEgEfe 


i — f»— • i 

va-tion  crown'd 
e1 


gJEJEgrisgi^E 


IVewcOlirt.     Continued. 


143 


Proclaim  aloud,  Jehovah  reigns, 
Whose  pow'r  the  universe  sustains, 

And  Danish 'd  justice  will  restore: 
Let  therefore  heav'n  new  joys  confess: 
And  heav'nly  mirth  let  earth  express; 

Its  loud  applause  the  ocean  roar; 
Its  mute  inhabitants  rejoice, 
And  for  this  triumph  find  a  voice. 


For  joy  let  fertile  vallies  sing, 

The  cheerful  groves  their  tribute  bring, 

The  tuneful  choir  of  birds  awake, 
The  Lord's  approach  to  celebrate; 
Who  now  sets  out  with  awful  state, 

His  circuit  through  the  earth  to  take : 
From  heav'n  to  judge  the  world  has  come, 
With  justice  to  reward  and  doom. 


ALLEGRETTO. 


Emma u*.      C.  II. 

From  the  Ancient  Lvre. 
I       I 


ii»rririrt  1  jgi^r 


For  three  Trebles. 
, — *              for  practice. 
"1 1 


ii: 


1& 


Give  thanks  to     God,    in  -  voke  his    name,    And    tell     the     world     his  grace; 


SE 


o^« 


L«hsf  Jv  hi 


Sound  through  the      earth    his     deeds  of    fame,  That    all   may    seek    his     face 


i^LSipliip 


144 

ALLEGRO. 


Rapture.    C.  P.  St. 


-trr 

iE^zFz^E 


:^z:  zzptg-. 

5 


For  two  or  three  Parts. 

Harwoodv 

L      I 


O 


^  N    l_  I  __! I  I  I    _^   i v 


Oh      could   I      speak   the   match-less     worth,     Oh    could   I     sound     the 


©T.'b/a._p: 


^-f-^rtr^rrrm 


-f 


=^Z|=T    =^C= 


ezse; 


"T 


jy: 


glo  -  -  ries  forth, 


SiPI 


o 

i        i         i 

Which     in        my 


T~ 


I^ZZO 

!0 


oT_p. 


Sav  -  -  iour 


~~0 

shine  I 


J~b r 

^ZZZI<z: 


f- 


1e£JbMJ^ 


:i — r 


I 


I'd      soar     and      touch    the      heav'n  -  -ly      string,        And     vie      with 


5SF* 


P^pgppal 


Rapture.     Continued. 


145 


Ga  -  -  briel,  while     I 
lo- 


sing, 


In     notes     al  -  most 


gEgE^|^zzgprp|=jE3j 


•Fz—ft 


-JL2 , 


e^-c: 


e 


I'd  sing  the  characters  he  bears, 
And  all  the  forms  of  love  he  wears, 

Exalted  on  his  throne: 
In  loftiest  songs  of  sweetest  praise, 
I  would  to  everlasting  days 

Make  all  his  glories  known. 


Well — this  delightful  day  will  come, 
When  my  dear  Lord  wll  bring  me  home, 

And  I  shall  see  his  face: 
Then,  with  my  Saviour,  brother,  friend, 
A  blest  eternity  I'll  spend, 

Triumphant  in  his  grace. 


146 

ALLEGRO  ASSA1. 


i 


f 


Chilton.    €.  P.  M. 

From  the  Ancient  Lyre. 


For  two  Parts. 
J.  Burney.  With  alterations. 
J J I 


Great    God,  our 


to        thee 


T 


7 


we  raise,  Tune    thou  our 


-=s^p=E 


— e- 


f± 


HiHH 


^d 


lips     and   hearts  with     praise        Thy      good  -   -  ness 


to 


<T" 


TT 


~o" 


=F 


U 


I 
a  -   dore ; 


I 


^^S^BS 


"r1 


o- 


7^ 


d=  = 


_«~j   i  i   i 


Our      life,       our       health,  and       ev'  -  -  ry        friend,      from      thee  —  a- 


i 


e 


i^ 


ChiltOIl.      Continued. 


147 


s^ 


rffl 


de  -  -  pend,  Kind     fath 


er         of  the   poor. 
i 
d 


*  j\°  .*>ril 


Stretch  o'er  onr  heads  thy  guardian  wings, 
Secure  the  weak,  O  King  of  Kings! 

Our  shield  and  refuge  be: 
Thy  Spirit,  Lord,  conduct  our  youth, 
Through  Christ  the  life,  the  way,  the  truth, 

That  we  may  come  to  thee. 


3  While  friends  their  gen 'rous  aid  afford, 
Accept  the  kind  intention,  Lord, 

And  crown  it  with  thy  love ; 
Then  joy  shall  tune  our  humble  songs, 
Till  we  shall  join  immortal  tongues, 

In  nobler  praise  above. 


148 

ALLEGRO. 


St.  Jerome's.    S.  P.  M. 

From  the  Ancient  Lyre.  For  two  or  three  Farts. 

I , J J* , 


at 


i     i     i     i     i 

Up  -  held    by     thy     com  -  mands. 


mmm 


rJ  III 

The  world     se  -  cure  -  ly     stands, 


S-A-ie- 


II 


=ff__  _n  _ 


Esi 


=1 


i: 


O 


PP 


i 


"•-  f"      I  i     ^     bar  <*. 

ii.  I  !     I 

And  skies  and  stars       o  -  bey      thy   word ; 


rid—- 


3 


Thy  throne  wasfix'd  on    high. 


^^^emm 


:=:b=; 


-(     r— ~p    T 1 — -T  — 1 — p-, — -i 

Be-fore  the     star- ry    sky,  E  -   ter   -   -  nal 

_pA » I9" 


thy    Kingdom   Lord. 


ggp^g^^^g^^a^ia 


ALLEGRO. 


±-ZZ 


Dalston.    S.  P.  .11. 

From  the  Ancient  Lyre. 


149 


zrczzo: 


r  -P- 


TTJlJ     4    i 


For  two  or  three  Parts. 

I  I 

T 


How  pleas'd  and  blest    was         I, 


Wr 


-4 


I 


To     hear     the     peo  -  pie     cry: 


EE^l 


^-■b-r©- 


-  ~FF 


i — <• — p 


-p    ^--75      p— «      i 


Come     let       us     seek     our  God       to       day!      Yes     with      a     cheerful    zeal, 
o  _ 


— -b- 


3 


£: 


P^giB^i 


eh 


i 


czrx: 


:ia: 


i 


o 


._!_ 


T~ 


■d —  1     g 

1 r* 1~ 


0_Q 


S3 


We'll  haste    to      Zi  -  on's     hill,     And  there  our  vows     and  hon  -  ors    pay. 

? . t      r_t 


•h — ^~ 


m 


a 


l&O 


ALLEGRO  MODERATO. 
Treble  Voice.    SOLO. 


-*fc 


!faf 


Come,  ye  Disconsolate. 


SES 


For  two  or  tnree  Parte'. 
S.  Webbe. 


w    ] — f — I — -p — f> — ■ —  n 1 p    "p — — F~~'P~~ 


Come  ye  discon  -  so  -  late,   Wher-e'er  you  Ian  -  gtiish,  Come  at  the  shrine  of  God, 


m 


TL 


f 


=e 


^^ 


Organ  or  Piano  Forte. 


* 


o: 


%* 


oz 


¥-=¥=& 


i — LJ      i      f     ^~     n     cjrLr 


i 


Fer-vent  -ly   kneel,      Here  bring  your  wounded  hearts,  Here  tell  your  anguish; 


#: 


111 


TT" 


fe 


-•i— «i- 


iW 


1st.  Treble. 


T-e> 


e: 


2d.  Treble.  **  |       ^ 

Earth  -  has  no  sor-row  that  Heav'n  cannot  heal.  Here  bring  your  wounded  hearts, 


% 


=f- 


^SrMfe^^^S 


Come,  ye  Disconsolate.    Continued. 


151 


T 

i 


4— 4- 


D:  CP. 


I    r 


■P — °-  - 


Here  tell  your    anguish;     Earth  -  has  no  sor  -  row  that  Heav'n  cannot  heal. 


SOLO.  SOLO. 

2  Joy  of  the  comfortless,  3  Here  speaks  the  comforter 

Light  of  the  straying,  In  God's  name  saying: 

Hope  when  all  others  die,  Earth  has  no  sorrow 

Fadeless  and  pure,  That  Heav'n  cannot  cure. 


D:  CP. 


fine. 


CHORUS. 

Here  speaks  the  comforter 
In  God's  name  saying: 
Earth  has  no  sorrow 
That  Heav'n  cannot  cure. 


133 

CHORAL. 


Shiloh    new. 


P.  HI.     Four  8>S.  &  Two  7%. 

For  two  or  three  Parts. 


m- 


B 


pSl 


fczxi^sEE 


:W 


¥W=*=F^ 


Who  hath     our     re  -  port  be  -  lie-ved,  Shi-loh  come  is    not 


%e-^-p: 


o: 


^E5 


o: 


FT 

re-ceived 


SsSH 


•^^SiPiPlP 


Not     re  -  ceiv  -  ed     by    his  own,     Promis'd  branch  from  root     of    Jes-se; 


fen q4t®— — fezp-^-izFTe-s-l-a i-^—^-'-R-r^-l 

^ii^-^^-g:^=|±:z_|q-^=|T_-=q<x:|^-q-.t:g^-c:[ 


Da  -  vid's     offspring  sent  to  bless  you,     Comes  too    low  -  ly 


^=jS 


m 


'zB~~ 


& 


o 


o_ 


to       be  known. 
O     P-J 


The  Hebrew  Mourner. 


UN  POCO  ALLEGRETTO,  LAMENTOSO. 
Tenor. 


153 

For  three  Parts. 


:E5=£ 


i         r 


— w 


1   Why  trembling  and      sad,  dost  thou  stand    there  and  mourn,     Son      of 

Treble.  ^ _g|  __N^ 


¥ 


— 


1 r 


fH-l=F: 


*3 


--0- 


Efe£ifeS 


— 


^nrEE^Z 


Organ. 


Eass. 


-J-        J- 


I      h      is      r=3 


1Q- fr-^-h  |»- 
~1         I         P~~ 


-tQ- 


tO 


2  Yet  why  dost    thou  mourn?  O      to      glad  -  ness      a  -  wak'n,  Tho'     Je  -  - 


XX 


t r 


:+ *l 


"i — r 


gp 


1   Isra-el!  the  days     that  can  nev-er  re  -  turn?       And  why  do  those  tear-drops  of 


!  I 


T 


■^-^zd 


=t 


T  *1  B    i 


^ 


5S3 


a 


f-  r  r  r 


' 


r  rr   t=£-  -r 


•t-* 


>   *    g" 


r±3E 


i — i — r 


§31111111 


2  ho  -  vah  this    ci  -  ty     of  God  has  for  -  saken,  He  preserves  for  his  peo  -  pie    a 


154 


The  Hebrew  mourner.    Continued. 


jEE^Et 


^-§: 


tdcz: 


■i-r  =35  H-«-  -?-*-#?-  -fo. 


S 


-F 


"i — r 


mi-ser-y       fall,  On   the    mould'  -  ring     ru  -  in  the    per  -  ish  -  ing  wall  i 


*•- 


r^T 


1""       fro,       (•  •    t 
* I      ^         51 


ifeU 


iii 


i     *      i 


Si 


y-CfririiTTTrrTlT 


=f= 


^ 


ci  -  ty  more     fair,  Which  the  ruthless  in  -  va  -  der  no  long  -  er   shall  share ! 


-$E=T- 


=3= 


E^ 


3»~k±bzx: 


JI 


cs: 


S 


Was  yon     ci  -  ty      in  robes  of   the  heathen  now-  clad,     Once  the  flour  -ish  -  ing 


J   J    to*-. -r  r-  f>-  r  3-  r  -i-    *    1    r  J-H      i9-  3-  3- 


# 


^^S^Sg 


No       long  -  er    the  tear   for  yon    ci  -  ty  shall    flow, 


So 


1 — W 

long  -  er    thy 


p — r 
1  Zi 


The  Hebrew  Mourner. 


Continued. 


LL  f  J* 


i — i — i — r-  n    i r 

"H    U     • 


■(— ^ — i — 


on  where  Judah    was    glad?  And  those  walls,  that  disjointed  and  scatter'd  now 


W  l  I        H        '      *  ' 


'¥- 


~&~zr 


i 


!OIZIZ®Z 


I      ^ 

■»       i    U  I-'  -      I 


2  bo-som  the  sad  sigh     be  -stow,     But  night  shall  be      follow'd  by    glo-ri  -  ous 

^  Dim: 


SF 


Eee 


-JVt 


2IBL" 


^^ 


~n — S_zz~i' 


S 


lie,  Where  they  once  rear-'d   to      heav  -  en,     and    hal-low'd    on       high. 

t s  !         I       to 


r-i — jr — UnyrgTg       # g-  -g »  -• -gj qzijj 

I  r=^  I  Dim:  N 


2  day,  -  And  sor  -  row       and 


i 1 —   I 7^ 

sigh  -    ing,  shall  van  -  ish 


a  -  way. 


150 


MODERATO. 
To  one  Part. 


The  Christians  dying  Aspiration. 

Words  by  J.  P.  Bartrum. 


A  SACRED  SOXG. 


z-rzrzzqziob: 


L^o-d^zzzztozLz^c:   diozzfHzz^zz*::  izp— hz 


Fa  -  ther! 
■ /SS-J2. 

zzS^zEPrEE 

P.  forte  or  Organ. 


fa--ther! 


i-r—r 


to     thy  arms  -  I     flee ! 

Crescend : 

qzz~ 

i 

rzi_ 


Call 


my 


iii£g§ilSII^l 


-r-— r 
spir  -  it 


~l — | — I — I — ~ 


Un  Poco  Crescendo, 


et 


3Z 


Call  -  my  spir  -  it 


or 


-n*i*~ — i — rffn — n 


Lord!     to      thee!  — 


Pa  - 


Pl^pf5 


oi 


T~ 


T5V 


**  l** 


EpHgEt 


Q5 


■el, 


xx; 


ir  -*=>  ■  tf-| 1 7 

—  fied in     mer  -  cy's     flood!  — 


SiigSS^I 


^ 


E£ 


o,  • 


rs.iTo 


Sprink  -  led 

^z|ez|Zz=zE| 


with  -  - 


3£ 


Song.     Continued, 


Morendo. 


137 


Sav  -  iour's  blood!  -  - 

^T  - 


3> 


& 


Sprink-led     with  -  a       Sav  -  iour's  blood 


£ 


i 


Do\ology.     (Old  Hundred.)     1i.  M. 


For  one  or  two  Parts. 

.        ^  I 


To    God   the     Father,     God  the    Son,  And  God  the    Spir  -  it,  Three  in  One; 


m 


e-t 


HPH 


3? 


EF^3EF§: 


Be     hon  -  or  praise  and   glo  -  ry  giv'n,  By     all     on  earth,  and    all     in  heav'n. 


m 


w 


o 


9 


-3 Or 


nn 


158  From  Greenland's  Icy  mountains.    7's.  &  6's. 

Missionary  Hymn.  For  two  or  ihree  Parts. 

ALLEGRETTO.  By  the  Celebrated  J.  Haydn. 

2d.  Treble.  ^  With  Alterations. 

— — =q=:=s^! 


mm 


1  From     Green  -  land's       i 

1st.  Treble. ^1—        ' 

r-   — -«rr>     *.-r     r^ 


cy       moun  -  tains,       From      In  -  dia's      co  -  -  ral       strand ; 


2  What  though 
Bass.  &  Tenor. 


—¥- 


h r~ 

n f~ 


• 


f3 


spi  -  -  cy       bree  -  zes, 


Blow     sof 


wmtm 


soft     o'er       Cey  -  Ion's      isle 


^&§i 


r=F 


3  Shall      we     whose     souls    are     light  -  -  ed 

4  Waft,    waft      ye         winds,  his       sto  -  -  -  ry ; 


By 

And 


wis-  dom     from 
you     ye         wa 


~\ 

"I 

on 
ters 


3E 

high, 
roll, 


1  Where   Af  -  -  ric's 


SL3=p=S 


den         sand ; 


sun  -  -   ny     foun  -  tains      Roll     down     their      gol 

tFf—r1* — ' 


^ g_o        •  jf i p  — 1~       i    r^r 


r 


2  Though  ev    -   -'ry  pros  -  pect      plea  -  ses,     And      on  -  -  -  ly 


—-¥■ 


*zr=ft 


^=m 


m 


vile. 


;«z:z:*rj 


be 


i 


3  Shall     we 

4  Till      like 


to 


men 
sea 


be  -  nigh    -  ted,    The    lamp  of        life 

of      glo     -     ry,         It    spreads    from     pole 


ny. 
pole. 


From  Greenland's  Icy  mountains.    Continued. 


159 


— w 


I 


©— 


J: 


=i^l 


1  From    many     an         an  -  cient      riv  -  -  er,        From     many       a 


my       plain, 


¥=? 


r~i       ,s — i — n — !""  ir — n — c 

Lf — r — -i — r-H — --1 — r — Lr 


•4 


^ 


io: 


2     In        vain     with 


lav  -    ish      kind  -  ness,        The         gifts     of  -  -  God         are     strown_ 


Z^=F^=^=F 


"•ZtQ 


m 


pr 


3  Sal va  -  -  tion,         O   -  -    Sal  -  va  -  -  -  tion,       The        joy  -  -  ful  -   sound     pro  -  claim, 

4  Till        o'er        our    ran  -  som'd     na    -     ture,       The     Lamb     for        sin  -  -  ners     slain, 


$= 


m 


n=j 


iBjrnoq^ii 


1  They    call      us 
I 


de  -    -  liv    -  -   -   er, —     Their     land     from       er    -  ror's     chain. 

! * 


£ 


-  ness,      Bows     down     to 


e 


2    The    hea  -  then      in      his 


blind 


wood   and     stone. 

I 


1° ~ 


3  Till    earth's  re  -  -  mo  -  test  na 

4  Re  -   deem-  er,    King,    Cre     -     a 


i        r 

-  tion,       Has      learnt  Mes  -  -  si  -  -  ah's    name, 
tor,         Re  -     turns     in         bliss       to       reign. 


160 


ALLEGRO. 
2d  Treble. 


m 


The  JLord  will  comfort  Zion.     Sentence. 

From  the  American  Harp.  For  three  Parte 


umm^m^^m 


The  Lord  will  comfort   Zion,  he  will  comfort  her  waste  places,  and  make  her  like 

lst  Treb,e-  fr  »  . ^_. _^ « A, 


tarf 


Base. 


>*--3 


«*£= 


J 


sf= 


••? 


=1-- 


s=« 


f= 


jfzm— 


H* 


^?S 

T*^.^©1- 


E-  den,  like  the  garden  of  the    Lord,  And  make  her  like  Eden,  like  the  garden  of  the  Lord 


S2^ 


Sentence.     Continued. 


161 


-#7" 


Joy       and  gladness 


O         l 


I" 

Ens. 


Egp£EJ5gE^EEp^ 


^  --  -9- 
Joy       and  gladness —     Joy       and  gladness     shall  be 


-p — r 


f-.r-- 


or 


"or 


]"" 


T' 


;s 


r~ 


:°v 


"i r 


t£ZZf #jl_«_J 


9    • 


] ST 

1 r" 


o 


Ft? — -r=i  -~i 

— i — i — i — p — ?~~^~ 


HZf 


^5 


iE?EE5E*zE?rEl 


found  there  -  in;  Thanks-giving  Thanksgiving     and  the  voice    of  mel  -  o  -  dy. 


Plipliiiiiis^s 


fcOj 


F 


S^^^B 


F 


t 


P     r~ 


162 

r#7r 


SesafeitCC.     Continued. 


— — n--rh — n — n~ — rr~i — i — r — — rr\ — r»o — ! — — r 


of 


"07 

me 


lo  -  -  dy. 


and  the       voice 


:^Ari,o:: 


~i-|0-.r 


mmm±mm£=mmmm 


ALLEGRO. 


Dover.    §.  M. 

From  the  Ancient  Lyre. 

o- 


For  three  treble  Parts. 


-J I     for  practice,    /^s  


1 


Lord,    what    our    ears     have    heard,  _Our    eyes     de  -  light  -  ed        trace 

ko         i    :j    i    ~H        i        i 


HiLigHiEglii 


1 — u-| ; ( r 


q=::=r 


or 


:zor 


— i n- 




o 


no: 


Thy       love    in    long  sue-  ces-sion  shown    To     Zi  -  on's     cho  -  sen  _   race. 

— i — I — i      i 1 r\~3     u r 


5T--F 


pplpii 

I-    •      -J-      ©L     -©L  — 


Malta.     7's.  65s.  7>s. 


ALLEGRO 
■* 


:F^St 


M3 

P"or  two  or  thrte  Parts. 


:o: 


1  Burst,  ye  em  raid  gates,  and  bring     To  ray  raptured     vision 

'-S-r?ri^::Ti:::::i:r:nOne 


i  rr  #»tfffl---i 


;i^- 


3    9 


T~ 




2  Hark 


"T 


All  th'extat  -  ic 

fr"1 — I 


joys  that  spring 

ra— © — o 


c_ 


T~ 


the  thrilling  sym-phonies  Seem,  rnethinks,  to  seize  us  ;  Join  we  too   the     ho  -  -  ly    lays — 
Nil  !  I  •       *  I      I  J  *   ' 


■&-?-& 


□nrr 


rzrzLiii: 


1   Pvound  the  bright  Ely  -    sian  : 

I 1 C"1- 


1 — rc~i — i    ns~r:@ rim rr  i  "f»  ©"«  x^~«_o — « 

^o^t®*  ®  q  ,»_b — ° — o"p — i — i — ,®-n^*-i  — >d 
'  _«-*_   i      ^  r  i  is?    i  r    i    ^ 


— i- 


i      *» 

Lo  !    we  lift  our   Ion 


ing  eyes,    Break,  ye  inter  -  veninor  skies, 


T-©-- 19 


4 


2  Sing    of  him  who    saves  us  ;     Sweetest  sound  in  seraph's  song.sweetest  sound  on  mortal's  tongue. 


2  Sweet  --  est 


carol        ever        sung —     Let   its      e  -  choes  -       flow       a     •      long. 


164 


ANDANTE. 
2d.  Treble 


'For  he  was  a  Good  Man.' 

Funeral  Hvmn. 


For  two  or  three  Parts. 
G.  Washington  Doane. 


■sm.    j.  ii-uiv. <jr.     tvAaHinumn    l/OADt;. 


1  The  good   old  man  is       gone! 

1st.  Treble 


He  lies    in     his    saintly     rest,     And  hi 


1st.  Treble.  (^       fe         |  SI  S  \ 

p      p      f r    f      J?'        r    r      r  ^        +r^    r*  ^  p    s^ 

si  I  V  Si  ffi  Si  S1 

2  The  good  old  man  is      gone!        He     is  gone  to  saint- \y    rest,  Where  no 

Basses  and  Tenors. 


p=6 — J— 


-!•— #— 1* 


— a — 1 — 4-, 1 1 , -| =-| 1 — 

nzzj~i^"gz:|±~PzrEz:gz:zczznzgzzgz: 


1  la  -  bors  all     are  done 


And    the  work — he  lov'd  the  best. 


The 


,-Zzzzgzz'^g !*~T-1  ~@    "o — f"i       ^ — !       ^~i-zrz zzzjs_j 

Lf...l__^EfeZj  ,  rBE£p=5B 

[Z__j_ p jpJUl sr~     si-     |  j        t p Z- l?_l DZ! I 


2  sorrow     can    be     known,      And     no     trou-ble  can  mo  -  lest: 


His 


p  r     i T" — T~ 


"•• 


fel 


BigL^=gf^=g=l 


For  he  was  a  good  Han.     Continued 


165 


-©' — © — 


^ 


sj 


the     Lord  are     bless'd. 


good      old    man      is      gone,  But      the       dead     in        the     Lord  are     bless  d. 

_j , |__J L ^ „ L, j 1 ■—* -J; 


2    crown    of     life 

s © 


18      won, 


And    the      dead 


¥£==£ 


-p-z-j— p— i* 


Christ  are     bless'd. 


zfe=3: 


i 


ALLEGRO. 


Omnipresence.    1*.  m. 


For  Two  Trebles. 


I  I  I  I  I 

1  There  is     an      un-seen  Povv'r    -    a -round,   Existing  in     the    si  -  lent     air: 

2  The  Pow'r  that  watches,  guides,  de  -  fends,  Tillman  becomes  a  life-less  sod: 


r 


T" 


n-n-R-r:FFp^-,-^TpJ-o_4z? 


-hP-r-»- -i®-n — j 
i    i    i     i       ii 


:zpa 


M 


1     Where  treadeth  man,  where  space  is  found,  Unheard,  unknown,  that  Power  is  there. 
2    Till  earth  is  nought,  nought,  earthly  friends,  That -omnipresent  Power  is  God.  / 


166 

ADANTO. 


Hymn  of  Nature.    L.  JU. 


Eight  Lines. 

For  two  or  three  Parts, 
W.  O.  Peabody. 


£•    .T     if     I       i 
God   of  the   earth's   extend-ed  plains!  The  dark  green  fields  content-ed  lie: 


The   mountains  rise   -  like  ho-ly  towers,  Where  man  might  commune  with  the  sky: 


1 


pzzrrzzr-zr-r — r — E —  — zt —   td — r — r—r — r  nr — I 

— r—p- ~i p— Lr  — p — i — p~^  r 

-p-- — r—r— £—*-•— •—•—•— ci— %— ^— p— H-— r— ,•—,•-— 

*  -  I     ^     i     I     i     i      -r  i ...  I     i       i     ii     L 


The   tall  cliff  chal-len-  ges  the  storm  That  lowers  upon  the   vale  be  -  low,  Wh< 


*hF 


f^p^ 


:■_■: 


SE 


P£? 


§ 


Hymn  of  J¥ature.    Continued. 


167 


sha-ded  fountains  send  their  streams,  With     joy-   cms-     mu  -  sic    in    their  flow 

_. i • m • 


~¥- 


r: 


I" 


l 


£ 


P=£ 


F-g- 


i 


2  God  of  the  rolling  orbs  above! 

Thy  name  is  written  clearly  bright 
In  the  warm  day's  unvarying  blaze 

Or  evening's  golden  shower  of  light. 
For  every  fire  that  fronts  the  sun, 

And  every  spark  that  walks  alone 
Around  the  utmost  verge  of  heaven, 

Were  kindled  at  thy  throne! 

3  God  of  the  world !  the  hour  must  come, 

And  nature's  self  to  dust  return; 
Her  crumbling  altars  must  decay; 

Her  incense  fires  shall  cease  to  burn; 
But  still  her  grand  and  lovely  scenes 

Have  made  man's  warmest  praises  flow; 
For  hearts  grow  holier  as  they  trace 

The  beauty  of  the  world  below. 


16$ 

ANDANTE. 


Child's  Funeral, 


For  two  or  three  Parts. 


Sweet    child,  that  wasted     form,  That    pale    and  mournful    brow,     O'er    which  thy  long  dark 


MSrl 


~m-fm 


=F 


5^:gq:r-gzzr 


i*.  .^TT 


:FE 


.£_  J 


JS  •  ^>i_® 


zgcbri*. 


Vf- 


—8* — -i 

rVr  >-  ir  =  -•!  * 

T  I*    I      1*    * 

tress     es,  In  shad  -owy  beau-ty  flow 

-mrp- 


I=H=H 


Or 1 1 — a — m 


i 


-©-©- 


^       ^        p        ^  i  fe©~  "r~r_i"  ^ 

That  eye,  whence  soul  is  dashing  with  such  strange  brillian- 


%7^r-£^±^gfe 


^«r 


:®~®z®z^ 


"p~r 


i 


gzji:^=:r=jz:^:z:^ 


i    ^ 


^    1*- 


cy> 


Tell      us    thou    art       de  -  part  -  ing,  This  world    is      not 


•5-  r 

for  thee. 


§ 


P 


aft 


j*1^^; 


ii^j 


Child's  Funeral.     Continued. 


169 


2  Yes,  thou  art  going  home, 

Our  Father's  face  to  see, 
In  perfect  bliss  and  glory; 

But  we,  O,  where  are  we? 
While  that  celestial  country 

Thick  clouds  and  darkness  hide. 
In  a  strange  land  of  exile, 

Still,  still  must  we  abide. 


O  father  of  our  spirits, 

We  can  but  look  to  thee; 
Though  chastened,  not  forsaken, 

Shall  we  thy  children  be, 
We  take  the  cup  of  sorrow, 

As  did  thy  blessed  Son — 
Teach  us  to  say,  with  Jesus, 

'  Thy  will,  not  ours,  be  done!' 


CHORAL. 


The  Choral  Song.     C.  JI, 


:$£= izgr 


H 


© — o- 


1^: 


For  three  Treble  Parts. 
For  Practice./ 


O^ 


<JL 


© 1- 

O         bless    the     Lord,  my     soul;   Let      all         with  -  in         me      join 


I 


-©-  ^»,  -O-  -s-\ 


~o 


=©CfCT 
-<©--©- 


© 


b± 


© 
22 


— 1 i_p_= n  j  ! 


I  J 

And      aid     my  tongue  to     bless  his  name,  Whose  fa-vors     are      di   -  vine. 


170 


u.    ANDANTE.    Tenor. 

i— 8-^* 


The  Autumn  Evening- 


Be    -    hold     the     west  -  em      even  -  ing     light! 


8— ^-fj— •— — -— F—  •— d_ ^:-|^— j--j— g-=piU-  j— I 


fEZbJ±B&& 


For  four  Parts. 


melts    in      deep  -  ening        gloom : 


a  -  bove the dews    of       night,  The       yel  -  low      star     ap    - -    pears ; 


-U-F- 


!•—!•: 


'M—Vi 


VZX2 


Km- 


I 


f=ip=»: 


'EZZ3L. 


fei^ 


g3=y 


calm  -ly         Christians    sink     a  -  -  way,  De seending 


to     -  the 


tomb. 


HI 


heart   of     those  Whose     eyes  are bathed       in         tears 

>— P— P11?— f>— P P~P 


£ 


* 


zz«*z 


F=E=¥=S 


The  Ailtimm  Evening1.     Continued. 


171 


>? — i — r 


#— .»- 


#— ^r 


§3=lSESHp 


P^,e 


,1    How         mild  -ly        on        the        wandering    cloud  The       sun    -set    beam      is 


Egjgggggg^^g^iig^l 


2  But         soon    the  morn  -ing's       hap  -  pier    light      Its        glo     -    ry      shall      re 


.£ 


v- 


1*"# — ® 


f^  v  rr- 


-?    :»-- -j»  -^ — -j 


piU^Pi 


3^? 


T  is  like  the      mem  -  'ry         left      behind      When      loved  ones  breathe  their      last. 

fe | 


8fcp= 


~~~y 


f 


?-+* 


^T-P  r*  fe^jspp 


2^And eye  ^-  lids     that^ .-    are       sealed     in    death  Shall    wake       to      close     no  -    -     more. 

>    ___J__J_ 


SF 


F 


s8 


I¥ew  year's  Ode.     Sevens,  Eight     Lines. 

iginal  compos: 

M__ 


172 

ALLEGRO  MODERATO.        (Or  Benevento,)  From  the  Ancient  Lyre.     The  original  composition.     For  three  Parts. 
_  2d.  Treble.  P  Cresc.  Music  by  S.  Webbe.* 


_@_  _©_  _©_  _©_  ®    _o- 


Decresc. 


While  with  ceaseless  course  the  sun,  Hasted  through  the  former  year;  Many  souls  their 

«  ist.  Treble. 


e 


— m — —    — •--or f — • — f  -jfrj-? -t -*  — §>-fr — • — »    yi 

-^  Decresc. 

Cresc.  "I*"    -P"      © 


y  Ba?s-  J '  J J    J 

-P--P— (•—  p 


•.  • 


Solo. 


iqr=prq=S-i: 


iiiiBJiiiiiiisi 


race  have  run,  Nev-er  more  to  meet  us     here.  —  Fix'd  in     an     e  -  ter  -  nal  state, 


— i— I — h-d^-d* 


J~-$--e 


fefefei 


T P' 


:«i=j: 


■b 


-<? p- 


'I 9 — &~ 


■P—P- 


jE§=3= 


*  Words  by  Eev.  Mr.  Newton,  Rector  of  St.  Mary's,  London. 


1 


IVew  vear'8  Ode.     Continued. 


173 


g~g  ~e 


n 


•-•- 


iixz 


1 


They  have  done  with  all  be  -low.  We  a      lit  -  tie     lon-ger  wait,  But  how  little,  none  can     know. 

I        I 


As  the  winged  arrow  flies 

Speedily  the  mark  to  find; 
As  the  light'ning  from  the  skies 

Darts,  and  leaves  no  trace  behind. 
Swiftly  thus  our  fleeting  days 

Bear  us  down  life's  rapid  stream; 
Upwards,  Lord,  our  spirits  raise, 

All  below  is  but  a  dream. 


3  Thanks,  for  mercies  past,  receive, 

Pardon  of  our  sins  renew; 
Teach  us  henceforth  how  to  live, 

With  eternity  in  view; 
Bless  thy  word  to  young  and  old, 

Fill  us  with  a  Saviour's  love; 
And  when  life's  short  tale  is  told, 

May  we  dwell  with  thee  above. 


174 


DUETTO  ALLEGRETTO. 

u.        Alto  or  3d  Treble. 

I      m 


IVew  Hamf? shire.     8>s  &  7>s. 

From  the  Ancient  Lvre. 


For  two  Farts. 


5CJ 


-r==zzzr:^=n: 


:^:n"n: 


r- 


Hark! — what  mean  those  ho  -  \y     voi  -  ces,  Sweetly  sounding  through  the  skies? 

1st  Treble.  M  III  p**!        , , 


r£=±=rz± 

1-^.J — s. 


« — §— 
r — r— . , 


-r—r- 


:*:_z:J.:ii:tfgzza: 


l  .  — :     i — i     i 

Peace     on     earth,  good  will  from  heaven,  Reaching  far   as     man     is  -  -  found; 


>*2- 


m^rnmmf 


3= 


ZP5 


p 


:=n:=n: 

:®;a:zzrn: 


i 


Lo!  th'an-ge  1- ic     host    re--joices;      Heav'nly    hal- le  -   lu--jahs     rise. 


:ti-: 


:n:q:tq:n:- 
-f-»f*-J- 


fSE? 


3^" 

a 


Souls  redeem'd  and  sins    for  -  giv  -  en,  Loud  our     golden   harps    shall    sound. 
o 

-f- 


\*u-     P     • 

Mr~i * — I — J 


— =zr 


it 


i0— 


IVew  Hampshire.     Continued. 


175 


Hear   them    tell  the  wond'rous     sto  -  ry,  Hear  them  chant     in   hymns  of     joy, 


m 

— | r 


~r 


~i — i — ■  r~ 


T"        I        i  '  r  (• 

Haste,  ye      mor-tals,  to    a dore  him,  Learn  his    name  and     taste  his      joy, 


1 


;fef 

-! — * 


■*==£ 


~'^lS-9~ 


trr\n.\rfl\Ib-S1\  J.i| 

^ ( j ^-^ 


Glo-ry       in      the     high-est — glo-ry!      Glo-ry     be     to        God   most      high! 


-•-•- 


jrzzir 


!?rg/?Uij 


Till    in    heav'n  ye    sing    be  -  fore  him,   Glo-ry     be     to        God    most      high! 

__! JTjf: •  •     v.3. 


-I0- 


sj 


176 


JVew  Hampshire.     Continued. 


high  I         Glo-  -  xy        be         to       God   most         high ! 


God    most 


high! 

J 


^PUB 


ALLEGRO  ASSAl. 


Saratoga.    JL.  M.     CSlx  Lines.)  177 

For  two  or  three  Parts. 


T^ 


I®"    ^ 


Angels      of       light,  e  -  thereal      fires!       A  -  rise,       and  -  sweep    your 

r>,i!°-irir^l^ 


i®    P~ 


g= 


Fine.  ^ 

aw  -  ful        lyres!  To     you      the      sa  -  —  -  cred      right 


be- 


*£=l 


K£ 


— 1°"^ 


EJH 


T© 


o: 


b  ^  r  I  j 


1 

longs, 


S 


Mizm: 


D.  Cp.  /5s 


g= 


zg-ar^z^ 


To      raise     -       the        lay,  -  -      and     lead 


1  -r  h    h     rrTt 

ay,  -  -      and     lead        our    -  songs. 


H 


r 

songs. 

D.  Cp. 


178 

MODERATO. 


St.  Denis.     It's. 


For  two  or  three  Parts. 


?§§gl 


Come  saints,  and  a  -  -  dore    him,  come    bow    at   his 


O 


give  him  the 


-ft— 1»- 

BE 


^^^a^w 


glo  -   ry,    the    praise   that     is         meet!       Let       joy  -  ful     ho-   san-nasun- 


I  I       BBS 


~rH — 1 — r~j 


g3frf-Efff-H 


St.  Denis.     Continued. 


179 


-  ceasing    a  -  -  rise,    And      join 


the    full    cho  -  rus    that     gladdens  the  skies. 


£-*--.- 


o 


r3 1  Is  f^rt^^rrW^rTnn 


M- '• — n — — P^n — FT 


4-c 


• — • 

Jl T" 


• — © 

1 1 

i — h' 


?- 


mmm 


m?§m 


ALLA  CAPELA. 


T~ 


ill 


Calvin.    Ii.  ]H. 

zz~-o; 


© 


:?=s: 


ir 


A  -  rise !    a  -  rise ! 


1  i  i» 

-with  joy     sur  -  vey    The    glory  of  the 


For  three  Trebles 

r 


lat  -  -  ter     dav 


Al  -  rea-  dy      is  -  -  the  dawn  be-gun,  Which  marks  at    hand  the    risking    sun. 


r|=S^=|~F-R=^ 
HaJ*iol.Jg: 


180 

MODERATO. 


Marsh  field.     S's. 

For  two  or  three  Parts. 


m   _  .   m        i       0    r     ^~ 

r  p  i        i 

1  The   win-ter     is      o  -  ver  and    gone,  The  thrush  whistles  sweet  on  the    spray, 


;#* 


T 


r~ 


»f~rg    J.  J'  '     '     '"n— i 


2  Awake,  then,  my  harp  and  my    lute!  Sweet   organs   your  notes  softly    swell! 


1   The  turtle  breathes  forth  her  soft  moan,  The  lark  mounts  and  warbles  a  -  way. 

P P Pi     1: 


5*^. 


f=r: 


jo     w~w 


^ 


ss 


T- 


2  No      long-er  my     lips  shall  be    mute,    The  Saviour's   high    praises    to     tell. 


& 


1    Shall    eve 


"I W 

ry    creature 


mMmmm&^mm 


533=1 


a  -  round      Their     voices      in    concert     u  -   -  nite, 


jspd  rp~p — *~i r        n*~T~p — *t  ~i    !    rr""0"! 


2  His  love  in  my  heart  shed  a  -  broad,        My      graces  shall  bloom  as  the    spring; 


M&rshfield.     Continued. 


~B 


181 


briijL:JjJ-0-j 
'■' '  ''  i  f'irrz 


And    I,    the  most  favor'd      be    found, 


L       I       ^     TST 
In     praising,    to  take  less  de  -  -  light. 


:-y 


©zzp; 


m 


io^: 


-p—p 
— r- 


-o 


I 


This    temple,    his    Spirit's     a  -  -  bode,       My    joy,  as    my     du  -  ty     to     sing. 

Berlin.     8's. 


MODERATO. 


For  two  or  three  Parts. 

I 

T 


i     "i      r    i — ~t     i — i" — 1° — P~r ^ — i — "i — r    r~^~~ 

How  vast     is    the    tribute     I       owe,    Of    grati  -    tude,    homage    and  praise, 


fct-"» 


b-4-4 


-?^- 


t~; 


I     '      '    I   f*- 


ism 


6=tS=i 


F 


=ht 


— 


I 

"i      r- 


& 1 


© 


iO 


sa 


To   him  who  gave     all   I     pos-  sess,  The     life,  and  the  length  of  my      days, 


& 


o: 


s 


182 


Watchman!  tell  us  of  the  night* 


ALLEGRO. 
Tenor. 


Missionary  or  Christmas  Hymn. 

A  Composition  from  A  German  Authorv 


s 


~i i~i —  azri — hi 1 r — w~ 

1 — 1 —         m hi — w~-  p    ^ 


1   Watchman!  &c 


zyzjZZZVi 


^__p: 


* 


■qLl| 


What  its  signs  of  prom-ise  arej 


2d.  Treble  or  Alto. 


S 


^1- 


i 


crFFE 


i — 
—\ — s — i' 


^^ferfp 


2  Watchman!  watchman!     tell     us     of   the  night,  Higher  yet  that  star  as-cends, 

1st.  Treble. 


;i* 


MF 

Unison. 


B 


T~^' 


iteffl^^ 


pp-3-^ — 

Z^KJZTZZW. 


:54=F: 


:czc 


-|^r-|»— 


3  Watchman!  &c. 


For  the  morning  seems  to  dawn. 


Watchman!  tell  ns  of  the  night.    Continued.  183 


m 


1  Trav'ller!  o'er  yon  mountain's  height,  See  that  glo  -  ry    beaming     star! 


$=^-~ 


m 


2  Trav'ller!  bless-ed  -  ness  and  light,  Peace  and  truth  its  course  por  -tend! 


m 


±+-r 


V.  s. 


Solo. 


1 
^W 


i — r 


XSjM 


1°~ 

:* — I* — ~i — r   j*  i  m^ 


t^: 


J4 


^ 


S  Trav'ller!  dark-ness  takes  its  flight,  Doubt  and  ter  -  ror     are  withdrawn! 


184 


Watchman!  tell  us  of  the  night.    Continued. 


P  T  _     » t ?     

j?iZ=iirztsz=irrz 


£$¥4 


__rz:n — s 


13 


Watchman!  watchman!  does  its  beauteous  ray,  Aught  of  hope  or  joy  fore  -  tell? 


e=p 


fctf 


taF*7^ 


-S^- 


IS 


2  Watchman!  watchman!  will  its  beams  a  -  lone,  Gild  the  spot  that  gave  them  birth  ? 


r  far 
p      I 

TCTTI. 


ss^ 


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SZ3I 


-£t~#-J— i- 


kir   ?-.  r 

I         *         51 


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r=5 


.Vr  r  r 


^    a—a 


2ZI^: 


j-^-»-^-H — i 


-p — p — ( r 

3  Watchman!  watchman!  let     thy  wand 'rings  cease;  Hie  thee  to  thy  quiet   home? 


Watchman!  tell  us  of  the  night.    Continued. 


185 


m 


1   Trav'ller!  yes:  it  brings  the     day,  Promis'd  day    of       Is  -  ra  -   el! 


^ 


2  Trav'ller! 


a  -  ges  are     its      own,  See!   it  bursts  o'er    all    the  earth. 


i 


Organ  only  the  small  notes. 


b m- 


jr-j *- 


i — ~r 


3Z^3! 


=n 


r*;    J 


Solo. 


fa* 

v  j  ■ — , — 


^5 


t      p^r 


c-f>-l> 


1 — I      ^  ~»>~ 


i       i    — r — ^ — ^ 


_£ it 


tzfe— £ 


, J- 


g^l 


.1       w 


3  Trav'ller! 


lo!     the  Prince  of  Peace,  Lo!  the  Son  of      God  is     come! 


186 


Watchman!  tell  us  of  the  night.    Continued. 


P    CHORUS  Full. 


>b  f  "fir 


m #v — #- 


o 


r g r: 


1   Trav'ller!  yes:       it     brings  the        day, — Promis'd      day      of      Is  -  ra  -  el! 


&— m  , — m 


1=? 

9- 9- 


• — m- 


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2  Trav'ller!     a--ges     are      its        own,  See        it     bursts  o'er     all     the  earth. 


T   T  '  T    T 


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¥ 


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1 P P1 — 


fir: 


3  Trav'ller!  Lo!    the  Prince  of    Peace,     Lo!    the     Son      of    God      is  come! 


Watchman!  tell  us  of  the  night.    Continued 


187 


FF 


1   Trav'ller!  yes:     it     brings  the        day,— Promis'd    day     of        Is  -  ra  -  el! 

FF 


35ZZT5Z 


n 


2  Trav'ller!  a--  ges      are     its         own,  See       it     bursts  o'er     all      the  earth. 

FF  I 


f  •  W    J~  *•   T    r     W  ~T  1 
fr    ' — J-^— rr — " — "  hcrli 


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FF 


£     JL 


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■p-. — p- 


&~~\ 


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3  Trav'ller!  Lo!   the  Prince  of     Peace,    Lo!     the    Son     of     God      is    come! 


188 

ALLEGRO. 


Knoxville.     10?§.  &  ll?s. 


For  two  three  or  Parts. 


"1    1         I      I    J      I  I  I       J      !      I  1      SI 

fmwmmmm 


I     I    i        I     i.   i 

Home  of  our  God,  with  cheerful  anthems  ring,  While  all  our  lips  and  hearts    his 


E*EI 


^mtmmn&m^m 


glory       I  sing ;     The 


g=±-± 


no-g4iQ— £4p-F#H--p--NF&-p— H^-aF-F- 

I       o 

I 

glory 

v£ ©^O 


"i    r 

open  -  ing 


m 


^ 


T~ 


=^ 


year      his     graces    shall  pro-claim, 


— _. 


oCZ 


gr-a-:^ 


:^ 


^ 


— r~ 


r~ 


i — m & 

r  *r    i 


?spppl 


And    all      its       days     be      vocal    with  his     name:      The  Lord  is      good,     his 


j3g=ig^^£E[ 


~o — oz 


"~i 


H 


Knox  vi  lie.     Continued. 


89 


iRjP 





+-Et»— «-|-g-| — --*— 


^zizi: 


I     I     I     I 


^ 


fFT 


*    I      I      I    I    I 

mercy     never      end  -  ing;  His  blessings  in  perpetual  showers    descending. 


;*•*   •   •   •  •  [q:     ;   |i   J  cnz 


23: 


1 — i — i — r 


Z2 


m 


ALLEGRO. 


Danville.    C.  H. 


For  three  Trebles. 

2=§J 


When 


TT      i       r-     r-       I 
in     the     dust,    My    flesh  shall     be     thy    care: 


§^H§? 


These     with'ring    limbs  with    thee     I  trust,  To  raise  them  strong  and  fair. 


g 


— ; 


TX 


X5ZXX 

Aa 


TT 


— 


XX 


'•      I      I 


^^T-^=r 


i 


190  CHORAL. 


Dundee.    CM. 


For  three  Trebles. 


t=c? 


S=p 


^ 


H" 


hi — *i h       i   -]~| 1 — :  r Vi 


e^— e- 


i         i         i         ii         i         i         i       ;         ii         i  .■*=*-      o" 

Now      let      our       lips    with     ho   -    -   \y     fear,   And    mournful     pleasure    sing 

™iPi§ipifPPPP 

I  I     I  *  d   e^  =s 

O     ^  II  I  I T*  t s ^ 

^r^5±^^EH.rqQ-E^^^8z^EE^;z=^zEn^EH 


The  sufferings      of_  j>ur  great  High    Priest,  The     sorrows        of       our     King. 


MODERATO. 


isle 


m 


Vesper  Hymn, 


o~ 


_  r~ 

For  three  Parts. 


"^.^ 


Hark  the  _yesper      hymn_is  stealing      O'er  the  waters       soft    and  clear  ; 


n^tg 


pt? 


Sf33 


Nearer  yet  and      nearer     pealing 


r     t  i    •    ...  ».  r     f 

i     r    •  t^ 

Now,  like  moonlight  waves  retreating,  To  the  shore  it      dies         ^l°_ngj Now^ike  angry    surges  meeting, 


I=ill|i=pl 


Ju    -      bi    -    -    la 


5=f 


E^ 


fifi^ 


T© 


>       -^    y~-, 

he 
T" 


Vesper  Hymn.     Continued 

m 


191 


■f- 


T 


(•  _ 

nr: 


OE 


f— f 


i 


-p- 

Now    it  bursts   up  -  on  the  ear.        Ju  -  hi    -    la_-    te      Ju  -    bi  -  la  -  te      Ju  -  bi  -     la  -  te         A  -  -  -  men 


tt 


© 


■p-f 


p-p 


i      i — i    r 


i      i — r 


A    -    -    men         A  -  -  men       Ju  -  bi  -  -  la  -  te  &x. 


Szq=qsz 


i 


I* 


3*=±^z3 


Far    - ther       now,        now far    -    ther      steal  -  ing,      Soft         it         fades         up    -    on       the      ear 


H — fct 

9T — m # 


"Pi — [ 


e 


s 

p       ?• 


Hush  !     again,      like     waves     re  -  treat  -  ing,         To         the     shore         it         dies  along. 

J- * «- 


e     ear, 

3^3—J- ..^faj  J II 


big   r  f-^m. 


3 


~- 


o: 


#T 


If 


Ju- 


s 


i 


192 


ALLEGRO  ASSAI. 
Tenor.        P      


Funeral  Anthem. 

Four  Parts. 


Rev:  xiv. 


&Z 


t-^~-^+ 


MP 


^=ac=#^±zo=rpj 


=S3: 


3 


J.  Kimball. 
Witji  Alteratio... 


I     heard      a         great  -  -  voice     from     heav'n, 


I     heard 


1st.  Treble 


=^#SC 


great  -  voice  from  heav'n,  say  -  ing     un  -  to      me,      say  -  ing  un  -  to     me, 

J I  I I I I        I I L 


^ 


1 


1 


d-  i 

EH 


=bet 


izo: 


^=w 


r» — m — m — # 


i 


I 

d 


-6- 


E 


-[•— !•— P— (•" 
p 


^^ 


T©^ 


:J=d= 


-r*-*—*- 


S 
1^-i 


J 


yy§^=^ 


Funeral  Alithem.       Continued. 


193 


write  from  henceforth,  write  from  henceforth,  write,     bless-ed    are  the     dead. 

PI  I  I MF 


TT 


& 


1&—P 


cxo:fqi^i=i 


P 


&=?: 


TJ-r 


P 


v=l=l=i 


m 


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XL 


MFJ.       J 


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o 

I 

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i    i        r      i        i 

o 

r-*1 

s 

)    i        i        ii 

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<J   — 

Bless  - 

0     J 

ed 

I 

are 

1 

the 

1 

dead,          who 

die              in 

the 

Lord. 

J 

1 

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1             1 

Jf 

o 

O 

o< 

Mi 

o 

A 

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194 


Funeral   Anthem.     Continued. 


MP 


^^-^p^^iJULA 


xs 


Pt 


E  -  ven    so,   e  -  ven   so,  saith  the   spir  -  it,     For  they  rest  from  their  labours,  they 
® — m- 

MF 

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21 


r 


g^Effite 


F 


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nzc 


ISfet 


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rest,  for  they  rest  from  their  labors,  they  rest  from  their  labors,     and  their  works  do 

J.    J.d       J-pO-1 kr-J-t 


:ese: 


'trP-tp-i*— 

i  i — 


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I      I     I 


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r 


£ 


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« 


Funeral  Anthem.    Continued. 


195 


Cresd: 


Ritar. 


fol  -  low  them,  their  works  do    fol 

i       i  _____    •        i; I 


low  them,    their  works  do     fol  -  -  low  them. 

4 


psf§g|^i=J 


Tenor.    ALLEGRO  MODERATO. 


Anthem.— Luke  xix. 


To  four  Parts. 


i^e 


i 


j B--j 1       _[—(— 

-*-  g— P»— P"P~p- 


g= 


1st.  Treble. 


lir 


__i 


p»-_ 


n=S=? 


?» 


Tell  ye  the  daughters  of  Je-ru-sa-leni; 

N__Bi.   _ _. 


P~~ I        P   ~P~ 


1 1 — 

2d.  Treble.  P        P  ^  «# 

Tell  ye  the  daughters  of  Je-ru -sa- lem 


__! — !         l_ — ______  .^ 


p p 

p   p   p   p  ;p 


196 


Anthem*     Continued. 


*     I        ^  lit 

be-hold,  behold   the    king  com-eth    meek 


I  I 

-  ly,      the  king  cometh  meekly, 


m 


-%- 


$~F~T  g  g  hf*4»--p-|-7 

i — i — ?— p-i— i — ■ — i — — i — i — i- 


i& 


] 


Even     at   the  des  -  cent        of     the     mount      of 


Ol  -  -    ives. 


— p — p — 5--g-J — io — p — p— x- 


i 


Tempo  primo. 


— d — P 


:^ 


-©- 


"I — p" 


i     r 


m 


i© 


f   m  it  1 

r    — t— r 


+       J 


::r 


i 


;o: 


iQ 


-© 


VllUieill.      Continued. 


197 


Allegro. 


Crescd: 


•>  I w 

Then  the  whole  multitude  be-gan      to     re  -  joice  and  praise  God with  loud 

Crescd:  I 

J  O    _ 


x> 


1& 


3 1 ( fr~ 


T?~^ — r 


Bg^i^ 


voi  -  ces,     for  all    the  migh-ty  works,     for    all  the  mighty  works,  they  had  seen, 

^     I        1 ! 1       I        T- 


108 


Allthem,     Continued. 


JBpgj^Ji^ 


o 


S£ 


say  -  -  ing : 


Bles  -  -  sed, 


Bles  -  -  sed,  Bles  -  sed     is         he  -  -  that 


flBilipiill^ 


l0- 


_  | — - — s     #— , 

P  f      W       P-|-    r~ 

-d  •'      J       d*^ 
::z:^po:7|::p~^pa:i[:~o 


^E39E 


=SJl 


:^az~ 


3 


g 


gg 


com-eth  in    the  name  in     the  name  of  the     Lord,    Ho  -  sannah,  ho  -  san  -  nah, 

I  S       I  I  J  Unison.  g: 


Anthem.      Continued. 


199 


^. /Tv         ^  _  PP 


:oz: 


i®- 


thou     King      of         Glo 


f^EE^E^P 


Lio: 


o 


ry> 


-o- 


peace,    peace  in     heav'n. 


'-•^-^S: 


I 


PP 


5E=rEE3E=SE= 


o^ 


d 


■"or 


^ 


-o 


mm 


icy 


d 

X5: 


XO.  1.  >IF 


Cresd: 


^~T 


O O 


Glo  -    ry, 


"I r 


^>-  — o- 


glo  -  -  ry,     glo    -  ry       in       the         high     -     -     est, 


i* — i» — ? — e— F 


-,— o- 


,-oL 


<E^ 


^ 


^ 


yf   j»      f>= 


xn 


jg^ 


200 


Anthem.     Continued. 


NO.  2.    FF 


t:  II  I   p-\-^-m-\r-r yj- 


^F^ 


I    p.,  p  i    r^ 


Hal-le  -  lu-jah  hal-le  -  lu- jah      hal  -le-  lu-jah  hal-  le-  lu- jah 

:=Fr 


hal-le  -lu-jah 


nirsqr«~ff^r!!b:?b~nTT^s~T" ^^jMzw'    l i^: J5JJ 

:r__i t p_flZl__-__J ■_-p_ji.j_.j_s 


FF 

Unison. 


:p_:p~:p 


p   5 


:p_:_z. 


"i — i — r 


m      A'     Unison. 


P 
P      P 

h    ft 


"p—| — r" 
p   p 
_£  .^  _,_  _J_ 


«   -!•"  _•" 


— :p~r ! — ! — ~mrrm~m-~m—\ — Pinzu rr~ 

-—_=________=— ^R--3=] 


P"P~-p~P' 

_____ 


&-Qipzp; 


sa 


Amen  hal  -  le  -  lu  -  jah 

J-J- 


A men. 


J-  -J-  _L 


o_^r|_o__zi[ 


-J- 


q_±} 


-!©-— T    - 


_-£ 


o~o~i ;n"TT°"i 


i  .   . 


May  be  repeated  from  No.  1.  or  No.  2, 


Webb.    5>s.  6's, 

From  the  American  Harp. 


201 

For  three  Parta. 


How  wondrous  and  great  thy  works,  God  of  praise!  How  just  King  of  saints,  And 


M^ EZCE3I 


S^ 


:$mm 


LQZ 


mm: 


-©- 


1 


r%S.   s>    i — rx — i-^-! — I  L v       I 

^  i      i^i      i        f 


n — i — chiu 


tF^ 


true,  are  thy     ways!    Oh  who  shall  not  fear  thee,  And     hon  -  or  thy  name!  Thou 


^ 


wo 


"I K* 


:o 


^ 


** 


:^-#-dl=HH-==g=ri= 


i 


i 


i 


on  -  ly    art     ho  -  ly,  Thou      only     su   -    preme!  Thou     on  -  ly  su  -  preme! 


» 


rzic 


tz:?z:?: 


ZL 


1©- 


ifefi 


** 


May  be  omitted. 


** 


INDEXES 


Index  of  the  Select  Pieces. 


i 


Burst,  ye  em'rald  gates 163 

Come  ye  Disconsolate 150 

Father!  father!  (Song.) 156 

From  Greenland's  Icy  Mountains.      .  158 

Hark!  what  mean  those  holy  voices.  174 

How  wondrous  and  great 301 

Hymn  of  Nature 166 

I  heard  a  great  voice  from  heav'n.     .  192 

Tell  ye  the  daughters  of  Jerusalem.   .  195 

The  Autumn  Evening-. 170 

The  good  old  man  is  gone 164 


The  light  of  Sabbath  Eve.    .     . 
The%Lord  wifl  comfort  Zion. 
The  winter  is  over  and  gone. 
Thou  sweet  gliding  Kedron. 
Our  Father,  whose  eternal  sway 
Sweet  child,  that  wasted  form. 

Vesper  Hymn 

Watchman!  tell  us  of  the  night. 

Weep  not  for  me 

While  with  ceaseless  course  the  sun 
Why  trembling  and  sad 


112 

160 
180 
124 
139 
168 
190 
182 
132 


172 

i 


Index  of  the  Tunes. 


A  Child's  Praver,  C.  M 32.1  Lecture  Hymn,  7's 79 

A  Hymn  of  Praise,  CM 58      Lite's  Journey,  CM 54 

'.'.'.'.'.'.'.'.'.'.'.'.'117 


A  Song  of  Praise,  L.  M 

Advent,  C.  M.*    9" 

Anniversary  of  Independence,  7's, 

8's  &G's 114 

Anniversary  Hvtnn,  7's  &  6's 106 

Bedford  Street,"  L.  M 99 

Birth  of  Christ,  8's  &  7's,  eight  lines. l')0 

Blendon,  L.  M 28 

Blessings  of  Instruction,  S's  &  7's.  . .  .b9 

Bunker   Hill,  4's,  G's  &  e's 120 

Eutlinston,  &'s,  8's  &.  6's 139 


>     Lisbon,  B.  M. 
Liverpool,  C.  M.* 

Love  of  God,  7's 85 

Luton,  L..M 21 

Luther,  6's  &  4's 102 

Medway,  L.  M 27 

Mercy  Everlasting,  C.  M 35 

Missionary  Hymn,  7's  &  G's 158 

Missionary  Prayer,  C.  M 4ti 

Morning  Mercies,  L.  M 6 

Morning,  L.  M 7 


Charleston,  L.  M 5  Morning  flvnin,  8's  &c  ll's 130 

Chilton,  C.  P.  M 146  Mornins  Song,  L.  M 12 

Christian  Friendship,  L.  M.* 131  Momington,  S.  M 70 

Christian  Love,   S.  M 68  Mozart's  Hymn,  7's 78 


Christ  the  Saviour,  C 

Concord,  KJ's 

Convert,   L.  M 


M. 


Dalston,S.  P.  M 149  rN 


Death,  C.   M 

Denton,  L.  M 

Dirge,  10's 

Doxologies.  S.  M.  . 
DoxoloL'y,  L.  M.  . . 
Do.xo'touv,  G's  c;  4'a 
Doxology,  G's 


2 

V.YJa 

...135 
72—93 
....91 
...104 
. . . 128 


Doxoloev,  C.  M 133 

Dundee,  CM."* 190 

Earlv  Death,  7's 77 

Eaton,  L.  M.  six  lines,  or  L.  P.  M.  .  .140 

Emtnaus,  C.  M.*  143 

Fervencv  of  Devotion,  L.  M 19 

Festival  Hymn,  S.  M 66 

Trankford,   12's ]0.V 

n     's  Omnipotence,  C.  M 38 

~«niville,  b's  &  7's,  or  8,  7  &  4 86 

Green's  Hundred,  L.  M f)I 

Hallelujali,  L.  M 31 

Hamburg,  7's 83 

Heaven,  S.  M.*  127 

Hebron,  10's  til's 122 

Hingham,  8's  &.  4's 98 

Hope  of  Heaven,  7's  &  6's 108 

Innocence,  7's 84 

Jnviaiion,  C.  M 48 

haaiueih,  8's-  96—180 


Names  of  Christ,  C.  M 55 

Naples  or  Hamburg,  7's 83 

Newcourt,  L.  M.  6  lines,  or  L.  P.  M.  142 


C.  M. 


Old  Hundred,  L.  M.  , 
Onslow,  5's  &  8's.  ... 

OufGod,  8's 

Owego,  8's,  3's  fc  G's. 

Pilton,  7's 

Plevel's  Ilvnin,  7's.  .. 
Poplin,  S.'M 


Praise  from  Earth  to  Heaven,  L.  M.  ..17 

Praise,  8's,  Vi  &  4's 90 

Praise  to  God,  C,  M 34,35 

1  Praise  to  Jesus,  S.  M 72 

Praver,  L.  M L..1G 

Prayer,  b's,  7's  &  4's !2 

Prayer,  C.  M 33,  137* 

1  Protection,  C.  M 4!( 

Providence,  8's  &.  4's 136 

Providence,  CM 44 

Rapture,  C.P..M 144 

[  Redeeming  Love,  CM 59 

■  Remember  thy  Creator,  C  M 42 

;  Rockfield,  10's 95 

i  Rothwell,  L.  M 13 

Sabbath  Dav,  7's 87 

Sabbath  Dav,  S.  M 74 

Sabbath  llvrnn,  S.  M 65 

i  Sabbath  Tune,  ll's  &  12's 126 

I  Sabbath  Morning,  S.  M 76 


Sabbath  Evening,  6's,  six  lines 112 

Shaftsburv,  H.  M 118 

Shirland,S.  M 71 

Shiloh,  P.  M.  four  8's  &  two  7's 152 

Sicilian  Hymn,  8's  &  7's 92 

St.  Anne's,   CM 55 

St.  Jerome's,  S.  P.  M 148 

St.  Thomas,  S.  M 72 

Sun  Rise,  C  M 49 

Sun  Set,  L.  M 18 

Teacher's  Meeting,  S.  M G2 

Time,  7's  &  G's 110 

Thanks  for  Instruction,  S.  M 63 

Thanks  for  many  Mercies,  C  M 37 

Thatcher,  S.  M 75 

The  Bible,  L.  M 14 

The  Eternal  Spirit,  L.  M 25 

The  Incarnation,  C  M 45 

The  Fulness  and  the  Grace  of  Chiist, 

CM 30 

The  Fading  Lilv,  S.  M 61 

The  Good  Resolution,  L.  M 11 

The  Garden  of  Kedron,  ll's 124 

The  Good  Shepherd,  L.  M 20 

Thv  Cilorv  of  the  Lord,  S.  M 71 

The  (Jrea'tness  of  God,  L.  M 22 

lie  Holy  Scripture  our  Guide,  C  M.  50 

The  Lord's  Day,  C.  M 41 

The  Little  Pilgrim,  C  M 53 

The  Narrow  Way,  C  M.* 113 

The  New  Year,  L.  M.  < 24 

The  Power  of  God,  L.  M 10 

The  Righteous  Dead,  6's  &  7's B8 

The  Sabbath  School,  S.  M 64 

The  Satiour  our  King,  S.  M 69 

The  Scriptures,  CM 39 

The  Scriptures  our  Light,  CM 51 

Thou,  God,  seest  me,  CM 57 

Triumph,  H.  M 119 

Universal  Praise,  S.  M 60,  67 

Universal  Reign  of  Jesus,  L.  M 9 

Waterfield,  7's  &.  5's 129 

Water  Street,  L.  M 8 

Wells,  L.  M.* 141 

Weep  not  for  mc,  6's  it.  4's 132 

Wevmouth,  CM 69 

Winter,  P.  M.  6's  &  ll's 116 

Worship,  L.  M 26 


metrical  Index. 

*  This  sign  indicates  three  Trebles 

From  page  5,  as  far  as  page  30 — and  pages 
131,*  141,*  157,  179,*  165. 
C.   M. 

From  page  30,  as  far  as  59— and  pages  97,*  99, 
113,*  117,*  133, 137,*  143,*  169,*  189,*  190.* 

S.9E. 

From  page  60,  as  far  as  76— and  pages  91, 
93,  127,*  162.* 

7's. 

From  page  77,  as  far  as  87 — and  page  172, 194.* 

S's  &  7's. 
Pages  82,  86,  88,  89,  100,  174. 

6's. 
Pages  112,  128. 

8's. 

Pages  94,  96,  180,  181. 

6'S  &  4'S. 
Pages  102,  104. 

8's&4's. 
Pages  98,  132,*  136. 

7's  &  6's. 
Pages  106,  108,  110,  158,  168. 

8'S,  7'S&4'S. 
Pages  86,  90,  92. 

5's&8's.       !        S's  &  6's. 
Page  134.  j      Page  201. 

lO's. 

Pages*  95,  103,  135. 

ll's&lO's. 

Page  122. 

lO's&ll's. 

Page  188. 


ll'S. 

Pages  124,  178. 

ll'S    &    19'S. 

Pages  126,  153. 

13'S. 

Page  105. 

7s,  8's  &  6's. 

Page  114. 

8's  All's. 

Pages  116,  130. 

4's,  6's  &  8's. 
Page  120. 

7's  &5's. 

Page  129. 


Page  138. 


Page  139. 


Page  163. 


8's,  3's  &6's. 
8's,  8's  &  6's. 
7's,  6's  &  7's. 


4's,  8's  <fc  two  7's. 


Page  152. 

I,.  1?1.  Eight  Lines. 

Page  166. 

H.  M. 

Pages  118, 119. 

Ii.  P.  III.  or  L.  If.  Six  Lines. 

Pages  140,  142,177. 

c.  p.  m. 

Pages  144,  146. 

s.  p.  m. 

Pages  148,  149. 


^-Jk 


s* 


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